Trash Disco Classics by Party Favorz

This is a disco classics mix — Thank God It's Disco, Volume 8 (2022) — the four‑hour finale of the series, assembled as a remastered celebration of popular disco songs for modern club sound. The set balances floor‑filling favourites with deeper gems, updated and sequenced to preserve original groove while delivering contemporary clarity and punch.

Standouts include Chemise’s underground 1982 cut “She Can’t Love” in a Purple Disco Machine extended mix, a fresh Party Favorz re‑edit of Ahzz’s “New York Moving,” and playful treatments of Ottawan’s “D.I.S.C.O.” alongside Dimitri From Paris’ Sister Sledge remix. You’ll also hear refreshed mixes of Chic and Donna Summer woven into a nearly four‑hour continuous sequence that leans on extended remixes and tasteful reworks rather than gimmicks.

Volume 8 is released as a tribute to the late Irene Cara and dedicated to her memory; her “Flashdance (What A Feeling)” appears here in a contemporary club mix. This final instalment closes the Thank God It’s Disco run with a respectful, dance‑ready nod to the era.

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Disco Reworks — Thank God It's Disco Vol. 7 (2022) gathers reimagined 70s and 80s classics updated for modern dance floors. This installment continues the Thank God It’s Disco series’ mission to surface both radio-ready anthems and deeper crate finds, presented as extended mixes, alternate intros, and club-ready remixes for sustained DJ play or home listening. Highlights include Dimitri From Paris treatments on Bohannon and Chic, multiple Barry Harris 2022 revisions across First Choice, Sylvester, and Ashford & Simpson, plus a synth-forward Purple Disco Machine & Lorenz Rhode remix of Kano. The set balances familiar hooks like Disco Gurls’ takes on “Stayin’ Alive” and “Get Down On It” with underground-friendly edits from Jet Boot Jack, Block & Crown, and Paul Parsons. At just over four hours, Vol. 7 leans into both nostalgia and contemporary production—expect big-room extended mixes, tasteful reworks that preserve the originals’ soul, and a few surprising pairings that reveal how these grooves still inform today’s dance music.

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This episode is Trash Disco Classics — Thank God It’s Disco Volume 6 (2021), a two-hour set of 70s and 80s top-rated disco songs remixed for modern dance floors. The aim is clear: revive classic songwriting with contemporary club production so the originals sit naturally beside new electronic beats for younger listeners and longtime fans alike.

Highlights include Lionel Richie’s "All Night Long" in the Softmal & Nytron 2K21 Mix and Donna Summer’s "Bad Girls" via the Eugenio Fico rework. DJ Meme contributes a Definitive Remix of The Brothers Johnson’s "Stomp!" and a Reconstruction Remix of George Michael’s "Outside," while Block & Crown turn up fresh versions of Michael Jackson and Diana Ross. Dr Packer’s reworks of Sylvester and Chaka Khan plus Barry Harris’s 2021 remix of The Jacksons add funk-forward energy. The collection favors groove-forward, dancefloor-ready versions that keep the spirit of the originals intact while updating arrangements and beats for today’s club contexts.

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Disco mix, Thank God It’s Disco Volume 5 (2021) collects reworked 70s and 80s favorites into a three-hour compilation aimed at updating classic hooks for modern dancefloors. The set balances faithful-stem edits and full remixes, presenting familiar melodies alongside fresh production choices meant for DJs and disco fans alike.

Highlights include Jet Boot Jack’s take on Gloria Gaynor’s “Never Can Say Goodbye,” Antony Fennel’s house-tinged revamp of “I Will Survive,” and multiple Block & Crown reworks that touch Donna Summer, Rose Royce, and MFSB material. The compilation also leans on contemporary cutters like Dr Packer and Paul Parsons throughout the tracklist, and a serviceable ABBA mix keeps the retro thread intact.

Listeners will find extended club versions, mashups, and stem-based reimaginations that favor dancefloor utility over archival purity. If you want a modern disco set that nods to the originals while offering DJ-ready arrangements, this volume delivers.

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Disco mix — Thank God It's Disco Volume 4 (2021) — collects remixes and reworks that update familiar dance‑floor hits with steady disco and funk grooves. This installment doubles as a bridge to forthcoming Volumes 5 and 6 while nodding to late‑80s dance flavor and modern nudisco edits, all sequenced for long‑form listening.

The program leans heavily on Dr Packer, whose remixes and reworks shape much of the set, with notable contributions from Block & Crown and Barry Harris and a closing nod from DJ Meme. Highlights include fresh takes on Donna Summer, Diana Ross, Patrice Rushen and the Bee Gees alongside funk staples from Parliament and Earth, Wind & Fire.

Clocking in near four hours, the mix balances peak disco energy with soulful, groove‑driven moments and teases upcoming Tony Moran Legacy tie‑ins. It’s a curated ride for listeners who like classic vocals and vintage grooves reframed for contemporary floors.

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Disco mix — Thank God It's Disco Volume 3 (2020) digs into classic disco reworks and rare-era gems retouched for modern dancefloors. This 4+ hour set balances familiar crowd-pleasers with lesser-known originals whose riffs and hooks quietly shaped later house and club hits.

Expect standout remixes from Dimitri From Paris, Joey Negro, Dr. Packer, and Disco Incorporated alongside originals and edits by Sister Sledge, Chic, Jackie Moore, and Gary's Gang. The set intentionally highlights source-material connections — from John Davis & The Monster Orchestra to Gary's Gang — and points out how those motifs reappeared in 90s and 2000s dance tracks.

Rather than a greatest-hits laundry list, the compilation surfaces tucked-away treasures and respectful re-edits that preserve the original groove while updating production for peak-hour play. If you follow disco through to modern house, this mix is a thoughtful, long-form ride through lineage and dancefloor-ready reworks.

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Disco remixes and reimagined classics: Thank God It's Disco Volume 2 (2020) gathers over four and a half hours of remastered 70s and 80s dancefloor gems updated for modern sound systems. This installment concentrates on rare versions and contemporary DJ edits that preserve the originals' groove while adding fresh production, restoring true song titles and remixer credits to make tracking releases easier on Juno, Beatport, or Traxsource.

The set leans into boogie and sophisticated disco textures with notable reworks of Change, Diana Ross, Blondie, and Patrice Rushen alongside edits by Purple Disco Machine and frequent remixer Dr. Packer. Barry Harris’s club mixes and live Sunday Tea Dance broadcasts are referenced as part of the current scene, but the compilation itself is aimed squarely at uninterrupted floor energy—roomy low end, steady party pace, and tasteful takes that keep the soul of the originals intact. Volume 3 is already teased for release soon; enjoy Volume 2 in the meantime.

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Disco edits and reimagined classics — Thank God It's Disco Volume 1 (2020) collects DJ Barry Harris’s T.G.I.D. edits and refreshes of 70s and 80s Soul, Funk and Disco made for modern dance floors. The set was curated to turn oft-ignored originals into DJ-friendly versions for Pride sets, late-night rooms and crate-diggers wanting familiar hooks with contemporary polish.

Highlights include club mixes of Bill Withers’ "Lovely Day," Toto’s "Africa," Taana Gardner’s "Heartbeat," and refreshed turns on Earth, Wind & Fire and Chic, plus a curious early-80s find, Hot Streak’s "Body Work." Several 2018–19 Barry Harris remixes and a Soulboss bootleg crop up alongside T.G.I.D. treatments, revealing both pop favourites and deeper gems from his record collection.

At just under four hours, the mix leans into melody and groove rather than novelty edits, designed to sit smoothly in a DJ mix while reviving classic hooks for a new audience. Expect some overlap with previous Ultimate Trash Disco material but plenty of rediscovered moments for listeners who love disco reworks.

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Disco Classics — The Ultimate Trash Disco Collection Vol. 7 (2018) dives into classic disco grooves with a DJ-friendly anthology of re-edits and extended mixes built for high-energy sets. This installment surveys familiar anthems and deeper gems across a 2½-hour mix, balancing chart favorites with percussive, high‑BPM selections intended for the dancefloor.

Highlights include Sylvester’s (You Make Me Feel) Mighty Real, France Joli’s Come To Me, Amii Stewart’s remake of Knock On Wood and Brainstorm’s Lovin’ Is Really My Game, many presented as Digital Visions re-edits. The set also leans on party staples like The Weather Girls’ It’s Raining Men and the provocative Musique cut In The Bush, alongside club remixes such as the Hot Tracks take on No More Tears (Enough Is Enough). Whether you’re digging for retro set ideas or revisiting disco history, Vol. 7 assembles a celebratory, dancefloor-first snapshot of the era.

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Disco — The Ultimate Trash Disco Collection Vol. 6 (2018) gathers three and a half hours of familiar disco anthems and modern re-edits meant for listening or the dancefloor. This closing-volume mix reflects on the era’s communal energy, sequencing soulful grooves, funk-leaning cuts, and euphoric closers to remind listeners why these songs endure.

Highlights include Yvonne Elliman’s “Love Pains” (Disconet Remix), Stargard’s funk-tinged “Which Way Is Up” (Art Bleek Edit), The O’Jays’ crossover classic “Use To Be My Girl,” Patrice Rushen’s “Forget Me Nots,” and Chic’s and Donna Summer’s signature entries. The set leans on fresh DJ-friendly work from Digital Visions, Dr. Packer, Dimitri From Paris, and SanFranDisko to give many tracks a longer, club-ready feel while preserving their original hooks and vocal moments.

At 3:36:13 the compilation balances vintage songwriting with contemporary edits—ideal for listeners who want roomy builds, extended mixes, and a steady groove from warm soul to ecstatic finales.

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