This is a disco classics mix — Thank God It's Disco, Volume 8 (2022) — the four‑hour finale of the series, assembled as a remastered celebration of popular disco songs. The set balances familiar floor-fillers with deeper gems, updated and sequenced for modern club sound while keeping the original groove intact.

Standouts include Chemise's underground 1982 cut "She Can't Love" in a Purple Disco Machine extended remix, an energized Ahzz "New York Moving" Party Favorz re‑edit, and classic treatments of Ottawan's "D.I.S.C.O." alongside Dimitri From Paris' take on Sister Sledge. The collection also features refreshed mixes of Chic, Bee Gees, Patrice Rushen, and Donna Summer, offering a mix of extended remixes and contemporary reworks that respect the originals.

Volume 8 is released as a tribute and is dedicated to Irene Cara, whose voice helped define late‑disco and early‑’80s pop. This final installment closes the Thank God It's Disco run with a celebratory, dance‑ready nod to the era.

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Disco — Thank God It's Disco Vol. 7 (2022) collects remixes, reworks, and modern edits of 70s and 80s classics designed for contemporary dance floors. This installment continues Party Favorz's mission to resurface familiar grooves and deeper crate finds, updating them without losing the original soul. Highlights include Dimitri From Paris outings on Bohannon and Chic, several Barry Harris 2022 revisions for First Choice and Sylvester, and a new Purple Disco Machine & Lorenz Rhode take on Kano that leans into 80s synth textures. The set balances radio-friendly anthems like the Disco Gurls edit of “Stayin’ Alive” with underground favorites and club-focused retools, offering a nearly four-hour sequence meant for sustained DJ play or home listening. If you love rediscovered disco framed through modern remixes, this volume is full of familiar hooks given fresh production — expect extended mixes, thoughtful alt intros, and a few surprising pairings that underline how these grooves still drive today’s dance music.

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Disco fans — Thank God It's Disco Volume 6 (2021) revives top-rated 70s and 80s dance classics with contemporary remixes made for modern floors. This installment collects fresh reworks that aim to bridge nostalgia and current club energy, taking well-known originals and updating them with electronic production and club-friendly dynamics. Highlights include Lionel Richie’s “All Night Long” in the Softmal & Nytron 2K21 Mix, Donna Summer’s “Bad Girls” reimagined by Eugenio Fico, and DJ Meme’s Definitive Remix of The Brothers Johnson’s “Stomp!” Block & Crown’s takes on Michael Jackson and Diana Ross crop up alongside Dr Packer’s electrifying reworks of Sylvester and Chaka Khan. Barry Harris’s 2021 remix of The Jacksons’ “Can You Feel It” and mashups like Gino Soccio vs. Sugar Hill Gang add playful variety. The set runs just over two hours and favors groove-forward, dancefloor-ready versions that introduce classic songwriting to younger club crowds while keeping the originals’ spirit intact.

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Disco compilation, Thank God It’s Disco Volume 5 (2021), gathers reworked 70s and 80s favorites into a three-hour modern disco mix. This volume updates classics for the club era—some tracks use original stems while others are full remixes or mashups—aimed at listeners who want familiar hooks with contemporary production. Highlights include Jet Boot Jack’s take on Gloria Gaynor’s “Never Can Say Goodbye,” Antony Fennel’s house-leaning revamp of “I Will Survive,” and several Block & Crown reworks across Donna Summer, Rose Royce, and MFSB material. Producers like Dr Packer, Paul Parsons, and Barry Harris also contribute fresh club edits, while entries from ABBA, Chic, Patrick Cowley & Sylvester, and Lipps Inc. keep the tracklist rooted in disco’s biggest moments. The set favors dancefloor-friendly extended mixes and thoughtful mashups, making it useful both for casual listeners and DJs building a retro-meets-modern disco set.

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Disco-forward mix from the Thank God It's Disco series — Volume 4 (2021) — collecting remixes and reworks that refresh familiar dance-floor hits. This installment leans into classic disco and funk grooves while threading in late‑80s dance flavor and modern nudisco edits, assembled as a long-form listening experience that prefaces Volumes 5 and 6.

The set highlights heavy contributions from Dr Packer, who remixes or reworks the bulk of the program, with standout turns from Block & Crown and nods to Barry Harris and DJ Meme. Expect revamped takes on Donna Summer, Grace Jones, Diana Ross, and the Bee Gees alongside funk and club staples like Parliament and Patrice Rushen.

At just under four hours, the mix balances peak-time disco energy with deeper soulful moments — a curated ride for listeners who want classic vocal and groove-driven tracks updated for contemporary dance floors. Enjoy the reinterpretations and keep an ear out for the Tony Moran Legacy tie‑ins mentioned in the release notes.

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Disco mix — Thank God It's Disco Volume 3 (2020) celebrates classic disco reworks and deep-era gems retouched for modern dancefloors. This 4+ hour set balances familiar crowd-pleasers with lesser-known originals whose riffs and hooks have quietly influenced later house and club hits. Expect remixes and re-edits by Dimitri From Paris, Joey Negro, Dr. Packer, and Disco Incorporated alongside originals from Sister Sledge, Chic, Jackie Moore, and Gary's Gang.

The episode highlights connections across decades: the post notes point to John Davis & The Monster Orchestra and Gary's Gang as source material for later club hits, and calls out Armand Van Helden and Freemasons for borrowing disco motifs. Select remixes to listen for include Dimitri From Paris’ takes on Sister Sledge and Chic, Joey Negro’s extended mixes, and Danny Krivit and Tony Mathe reworks that keep the original groove while updating the production. A long, lovingly curated ride for disco heads and curious newcomers alike.

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Disco remixes and reimagined classics: Thank God It's Disco Volume 2 (2020) collects nearly four and a half hours of remastered 70s and 80s dancefloor gems updated for modern sound systems. This edition focuses on rare versions and contemporary DJ edits that keep the originals' groove while adding fresh production — from Dr. Packer’s many retakes to club-minded treatments by Barry Harris and Purple Disco Machine. Highlights include spirited reworks of Change, Patrice Rushen, Diana Ross, and Blondie alongside savvy edits by Joey Negro and SanFranDisko. The set leans into boogie and sophisticated disco textures, with a few tracks renamed by remixers but restored here with original titles and remixer credits to help you find them on Juno, Beatport, or Traxsource. If you follow the scene, Barry Harris’s live Sunday Tea Dance remains a reminder that classic disco lives in both archives and current performance. Expect seamless mixes, roomy low end, and a steady party pace — Volume 3 is already teased for release soon.

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Disco edits and reimagined classics — Thank God It's Disco (2020) collects club-ready reworks aimed at modern dance floors. This episode showcases DJ Barry Harris’s T.G.I.D. edits and remixes that turn 70s and 80s Soul, Funk, and Disco into DJ-friendly versions for Pride sets and late-night rooms.

Highlights include fresh takes on Bill Withers’ Lovely Day, Toto’s Africa, Taana Gardner’s Heartbeat and cuts from Earth, Wind & Fire and Chic, plus an early-80s discovery, Hot Streak’s Body Work. Barry’s recent 2018–19 refreshes and bootleg-style treatments pull deeper gems from his record collection while still nodding to familiar favourites from the Ultimate Trash Disco lineage.

This 3 hour-plus set leans into melody and groove rather than novelty edits, crafted to sit comfortably in a DJ mix while reviving classic hooks for new audiences. Expect overlap with some popular remixes, but also plenty of rediscovered moments for crate-diggers and casual disco fans alike.

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Disco Classics — The Ultimate Trash Disco Collection Vol. 7 (2018) digs into timeless classic disco grooves with a selection pulled from the anthology series. This instalment showcases a mix of familiar anthems and re-edits intended for high-energy sets, highlighting both chart favorites and deeper gems from the era. The mix leans on signature performances like Sylvester’s "(You Make Me Feel) Mighty Real," France Joli’s "Come To Me," and Amii Stewart’s spirited remake of "Knock On Wood," while Digital Visions re-edits and club remixes keep the momentum tight. Other standouts include Brainstorm’s "Lovin’ Is Really My Game," The Weather Girls’ jubilant "It’s Raining Men," and the provocative Musique cut "In The Bush." Whether you’re revisiting disco history or scouting re-edits for a retro set, Vol. 7 surveys the breadth of classic disco energy with a celebratory, dancefloor-first focus.

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This episode is pure disco: The Ultimate Trash Disco Collection Vol. 6 (2018) gathers iconic dance-floor anthems and modern edits designed to celebrate the era’s groove. It’s a closing-volume reflection on disco’s joy and communal energy, sequenced as a three-and-a-half-hour journey through familiar hits and creative reworks.

Highlights include Yvonne Elliman’s “Love Pains” (Disconet Remix), Stargard’s funk-laced “Which Way Is Up” (Art Bleek Edit), The O’Jays’ smooth crossover “Use To Be My Girl,” and Patrice Rushen’s evergreen “Forget Me Nots.” Chic’s “I Want Your Love” and Donna Summer’s “Last Dance” anchor the set, while updated remixes and re-edits from Digital Visions, Dr. Packer, Dimitri From Paris, and SanFranDisko give many tracks a fresh, DJ-friendly sheen.

At 3:36:13 this mix blends classic songwriting with contemporary editing—ideal for listeners who want roomy disco builds, extended mixes, and a playlist that moves from soulful grooves to euphoric closers. Sit back and let the grooves do the rest.

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