Disco mix and The Ultimate Trash Disco Collection Vol. 5 (2018) presents a 2:52:44 journey through 70s dancefloor favorites and Studio 54-era classics. This episode collects re-edits, remixes, and reworks designed to bridge original disco energy with modern DJ-friendly edits for parties and sets. Highlights include revisited gems from Donna Summer and KC & The Sunshine Band alongside Sister Sledge, Rose Royce, Evelyn "Champagne" King, and MFSB. Many tracks appear as Digital Visions re-edits, SanFranDisko re-rubs, and remixes by Dr. Packer, Louie Vega, and Danny Krivit, giving familiar vocals and grooves fresh club-ready dynamics. Expect a blend of soul, funk, and R&B-infused disco that traces the era’s influence on contemporary house and dancefloor programming.

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This episode is Disco — The Ultimate Trash Disco Collection, Volume 4 (2018), a three-hour set that slows the tempo and leans into funk-tinged golden oldies. It gathers re-edits and remixes across the era to sketch a more soulful, groove-first side of classic disco. Highlights include Love Unlimited Orchestra’s sweeping "Love's Theme," Bionic Boogie’s "Hot Butterfly" featuring a young Luther Vandross, Taana Gardner’s pulsing "Heartbeat," and crowd-pleasers from Yarbrough & Peoples, Parliament, and Brick. Many cuts here arrive as Digital Visions re-edits and Dr. Packer/Hot Classics remixes, giving familiar tracks a club-ready sheen while preserving the era’s warmth and dancefloor muscle.

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This is a Disco Classics mix from the Ultimate Trash Disco Collection (2018), Volume 3 — a carefully assembled set of old‑school disco edits and remixes meant for the dancefloor. The release gathers original-era recordings that sometimes required automated beat correction to align live‑played percussion with modern DJ tempos, producing intentionally raw, "dirty beats" that nod to '90s garage treatment.

Highlights include reworks of Sister Sledge and Karen Young alongside versions of Donna Summer, Gloria Gaynor, Chic, and The Jacksons, with remixes and edits by Dimitri From Paris, Joey Negro, and several Digital Visions re‑edits. For collectors and DJs who love extended grooves and period character, this nearly three‑hour volume balances preservation and modern DJ-friendly mixing while keeping the era's soulful energy intact.

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Disco Classics — The Ultimate Trash Disco Collection Vol. 2 (2018) is a curated three-part journey through vintage disco, funk and ’80s dancefloor treasures assembled for modern playback and DJ use. This installment aims to blend early ’70s soul and orchestral disco with synth-driven ’80s cuts, presented as mix-friendly edits and carefully remastered tracks for consistent fidelity across contemporary systems. Highlights include Jackie Moore’s This Time Baby (John Morales M+M Mix), Sylvester’s Do Ya Wanna Funk, Lipps Inc.’s Funkytown and Irene Cara’s Flashdance... What A Feeling, alongside reworks of Diana Ross, Donna Summer and The O’Jays. Several tracks are updated by noted re-editors and remixers — John Morales, Dimitri From Paris and Joey Negro among them — and the compilation prioritizes clean masters and club-ready dynamics to make transitions seamless for DJs and listeners alike.

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This episode is classic disco from the Trash Disco series — The Ultimate Collection Vol. 1 (2018) — a two‑hour, nonstop mix built for aficionados who live for vintage grooves and modern re-edits. The compilation gathers original hits and contemporary reworks into a continuous party set that highlights the era’s energy while nodding to the remix culture that keeps these tracks alive today.

Highlights include Ashford & Simpson’s Found A Cure, B.B.& Q.Band’s On The Beat, Bionic Boogie’s Risky Changes, Aretha Franklin’s Jump To It, Gloria Gaynor’s I Will Survive and The O’Jays’ Love Train. Many selections appear as fresh edits and extended mixes, so familiar hooks arrive with updated beats and club-ready transitions. The curator’s personal history — hunting 45s, working in a record store and building a lifelong love of disco — shapes the flow, making this volume both a crowd-pleasing playlist and a fan’s deep-feel tribute to the genre.

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Disco — the Trash Disco series finale from 2016 — arrives as a tight, genre-blurring megamix built for throwback dance floors. This installment stitches together late‑70s disco and its 80s sister sounds to close out an eight‑part run, pulling in remaining Chic staples and a handful of modern edits to keep the energy fresh. Highlights include updated takes on Chic alongside Marvin Gaye’s groove, Cherrelle’s sleek 80s soul rework of “Saturday Love,” Dr. Packer’s remix of Gwen Guthrie’s “Ain’t Nothing Going On but the Rent,” and a gritty Digital Visions spin on Lakeside’s “Fantastic Voyage.” The set balances classic vocal disco, funkier deep cuts, and tasteful reworks by contemporary bootleggers and re-edit artists, making it a satisfying endcap for listeners who followed the series or anyone hunting well-curated disco edits for a retro party set.

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This is a 2016 Trash Disco Classics megamix assembled for rump-shaking disco parties and late-night dance floors. The set runs about 98 minutes and eases from roughly 128 BPM up to around 134 BPM, giving the mix a steady lift across its seven-part sequence.

Highlights include re-edits and remixes of Peaches & Herb, Dan Hartman, Donna Summer, A Taste of Honey, Evelyn Champagne King, and Anita Ward, with new Digital Visions and WhiteNoize treatments pushing familiar vocals into club-ready tempos. The cover nod to Amii Stewart’s Knock on Wood didn’t make the cut here—kept for a future set—so the focus stays on driving disco edits that keep momentum without losing classic hooks.

If you want something breezy but geared for dancing, this final Trash Disco installment is built to keep feet moving until the last beat. Enjoy, and expect a Madonna birthday mix next week.

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Disco mix from the Trash Disco Classics series, 2016: Groove Line is a nostalgia-forward megamix built for late-night boogie and radio-ready floor moments. This hour-plus set gathers chart-minded disco anthems and contemporary edits into a continuous listen, with a few brand-new Dr. Packer remixes woven into the sequence.

Highlights include Odyssey’s Native New Yorker and Heatwave’s Groove Line positioned alongside Chic’s Le Freak and Diana Ross’s Upside Down, all presented in fresh Digital Visions or remix edits. The set also spots Patrice Rushen’s Forget Me Nots and First Choice’s Let No Man Put Us Under in Dr. Packer treatments, giving familiar favorites a slightly modern club sheen without erasing their original warmth.

If you’re after classic disco energy with tasteful re-edits, this Groove Line megamix is pitched for both relaxed listening and getting into platform-shoe mode on the dancefloor.

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Disco mix from the Original Trash Disco Series (2016) built for rump-shaking floorwear — this megamix collects updated 70s and 80s disco classics with a modern edit sensibility. DJ FreddyG a.k.a. Digital Visions provides the backbone here, with a string of his re-edits alongside a Joey Negro take on Chic’s “Everybody Dance,” all presented as a continuous, dancefloor-ready set. Highlights include Digital Visions reworks of B.B. & Q. Band, Rose Royce, Lipps Inc and Andrea True Connection, plus a Joey Negro edit and selections that nod to Philadelphia soul and classic Hustle-era grooves. The mix leans on bootlegs and fresh edits pulled from SoundCloud and Juno Downloads, keeping familiar hooks but tightening beats and transitions for club play. At 1:11:42 the set moves briskly through favorites like “Everybody Dance,” “Car Wash,” “Funkytown” and “More, More, More,” sticking to tasteful re-edits rather than full club reconstructions. It’s a good listen for DJs and disco fans who want classic vocal and instrumental moments with contemporary bounce.

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This episode is Disco, part of the Trash Disco Classics run from 2016, assembled as a holiday-ready megamix to soundtrack Memorial Day weekend parties. Party Favorz pulls together re-edits, bootlegs and classic floor fillers for roughly an hour and a half of nonstop groove, with a particular nod to DJs who rework disco staples for modern play.

Highlights include a Dr. Packer edit of Gene Chandler’s “Get Down,” Digital Visions re-edits of Dazz’s “Brick” and Rose Royce’s “Car Wash,” plus Joey Negro’s take on Karen Young’s “Hot Shot.” The mix also threads in Grace Jones’ “Pull Up To The Bumper,” Sister Sledge’s “He’s The Greatest Dancer,” and other familiar favorites turned into DJ-ready versions. If you’re a fan of tasteful disco re-edits and bootleg culture, this set showcases several fresh-sounding treatments while keeping the original funk and energy intact.

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