Circuit & Anthems Holiday Edition 2012 Volume 2 collects a softer, dancefloor-friendly holiday set built for late-night pride rooms and festive spins. This mix leans melodic and progressive while still delivering peak-club remixes, and it’s anchored by playful cover art the DJ describes as a jackpot of Santa images — tongue-in-cheek holiday fun rather than full-on party chaos. Highlights include Loreen’s Euphoria (Edson Pride Remix) alongside upbeat reworks like Kelly Clarkson’s Catch My Breath (Cosmic Dawn & Andy Reese), Neon Hitch’s Gold (Ralphi Rosario Club Mix), Adele’s Skyfall (Peter Rauhofer Big Room Anthem), Mylène Farmer’s Offer Nissim club turn, and David Guetta’s Titanium (Mark Stereo 4Love Mix). The host notes a softer overall mood driven by available edits and teases a funky house set and year-end mixes coming next week. Enjoy this 79-minute blend of circuit-ready anthems and holiday whimsy, curated to bridge seasonal warmth and club energy.

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This Holiday Edition 2012 mix serves up circuit and progressive house for the season, the first of a two-part podcast built for the floor. It’s a year-end ride that leans tribal at times and keeps the energy danceable rather than saccharine. Highlights include a beefy Adam Rickfors rework of George Vector featuring Deborah Cox, Peter Rauhofer’s take on Alicia Keys’ “Fire,” and Eddie Amador’s remix of Madonna’s “Superstar.” Expect club-ready edits from Kerli (Hector Fonseco & Tommy Love tribal dub), Ralphi Rosario’s big-room lift for Noelia, and Oxford Hustlers on Christina Aguilera for late-set sing-along moments. This is part one of the Holiday Edition — part two follows soon — so jump in now for nearly 80 minutes of seasonal circuit heat before the year-end mixes drop.

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Circuit & Anthems — Fall Edition 2012 brings a focused, upbeat hour-and-a-half set built for peak-club energy and Pride weekend vibes. This installment pares down an originally two-part show into a single, punchy mix that leans into circuit, progressive, and house flavors while keeping the dancefloor momentum tight. Highlights include Danny Verde’s club overhaul of Mariah Carey’s “Triumphant,” Wayne G’s 2012 rework of the camp classic “I Just Wanna Dance” with new vocals by Alison Jiear, and Diva Convention’s floor-ready “Heartbeat” in the Tony Moran/Warren Rigg/Giuseppe D remix. Party moments also come from Offer Nissim pres. Josie Katz, Princess X’s Ralphi Rosario extended mix of “Gimme All,” and Wayne G & LFB’s playful club take on Nelly Furtado’s “Parking Lot.” This mix is made for circuit boys and anyone chasing high-energy remixes and singalong moments. It’s meant to brighten a weekend commute or warm up a pre-party — enjoy and cue it up for Pride or fall club nights.

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This is a Circuit & Anthems Summer Edition mix from 2012, assembled as a high-energy companion to Volume 1 and built for the dancefloor. Party-ready club edits and progressive takes thread through the set, with Kristine W’s “Everything That I Got” leading the charge as an early single from her greatest-hits package and Ida Corr’s Naughty Girl remix kicking things off with immediate momentum.

Highlights include two Wayne G collaborations with Shauna Jensen — the stomping “Give Me A Break” and a soulfully flipped “I Honestly Love You” — plus Scissor Sisters’ campy “Let’s Have a Kiki” (Almighty Club Mix) and Cyndi Lauper’s disco-tinged “Sex Is In The Heel” via Danny Verde. Gloria Gaynor returns with a new anthem-style cut, and France Joli closes the mix with a high-energy remake of Leonard Cohen’s “Hallelujah.” At roughly 78 minutes, the set balances diva anthems and progressive house for peak-summer club floors.

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Circuit and progressive house meet big-room summer energy in Summer Edition 2012 Volume 1, a one-hour-plus set built for the gym, the dancefloor, or a long drive. This installment leans into roomy club edits and festival-ready remixes while keeping a circuit-friendly pulse—expect peak-time dynamics and hands-in-the-air moments throughout. Highlights include Cahill’s club rework of Paulina Rubio’s “Boys Will Be Boys,” Offer Nissim’s club mix of Madonna’s “Turn Up The Radio,” and Armin van Buuren’s take on Zedd feat. Matthew Koma’s “Spectrum.” The mix also rounds out with Chris Cox’s big-room flip of Nelly Furtado, Cajjmere Wray’s private mix of Kylie’s “Timebomb,” and the Alesso & Dirty South collaboration “City Of Dreams” for a finale that stays melodic but club-focused. It’s curated to stay diverse without losing that sweaty, high-energy circuit sheen.

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This is a high-energy circuit and tribal Pride mix — Gay Pride 2012 Volume 3 — built for late-June celebrations and hands-in-the-air moments. The set runs just over an hour and twenty minutes and leans into circuit, tribal, and progressive remixes designed for peak-time club rooms. Highlights include Tony Moran’s extended take on Jennifer Holiday’s “Magic,” Hex Hector’s mix of Whitney Houston’s “I Will Always Love You,” and the Rosabel Main Vox of Donna Summer’s “I Will Go With You.” You’ll also hear Toy Armada’s Pride remix of Jennifer Lopez, George M.’s Timebomb rework for Kylie, and Peter Rauhofer’s reconstruction of Gotye, stitched into a joyful, singalong-ready sequence. It’s a celebratory, emotionally charged ride that honors dancefloor divas while keeping the BPMs driving. Expect vocal crowd-pleasers and euphoric house finishes — a Pride set meant for remembering, dancing, and enjoying the moment.

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This is a circuit-driven Pride set: Gay Pride 2012 Volume 1 delivers tribal and progressive flavors as an unofficial kickoff to June celebrations. The mix leans into peak-time club edits and remixes built for parade-after parties and T-dance warmups, focusing on driving rhythms and diva-powered peaks.

Highlights include Offer Nissim’s club rework of Madonna’s “Girl Gone Wild,” Peter Rauhofer reconstructions for Rihanna and Toni Braxton, and a La Cha Cha turn on Tony Moran’s Deborah Cox collaboration. The set also threads in Darren Hayes’ Wayne G mix and Gloria Estefan’s Razor N Guido edit, balancing commercial vocal moments with harder circuit and tribal textures.

Clocking in around 79 minutes, this edition is aimed at DJs and revelers who want a confident, dancefloor-ready Pride starter pack. Expect big-room energy, singalong hooks, and peak-time remix choices that keep momentum from opening beats through the last fade.

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This episode is a Circuit & Anthems summer mix — Summer Edition 2011, Volume 3 — featuring a roughly 80‑minute selection aimed at peak-season dancefloors. The set leans on circuit, progressive, tribal, and house textures and was assembled as a continuous club mix for summer parties in 2011.

The original post did not include a full tracklist, so the focus here is on the mix’s mood and flow rather than individual credits. Expect driving tribal percussion, warm progressive builds, and floor-ready house grooves designed to move a late-night crowd across its 01:19:48 runtime.

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A circuit, progressive and tribal house mix from the Summer Edition series — 2011 Volume 2, timed at 1:33:10 for peak-time floors. This episode stitches together anthem remixes and club reworks built for summer parties, pairing contemporary pop reworks with circuit-ready edits. Highlights include Suzi Carr’s Bryan Reyes Anthem Club Mix, Tommy Love’s take on Lady Gaga’s "The Edge of Glory," and Joe Gauthreaux’s 2011 Rapture remix of Whitney Houston. The set also features Gustavo Scorpio’s club mix of Kristine W, Edson Pride’s versions of Britney and Jennifer Lopez, plus the DJ Escape & Tony Coluccio club mix of Beyoncé to close the session.

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This episode is a Circuit & Anthems Summer Edition mix from 2011, Volume 1, built for club and party floors with progressive, tribal, and house flavors. Clocking in at just under 80 minutes, it compiles reconstructions, club edits, and bootlegs intended to keep energy high through a long set. Highlights include Offer Nissim’s 2011 Reconstruction of “Story Ending,” a ZHM vocal edit of Avicii’s take on “A Deeper Love” featuring Aretha Franklin, and Ralphi Rosario’s vocal remix of ONO’s “Talking To The Universe.” You’ll also hear club-ready turns from Taylor Dayne, Lady Gaga (Thiago Antony club mix), and a tribal-leaning Britney Spears bootleg, with additional nods to Dirty South and Yinon Yahel for variety and peak-time punch.

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