If you’re a longtime listener of this podcast, you know that Sean Johnson has recently joined our crew to help give Tim some time off here and there (what with Tim’s new job and growing family). Of course, Sean is a worthy contributor all in his own right. But we didn’t know that right away. At first, he was just one of many interviewees we considered (#230 to be precise). And although it took some time to get aligned on some key metrics, we feel really good about his role on our show now.

Since Sean’s been a part of things for a few months at this point, we feel like this is a good time to share a peek into his interview process, to reveal what he had to go through to make it on the show. We think you’ll appreciate this look behind the curtain and enjoy getting to know him a bit. Happy listening!

The Netanyahus is a bit of a confounding book, so naturally there were lots of questions and we did our best to answer as many as we could as thoroughly as possible. We discussed the complicated nature of writing fiction about real/living people, Blum’s relationship with his daughter, whether the book has a moral center, nihilism, and much more.

Thanks for listening!

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Okay, so that ending? What’s the deal. Join David, Heidi, and Tim as they try to understand what Cohen is doing. Lots of conversation about nihilism in this episode.

Thanks for listening!

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This week we’re discussing whether Joshua Cohen’s approach to exploring Jewish culture works in the ways that he seems to hope it will, whether the book is too sad to be truly funny, whether the story has finally revealed what it is, and much more.

Don’t forget to weigh in on this episode’s question. Let us know what you think in the comments!

Question of the Week: Is the big Judy scene funny?

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We are on to Joshua Cohen’s Pulitzer Prize-winning novel, The Netanyahus, a book that is clearly different in tone (and content) than most of the titles we traditionally discuss on this show. So in this episode David, Heidi, and Tim (he’s back!) contemplate the book’s sense of humor, Cohen’s remarkable prose, and what makes it memorable and worth reading. Happy listening!

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It’s that time, when we’ve come to end of another episode and we turn to your questions about it. This time we’re contemplating topics from Persuasion such as Wentworth’s affection for Anne, Lady Russell’s role in the book, Mrs. Smith’s virtue (or lack thereof?), wine and cheese pairings, fan-fiction, Mr. Elliot the villain, and so much more. Thanks for listening!

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Finally, we can speak more freely about all of Persuasion, so this week David, Heidi, and Sean are discussing Wentworth’s love letter, Ann’s assessment of her own choices, the melancholy nature of this book, the differences between Eliot and Wentworth, the pantheon of Austen men, and much more.

Don’t forget to answer this week’s question of the week below, What is the greatest love letter in any novel?

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This week we’re discussing Mrs. Smith’s sudden appearance (and her role) in the book, whether the book considers all of Anne’s various perspectives and actions as virtuous, whether Anne made the wrong choice in rejecting Wentworth way back when, and much, much more. Happy listening!

Up next: Read to the end of the book.

Plus, we are introducing a question of the week so you can participate in the conversation. Here is this weeks: Should Anne have turned down Wentworth?

What do you think? Let us know in the chat below!

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This section ends with a dangerous fall, but in the meantime we sure get a lot of scenes with people talking in rooms. So this week David, Heidi, and Sean are discussing Anne’s interiority and self-awareness and whether Austen portrays her self-sympathy as virtuous. Plus, discussions touches more on Austen’s complex (and amazing) approach to narrative voice. As always, happy reading!

Close Reads is a community-supported endeavor. If you like what we’re up to, please consider becoming a free or paid subscriber.

It’s on to another great novel, this time by Jane Austen, so this week David, Heidi, and Sean discussed Austen’s unique use of free indirect discourse and other formal flourishes in this book, similarities and differences between this book and Austen’s other novels, and much more. Happy listening!

Close Reads HQ is a community-supported endeavor. Please consider becoming a free or paid subscriber to ensure the show goes on.