Collider partnered up with IMAX, Paramount Pictures, director Ang Lee and super producer Jerry Bruckheimer for a special screening of Gemini Man at IMAX HQ followed by an extended Q&A. During the 60-minute (!) Q&A, Lee and Bruckheimer talked about how they got together on the project, the challenges of filming in high frame rate, what Lee learned from past films to make Gemini Man look better in 3D and HFR, the numerous technical challenges of using these new cameras, how the film changed in post-production, how shooting at 120 frames per second changes the editing process, the nuances of creating the younger Will Smith, their favorite scenes, how they were able to shoot underwater, and so much more it would be impossible to list everything here.

Trust me, if you’re a Ang Lee or Jerry Bruckheimer fan and want to learn Gemini Man was made, you’re going to learn a lot watching this Q&A. Check out what they had to say in the player above and below is exactly what we talked about.

If you haven’t seen the trailers, the sci-fi thriller sees Will Smith as a retired assassin being hunted by a 23-year-old clone of himself. Smith plays both parts through the magic of modern technology and the film doesn’t shy away from the actor going head-to-head with his own doppelganger. Gemini Man also stars Mary Elizabeth Winstead, Clive Owen, Benedict Wong, and Douglas Hodge.

Ang Lee and Jerry Bruckheimer:

    Bruckheimer talks about what TV show he would love to guest produce. And Lee, what show he would like to guest direct.

    They talk about what movies they’ve seen more than any other.

    They reveal what props they kept from certain productions.

    They confess which films scared them as kids.

    Bruckheimer and Lee shed light on what it was in their youths that told them they needed to be involved in movies.

    When people meet you, what do they want to talk about? Or is it different in certain areas of the world?

    Bruckheimer and Lee share how they first met.

    Lee talks about when David Ellison first pitched him the idea, asking if he wanted to see a young Will Smith.

    Since the movie sat on a shelf for a while, when did they realize it could finally get made?

    How much convincing does it take for Bruckheimer to get Will Smith to do a movie?

    Lee talks about the state of the technology, and how he pulled this off, and what he learned from his past films (and how to light 3D).

    They talk about the technological feat that is these cameras (seven of them), with rigs made special for the film (in Germany).

    They discuss just how difficult it is to shoot with these cameras.

    They reveal the painstaking process of bringing “Junior” to life—and just how many people were involved in that.

    Lee convinced Bruckheimer he could do this by using a scene from Bad Boys.

    How did they made a 50-year-old Will actually look 50?

    They talk about the nuances of aging, and how the face changes.

    What shot did Lee go back to because he wasn’t satisfied?

    Lee talks about what changed in post—from the first cut to the finished film.

    What was the last thing they cut out before locking the picture?

    Lee...

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I walked away from the Sundance screening appreciating Before You Know It mostly for its fun and charm, but after a second viewing, I was even more impressed by how strong the film's dramatic beats are. It's a crowd-pleaser with depth that serves as a super effective coming-of-age story in a variety of respects. I was lucky to enough catch up with writer-director-star Hannah Pearl Utt, writer-star Jen Tullock, and their co-stars Judith Light and Mike Colter in Park City earlier this year, but I was especially eager for a longer chat with Utt and Tullock to discuss their extensive collaboration, their lengthy journey with this particular project, have them answer some "Collider Random Questions," and so much more. Check it all out in this video!Before You Know It hits select theaters on August 30th.

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I walked away from the Sundance screening appreciating Before You Know It mostly for its fun and charm, but after a second viewing, I was even more impressed by how strong the film's dramatic beats are. It's a crowd-pleaser with depth that serves as a super effective coming-of-age story in a variety of respects. I was lucky to enough catch up with writer-director-star Hannah Pearl Utt, writer-star Jen Tullock, and their co-stars Judith Light and Mike Colter in Park City earlier this year, but I was especially eager for a longer chat with Utt and Tullock to discuss their extensive collaboration, their lengthy journey with this particular project, have them answer some "Collider Random Questions," and so much more. Check it all out in this video!

Before You Know It hits select theaters on August 30th.

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Nicolas Winding Refn Interview Too Old To Die YoungNicolas Winding Refn makes his streaming debut wth Too Old to Die Young, the new Amazon series that gives the filmmaker a 13-hour platform to weave another slick and cynical tapestry of the Los Angeles criminal underground. Miles Teller stars as an L.A. cop who starts moonlighting as a hired assassin. Too Old to Die Young is Refn to the bone, alight with his signature stylings and perverse narrative fascinations, and with the full series now streaming on Amazon, it was a hoot to welcome the filmmaker into the Collider studio for an in-depth chat about the project and his jump into streaming.During the wide-ranging chat, Refn discussed the challenges of executing a 10-month shoot and what he does when he goes “cuckoo” in the process, why he recruited comic legend Ed Brubaker to help him write the scripts, why he’s so passionate about streaming and why it was the right medium for this project, why he considers Too Old to Die Young a “13-hour movie” rather than a TV series, why he values polarization in art, why he hasn’t directed a studio film but still wants to do Batgirl, and a lot more. Watch what he had to say in the interview above and check out a full list of what we discussed below.More from Collider ? ???Breaking News: http://collider.com??Movie News & Analysis: https://bit.ly/2n1MZb7 ??Collider Live: https://bit.ly/1qU5ENT??Video Games: https://bit.ly/2vszg0Z??Sports: https://bit.ly/2Au5rmv?????Pro Wrestling: https://bit.ly/2LKhWzySearch "Collider" on iTunes, Spotify, Stitcher, PodcastOne, or wherever you get your podcasts for audio versions of your favorite shows plus original series covering movies, television, sports, gaming and more!

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Nicolas Winding Refn Interview Too Old To Die Young

Nicolas Winding Refn makes his streaming debut wth Too Old to Die Young, the new Amazon series that gives the filmmaker a 13-hour platform to weave another slick and cynical tapestry of the Los Angeles criminal underground. Miles Teller stars as an L.A. cop who starts moonlighting as a hired assassin. Too Old to Die Young is Refn to the bone, alight with his signature stylings and perverse narrative fascinations, and with the full series now streaming on Amazon, it was a hoot to welcome the filmmaker into the Collider studio for an in-depth chat about the project and his jump into streaming.

During the wide-ranging chat, Refn discussed the challenges of executing a 10-month shoot and what he does when he goes “cuckoo” in the process, why he recruited comic legend Ed Brubaker to help him write the scripts, why he’s so passionate about streaming and why it was the right medium for this project, why he considers Too Old to Die Young a “13-hour movie” rather than a TV series, why he values polarization in art, why he hasn’t directed a studio film but still wants to do Batgirl, and a lot more. Watch what he had to say in the interview above and check out a full list of what we discussed below.

More from Collider ? ?

??Breaking News: http://collider.com

??Movie News & Analysis: https://bit.ly/2n1MZb7

??Collider Live: https://bit.ly/1qU5ENT

??Video Games: https://bit.ly/2vszg0Z

??Sports: https://bit.ly/2Au5rmv

?????Pro Wrestling: https://bit.ly/2LKhWzy

Search "Collider" on iTunes, Spotify, Stitcher, PodcastOne, or wherever you get your podcasts for audio versions of your favorite shows plus original series covering movies, television, sports, gaming and more!

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On this episode of Collider Ladies Night, Perri Nemiroff sits down with Wild Rose star Jessie Buckley to talk about her journey from the reality TV show I'd Do Anything to delivering a phenomenal performance in Wild Rose.

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On this episode of Collider Ladies Night, Perri Nemiroff sits down with Always Be My Maybe director Nahnatchka Khan to discuss making her feature directorial debut, working with Netflix, making the move from 20th Century Fox to Universal, and so much more!Catch Always Be My Maybe starring Ali Wong and Randall Park on Netflix right now!

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On this episode of Collider Ladies Night, Perri Nemiroff sits down with Always Be My Maybe director Nahnatchka Khan to discuss making her feature directorial debut, working with Netflix, making the move from 20th Century Fox to Universal, and so much more!

Catch Always Be My Maybe starring Ali Wong and Randall Park on Netflix right now!

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