An encore of a two-part miniseries from 2020, in which past City Arts & Lectures guests talk across, among, and around one another.

In the second half of Crosstalk, our guests discuss genre. What is a novel? What is autofiction? What is poetry, a fable, creative nonfiction, a short story? Does perfect writing exist? Then, some of our writers speak to cancel culture – the contentious concept of striking from the cultural ledger figures who have villainous personal histories, whose actions are deemed too abhorrent to allow us to continue consuming their work. Finally, these artists celebrate the other artists they are engaging with, and sharing community among.

Meg Wolitzer, Ocean Vuong, Zadie Smith, Ben Lerner, Marlon James, Rebecca Solnit, Sally Rooney, Rachel Cusk, Ta-Nehisi Coates, and more defend, dismiss, and celebrate.

Crosstalk Part Two: Genre is Cancelled

Since 1980, City Arts &amp; Lectures has presented onstage conversations with outstanding figures in literature, politics, criticism, science, and the performing arts, offering the most diverse perspectives about ideas and values. City Arts &amp; Lectures programs can be heard on more than 130 public radio stations across the country and wherever you get your podcasts. The broadcasts are co-produced with KQED 88.5 FM in San Francisco. Visit CITYARTS.NET for more info. 

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Doris Kearns Goodwin is the preeminent scholar of American presidents. For more than 45 years, in books like the Pulitzer-Prize winning No Ordinary Time: Franklin and Eleanor Roosevelt The Homefront in World War II and Team of Rivals, the inspiration for Steven Spielberg’s film Lincoln, Goodwin has informed millions of readers (and politicians) about the history and power of Executive branch. Before her career as a historian, Goodwin taught at Harvard for a decade, helped Lyndon Johnson draft his memoirs, and, in 1979, became the first woman to enter the Red Sox’s locker room. Her new book, An Unfinished Love Story: A Personal History of the 1960s, uses the notes, journals, and letters of Goodwin’s late husband, Richard Goodwin, to tell a very intimate, and astute, story of the 1960s.  On April 29, 2024, Doris Kearns Goodwin came to the Sydney Goldstein Theater in San Francisco to be interviewed on stage by writer and critic Steven Winn.

Doris Kearns Goodwin

Activists and organizers Astra Taylor and Leah Hunt-Hendrix have co-written a new book that presents a detailed examination of solidarity, and its potential for creating lasting change. They spoke with Kate Schatz about their book Solidarity: The Past, Present, and Future of a World-Changing Idea at the KQED studios on April 17, 2024.

Astra Taylor and Leah Hunt-Hendrix

The concept of de-growth - purposefully moving away from an ever-growing gross domestic product as the definition of a successful economy - may seem like a tough sell to Americans.  But Japanese philosopher Kohei Saito sees de-growth as part of a new and sustainable way of living that consumes less of the planet’s resources. His new book Slow Down: The Degrowth Manifesto, points an urgent, yet gentle path toward a more equal and less harmful society.  On April 20, 2024, Saito talked to Astra Taylor about what a more sustainable economy and culture might look like.

Kohei Saito

Beloved for her enchanting, lyrical writing, Anne Lamott takes on the most complex, intimate parts of life with grace and precision. Lamott’s novels and memoirs have be awarded some of the most sought-after literary prizes, and her collection of essays on writing, Bird By Bird: Some Instructions on Writing and Life, has become required reading for all authors. Her new book, Somehow: Thoughts on Love, delves into the struggles of love with her trademark honesty and humor, finding the transformative power of intimate relationships. Lamott’s faith and candor, perfected across her long career in literature, are on display as she discusses finding love late in life, the changing ways we love our children, and the ways love can keep us going in a painful world.  On April 13, 2024, Anne Lamott came to the Sydney Goldstein Theater in San Francisco to be interviewed on stage by Barbara Lane, the book columnist at the San Francisco Chronicle and the current director of events at Copperfield Books.

Anne Lamott

Since his 2016 debut poetry collection The Crown Ain’t Worth Much, Hanif Abdurraqib’s writing has earned him numerous accolades as a poet, essayist, and music critic. Easily moving from emotionally riveting examinations of Black identities to academic explorations of punk scenes to analyses of contemporary popular artists, Abdurraqib’s work is full of uninhibited curiosity, revolutionary honesty, and a singular intelligence. His first essay collection, They Can’t Kill Us Until They Kill Us, was named a best book of 2017 by NPR, Pitchfork, the Los Angeles Review, and Esquire. His new memoir, There’s Always This Year: On Basketball and Ascension, traces his relationship with basketball while uncovering how we decide who is deserving of success.

On April 3, 2024, Hanif Abdurraqib came to the Sydney Goldstein Theater in San Francisco to talk with Shereen Marisol Meraji.  Meraji is a professor at UC Berkeley’s School of Journalism, and a founder of NPR’s award-winning podcast Code Switch.

Crosstalk Part Two: Genre is Cancelled

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