Cursed Objects

Is there actually any moral value to hard work? From the Dignity of Labour to CEO Mindset, Girlbossing and Instagram Hustle propaganda, our entire culture is full of messages that working hard and 'loving what you do' will make you a good person. Aspiring idlers Kasia and Dan are here to tell you why that's wrong.

Prompted in part by the Wellcome Collection's new 'Hard Graft' exhibition, we discuss bullshit jobs, proper binmen, modern slavery, and the horrifying frequency with which people are injured, maimed and killed in their line of work, from children in 19th century cotton mills, to exploited migrant workers and climate-related heat deaths in the 21st century.

More light-heartedly, we discuss our most hated teenage jobs, and what the ideal length for a working week would be - 2 days? 3 days? What happened when Pret told their workers they needed to show they "aren't just here for the money"? And why does Keir Starmer think that workers and their bosses are 'on the same side'?

Some links, as promised:

The Four Yorkshiremen sketch

Who remembers Proper Binmen?

David Graeber's Bullshit Jobs

Sarah Jaffe's Work Won't Love You Back

Paul Myerscough on Pret and affective labour

Please watch the amazing film Office Space!

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Theme music: Mr Beatnick

Artwork: Archie Bashford

The early 2000s were a fever dream: why was pop culture so mean? Specifically, why was it acceptable to write off entire cities - and the people within them - as crap? This is the question posed by our special guest Isaac Rangaswami, journalist, writer and brains behind Instagram sensation Caffs not Cafes. Isaac’s object is the wildly popular 2003 book Crap Towns, something about half of Britain received that year as a Christmas stocking filler. 

How did something so cursed - so unpleasant - end up as a national publishing sensation? Were our brains all fried by lads mags, New Labour and tabloid journalism? And how did the miserably classist, sexist pop culture of the 90s and early 2000s shape a new generation of writers and social media users, to reject negative stereotypes and embrace the beauty of everyday spaces... even when they are a bit rubbish?

Follow Isaac's excellent new Substack Wooden City, and his Instagram account Caffs not cafes (if you haven't already).

For first news and first dibs on tickets for the next live event – as well as the full-length episode! –  please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS **

Theme music: Mr Beatnick

Artwork: Archie Bashford

Special thanks also to Alex Rees, for helping to face audio gremlins. 

They are marketed as democratised holiday rentals, where you get an ‘authentic’ experience by literally living in someone's home - so why are Airbnb’s full of crap, generic art? The answer is obvious (predatory venture capitalism), but the effect is cursed in uniquely jarring ways.  

Welcome back from your summer holidays - to a new season of Cursed Objects! This week Kasia and Dan explore the geographically and culturally bewildering experience of looking at a monochrome, wraparound canvas print of the Manhattan skyline, in a professionally managed Airbnb located miles from New York. What does it mean to travel, when you could be anywhere in the world once you arrive? 

Journeying through a grimly commonplace experience of 21st century capitalism, how do identikit interiors and IKEA beakers expose Airbnb horrors we would like to pretend don’t exist? What tactics - and political might - does this rental behemoth have, and who are the people fighting back? 

En route, we cover authenticity, anti-tourist protests, carbon guilt and why the left maybe ought to be pro-travel, actually!

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Theme music: Mr Beatnick

Artwork: Archie Bashford

If smart, humane, pro-migration Ed Miliband really hated Labour’s infamous ‘Controls On Immigration’ coffee mug – both of his parents were Jews who escaped the Nazis and found refuge in Britain – then why did he let it happen on his watch? Why is there so much cowardice, ignorance and fiction at the heart of our immigration conversation? Why does Labour have such a toxic relationship with migrants, given that most people with migration in their recent family histories (like Dan and Kasia, indeed) are expected to vote for them?

Where does the notion come from that in order to ‘defeat the far right’, you have to imitate their racist rhetoric, and repeat grim tropes like “legitimate concerns” and migrants putting “strains on public services”? As Kasia says, “Does it have to be like this?"

Small boat crossings peak in August and September – four human beings drowned in the English Channel the day we recorded this episode.

Nine things Starmer should do - open letter from 300 organisations working with refugees and asylum seekers

End the 24/7 GPS tracking of migrants

Jack Shenker’s brilliant Hostile Environment Newscast for Tortoise

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Theme music: Mr Beatnick

Artwork: Archie Bashford

How do you start collecting objects for a cursed museum? Kasia and Dan spend all of their money in the gift shop of the Museum of Neoliberalism (well, it wouldn’t be a Museum of Neoliberalism if you left with more money than you entered with). They find a world curated by Darren Cullen - artist, activist and collector of some of the most mundanely dystopian objects imaginable. They discover corporate sponsored scout badges, chainsaws for kids and an Amazon employee’s bottle of piss. How can you represent an ideology like neoliberalism that has such far-reaching but poorly understood implications? 

PLUS they look at some of Darren’s own creations that mimic and subvert the horrors of the everyday: ‘baby’s first baby’, the infamous Hell bus, and a mini diorama of an Amazon ‘fulfillment centre’. But don’t worry, there are some blessed objects too - including ‘Don’t talk to them’ placards, that you can download from Darren’s website. The Museum of Neoliberalism is closing in mid-September, get down as soon as you can (and make sure you book!). 

If you want to hear more about Kasia and Dan's thoughts on neoliberalism (particularly in the Labour Party) find them in Rainbow Rhythms and Neoliberal Blues. You can also hear more about playmobil border force and riot cops in our episode on Dystopian Soft Play.

Theme music: Mr Beatnick

Artwork: Archie Bashford

Special thanks also to Alex Rees, for EQ advice.

Troubling war merch, Van Gogh bucket hats, Soviet space dogs and the scourge of ‘world’ history - Kasia and Dan stage their first-ever live show to celebrate 100,000 downloads! They tell a sell-out crowd about some of their favourite cursed objects from museum shops, plus some of their favorites from the podcast. And we heard from YOU - via audience questions! Including: Why are museum shops all so same-y? Can you ever sell ‘respectful’ merch? And why is glasses cleaner one of the most successful products sold in Italian museum shops?

For first news and first dibs on tickets for the next live event – as well as the full-length episode! Along with 25+ others –  please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS **

Theme music and production: Mr Beatnick

Artwork: Archie Bashford

Special thanks also to Jade Bailey, for lending us her ears. 

A record etched onto an x-ray of a (probably, now) dead Soviet citizen’s head. That is the uniquely cursed object Stephen Coates came across in a Russian flea market in 2014.

Weird, eerie, and almost polyphonic in quality, these DIY records captivated him and sparked a mission to find the bootleggers who had risked up to *five years* in a gulag for their love of music. How did they turn x-rays into subversive ‘rib music’? And what can a flimsy bit of plastic show us about subcultural life in the USSR? 

And if you enjoyed this episode please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS - AND GET 25+ FULL BONUS EPISODES AND A CURSED OBJECTS STICKER PACK**

Theme music and production: Mr Beatnick

Artwork: Archie Bashford

Oh god, not another one! When BREAKING NEWS bursts through the wall, we spring, gently and apologetically, into action, with a (cough) emergency p for the snappy g. That’s right guys, we’ve got a bootleg Keir Starmer mug and we’re not afraid to do a podcast about it.  

Real change. Change you can believe in. Change for you, change for me, change for the entire human race. This week we are talking about campaign slogans, and the surprisingly long and contested history of “for the many, not the few”. Who is the ‘many’ in this sentence?? And who are the few? How can it be that figures as diffuse as Blair, Corbyn and Starmer have all deployed the same slogan? And what was Theresa May’s unique twist on it? 

We also call in on one of our favourite subjects, TIME. How have the 1983, 1997, 2017 and 2019 election years come to stand-in for an entire political philosophy, and strategy? And what does it mean when election campaigns try to invoke mythical pasts – ‘we want our country back’, ‘let’s make Britain great again’ – rather than imagined or promised futures? Also, can the Microsoft Paperclip icon help our political parties make a bit more sense?

And if you enjoyed this episode please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS - AND GET 25+ FULL BONUS EPISODES AND A CURSED OBJECTS STICKER PACK**

Theme music and production: Mr Beatnick

Artwork: Archie Bashford

What if there was an object so cursed that it was never even made? This week we are joined by culture studies don Prof Anamik Saha to discuss anti-racism, racism and corporate diversity in pop culture - via Agatha Christie, Yellowface, American Fiction and One Day - woke agendas and cultural elites, colourblind casting, sensitivity readers and cultural consultants. What does diversity and anti-racism really mean in publishing, TV, film and music – and when is it just for show, or to assuage white guilt? What happens when a long-dominant culture is dramatically challenged, as happened in the aftermath of the 2020 Black Lives Matter protests?

ALSO: What does an authentic depiction of a space cowboy look like? Is it ‘race-bending’ when Anne Hathaway plays someone from Leeds? Is culture studies an entirely vibes-based discipline?

You can get stuck into Anamik's brilliant, enlightening work here: https://ahc.leeds.ac.uk/media/staff/4390/professor-anamik-saha. His most recent book is Race, Culture and Media (SAGE, 2021). 

And if you enjoyed this episode please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS - AND GET 25+ FULL BONUS EPISODES AND A CURSED OBJECTS STICKER PACK**

Theme music and production: Mr Beatnick

Artwork: Archie Bashford

Were you into Cursed Objects before it was cool? Like Grandpa Simpson remembering the war, this week Dan and Kasia are holding a seance for those perennial whipping boys and girls, the hipsters – and recalling the green remembered hills of artisan beards, cereal cafes and small-batch trucker hats. Kicking off with a revisit to seminal, frequently painful 2005 sitcom Nathan Barley, we ask whether it is possible to make a defence of hipsters? Isn’t it a better world when people are enthusiastically pursuing their own mad little niches and styles – even if their moustaches look a bit daft? Why do hipsters get blamed for gentrification instead of property developers? Why did Adbusters blame them for the demise of the counter-culture?

And what about the future: does the word mean anything anymore, when they sell flat whites in Costa? Are we ready to declare the hipster officially dead, and have we identified the assailant: the influencer? 

If you enjoyed this episode please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS - AND GET 25+ FULL BONUS EPISODES AND A CURSED OBJECTS STICKER PACK!**

Theme music and production: Mr Beatnick

Artwork: Archie Bashford