Cursed Objects

YES you can! SI se puede! Say YES to adventures. Say YES to life. Say YES to your boss (however dumb and awful their suggestion!). This week, Kasia and Dan are taking on 21st century positivity culture, YES men and women, Dice men, negative Nancies, toxic white-collar culture, wellness gurus, FOMO, JOMO, YOLO and YOKO (Ono). When did it become culturally hegemonic that you have to say yes to everything? Smile through the pain baby!

""“You miss 100% of the shots you don't take.” - Wayne Gretzky" - Michael Scott" - Dan and Kasia"

Sign up to our Patreon NOW to get first ticket news about the live events around our upcoming Cursed Objects exhibition at the Peltz Gallery in May and June!

Theme music: Mr Beatnick

Artwork: Archie Bashford

Roll-up, roll-up for the biggest tent of all! We’re launching into 2025 with a very special guest, Imogen West-Knights, and an absolutely vast cursed object, containing lots of smaller ones. That’s right, we’re turning the clock back a full quarter of a century to revisit the universal mockery, dodgy sponsors, New Labour hubris, sweet childhood memories, general hilarity, bomb threats and national self-loathing that all came messily, hilariously together to fill the Millennium Dome. 

Big thanks to Cursed Objects listener Tilly Hawkins for also suggesting the 'Been there, DOME that' badge for our upcoming installation at the Peltz, and to H.O.M.E for providing a studio - check them out if you're a creative looking for a space to work in London.

Theme music: Mr Beatnick

Artwork: Archie Bashford

It's a Spooky Christmas special! This week's Cursed Objects is a little bit less Stuart Hall, and a little bit more Derek Acorah, with an episode recorded on location in St Leonards, from the musty heart of a crumbling royal seaside hotel, ft. spluttering pipes, ancient heaters that smell of burning dust, random insects, rotting sash windows, damp everywhere and a fascinating history. Queen Victoria herself signed the visitors’ book, as Princess of Prussia, no less.

Dan and Kasia lean into the weird muzak and faded 1920s glamour and ask, what the hell is going on on the 3rd floor? Could it be MURDER, or HAUNTING? What music do you imagine freemasons listening to? Will Kasia lick the Grade II listed staircase? Will Dan ride down the bannisters? What do Morrissey and Chris Rea have to do with all this? 

Theme music: Mr Beatnick

Artwork: Archie Bashford

Back by popular demand, it's our annual Christmas party! And this year we’re wrestling with TRADITION.

Are you making a list, and checking it twice – just as you always do? Have you demanded figgy pudding from your local landowner – and threatened violence if you don’t get some? Are you hanging up your stockings on the wall with Noddy Holder? What traditions define your Christmas? We’ve got Christmas tree gherkins, obscene Christmas jumpers, schmaltzy John Lewis adverts, and pop songs that make your ears bleed.

It truly is the most cursed time of the year!

Theme music: Mr Beatnick

Artwork: Archie Bashford

From Patreon to main feed: Welcome all free-born Englishmen, sovereign citizens, rebel barons and new patrons! We're talking about myths of Englishness, why the state has such a fragile ego, a Covid-denying soft play centre called Cirq-D-Play, and why everyone is obsessed with an 807-year-old legal document that had to be rewritten several times and was then scrapped anyway.

Theme music and production: Mr Beatnick

Artwork: Archie Bashford

This week, it's a deep dive into a steaming mug of cawfee. Hot java. A cup of Joe. Black gold. This is an episode about "the abominable, heathen-ish liquor" they tried to ban (they really did), and the array of wild political, social, cultural and moral meanings that have been attached to it over the centuries. What is a "sober intoxicant", what do genuine psychonauts make of it, and in what ways is coffee ‘more than a drink’, from its colonial history, to 17th century coffee houses, to its social role today?

And then there's this incredibly cursed 21st century mug: what is with this cringeworthy tendency to dress things which are quotidian and ultimately wholesome up as if they are illicit, counter-cultural, or subversive? Where does this ‘Brewdog-coded’ recuperation of transgressive words, behaviours and signs come from?

Also: which famous writer swallowed handfuls of ground coffee beans, until it made him sick? Which awful magazines were founded in 18th-century coffee houses? Have you heard of London chain 'Fuckoffee', and do you think we can get it shut down for being the lamest place on earth?

Theme music: Mr Beatnick

Artwork: Archie Bashford

As a Cursed Objects bonus, without an actual cursed object, we present a live recording of Dan in conversation about his brand new book Multitudes: How Crowds Made the Modern World, recorded with friend of the pod, the brilliant journalist Hettie O’Brien at Burley Fisher Books in London on 30 October 2024. 

Multitudes is out now, you can buy it here, or read various extracts and crowds-related articles on Dan’s substack here.

Hettie’s book Diminishing Returns will be published in 2026, and until then, you can read her incredible long reads and other journalism here at The Guardian.

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To listen to the full-length episode, and 30-odd more exclusive episodes –  please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS **

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Theme music: Mr Beatnick

Artwork: Archie Bashford

Air isn't an object, right? Wrong. This week, climate comms expert and historian Dr Alice Bell makes Dan and Kasia think hard about ephemerality via a jam jar of polluted air, captured 'fresh' from the Euston Road in north London. In doing so they explore the history of the climate crisis – where it came from, who covered it up, and when people started noticing we were ruining the only planet we have. 

Alice leads us through fog, smog and fumes, answering questions like: why were London’s famous “pea-soupers” yellow-tinged (like yellow split-peas), rather than green-tinged? Why was coal dust understood to be a sign of thriving industry and progress? Why did unwell people go to seaside resorts to “take the air”? Which popular English meal was invented purely to give people a social activity indoors, away from the smog? Why have children always been at the forefront of the climate movement, from 1980s episodes of Blue Peter to the school strikes today? What do tobacco and fossil fuel lobbying have in common?

Elsewhere, there is talk of Shell: The Musical, whaling ships, Captain Planet, Margaret Thatcher, and an answer to the biggest climate question of all, the one you've all been asking: what does Ludacris have to do with arctic drilling?

Dr Alice Bell is Head of Policy for Climate and Health at the Wellcome. Her book ‘Our Biggest Experiment: A History of the Climate Crisis’ (Bloomsbury, 2021) is available now, and is captivating, enlightening stuff - get involved!

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For the full-length episode, and 30-odd more exclusive episodes –  please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS **

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Theme music: Mr Beatnick

Artwork: Archie Bashford

Is there actually any moral value to hard work? From the Dignity of Labour to CEO Mindset, Girlbossing and Instagram Hustle propaganda, our entire culture is full of messages that working hard and 'loving what you do' will make you a good person. Aspiring idlers Kasia and Dan are here to tell you why that's wrong.

Prompted in part by the Wellcome Collection's new 'Hard Graft' exhibition, we discuss bullshit jobs, proper binmen, modern slavery, and the horrifying frequency with which people are injured, maimed and killed in their line of work, from children in 19th century cotton mills, to exploited migrant workers and climate-related heat deaths in the 21st century.

More light-heartedly, we discuss our most hated teenage jobs, and what the ideal length for a working week would be - 2 days? 3 days? What happened when Pret told their workers they needed to show they "aren't just here for the money"? And why does Keir Starmer think that workers and their bosses are 'on the same side'?

Some links, as promised:

The Four Yorkshiremen sketch

Who remembers Proper Binmen?

David Graeber's Bullshit Jobs

Sarah Jaffe's Work Won't Love You Back

Paul Myerscough on Pret and affective labour

Please watch the amazing film Office Space!

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For the full-length episode, and 30-odd more exclusive episodes –  please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS **

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Theme music: Mr Beatnick

Artwork: Archie Bashford

The early 2000s were a fever dream: why was pop culture so mean? Specifically, why was it acceptable to write off entire cities - and the people within them - as crap? This is the question posed by our special guest Isaac Rangaswami, journalist, writer and brains behind Instagram sensation Caffs not Cafes. Isaac’s object is the wildly popular 2003 book Crap Towns, something about half of Britain received that year as a Christmas stocking filler. 

How did something so cursed - so unpleasant - end up as a national publishing sensation? Were our brains all fried by lads mags, New Labour and tabloid journalism? And how did the miserably classist, sexist pop culture of the 90s and early 2000s shape a new generation of writers and social media users, to reject negative stereotypes and embrace the beauty of everyday spaces... even when they are a bit rubbish?

Follow Isaac's excellent new Substack Wooden City, and his Instagram account Caffs not cafes (if you haven't already).

For first news and first dibs on tickets for the next live event – as well as the full-length episode! –  please join our Patreon!! ** ONLY £4 A MONTH TO SUPPORT YOUR FAVOURITE CULTURAL HISTORIANS **

Theme music: Mr Beatnick

Artwork: Archie Bashford

Special thanks also to Alex Rees, for helping to face audio gremlins.