Deep Color

Spencer Lewis makes abstract paintings that are an explosion of mark-making, smears, caked up textures, and tangles of color. Spencer talks about using raw and low-pressure materials, being spastic and aggressive with his first set of gestures, the exchanges between art and sports, working intuitively and “no move” painting, artists as opportunists, pictorial organization and disorganization, studio visit strategies, and the emotional resonance and chase of making a satisfying painting.

 View Spencer’s work HERE

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Leslie Diuguid is a printmaker and the founder, owner and operator of DuGood Press—the first and only Black Female owned fine-art screen printing business in New York City. Leslie talks about how her family’s history is embedded into her work and outlook, pivoting from printing business cards and apparel to fine-art editions, amplifying an artist’s voice and ideas through printmaking, the process of dissecting images into layers and individual colors, “winging it” and learning on the fly, slow mornings as form of self-care, and the excitement and satisfaction born out of solving complicated printing projects.

Check out DuGood Press HERE

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Jim Drain is a multi-disciplinary artist that makes other-worldly sculpture, furniture, and installation-based works. He is also one of the original founders of Fort Thunder--the influential live/work/performance space in Providence, Rhode Island during the 90’s, and a member of Forcefield—the celebrated noise band and artist collective. Jim talks about the stories that can surround a work of art, the presence of family imbedded in his work, knitting as method for unification and the generosity of the craft community, hearing with his eyeballs, collaboration and the third mind, being a present parent and grumpy Dads, teaching undergraduate and high school students, and the irrationality and joys of being an artist.

View Jim’s work HERE.

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Rodrigo Valenzuela makes photographs, video and installation-based works that consider the value of labor, the language of modernist architecture, and the inefficiency of bureaucracy. Rodrigo talks about how ideas are born out of his process and making, poetic formalism as a layer in his work, getting out of his own way and second guessing as a healthy thought exercise, reading as a key part of his practice, and how friendships and support systems can strengthen an artist’s work. This episode was organized, facilitated, and recorded by artist Matt Rich.

View Rodrigo’s work HERE.

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Phil Sanders is a master printer, educator, author and artist, and is the founder and director of PS Marlow—a fine art publisher and creative services consultancy based in Asheville, North Carolina. Phil has worked with celebrated artists like Elizabeth Murray, Jasper Johns, Helen Frankenthaler and Chakaia Booker among many others.

Phil talks about his new book Prints and Their Makers, learning about the emotional impact of color while collaborating with painter Wayne Thiebaud, the difference between reproductions and prints, prioritizing other artist’s work over his own artwork, the enduring legacy of artist and master printer Robert Blackburn, art history and antiracism, fatherhood and the work/life balance, and how art, artists and our imaginations are vital components of a healthy democracy.

Purchase Prints and Their Makers

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Nikita Gale makes sculpture and installation-based work that explores the exchanges and barriers between audience and performer. Nikita talks about how artwork can influence group behavior, protest and dissent as performance, research as a way to pull out ideas, noise and silence as social and political positions, the similarities between studio visits and dating, maintenance and mind-body awareness, and art as an open invitation.

See Nikita’s work HERE

Nikita’s culture recommendation: Stories of Your Life and Others, by Ted Chiang  

Nikita Gale/Private Dancer at California African American Museum through May 9, 2021

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Curtis Talwst Santiago is a multi-disciplinary artist that makes sculpture, drawings and paintings, performance and video. Curtis talks about pivoting from music to visual art, navigating the COVID-19 pandemic, his recent show Can’t I Alter at The Drawing Center in New York, genetic trauma and ancestry as concepts, intuition as an important tool, the complexities of Kanye West, honesty during studio visits and learning to be patient with the process of making art.

Susan Bee makes energetic oil paintings that feature a mix of female figures in fantastical landscapes, art historical references, geometric abstraction and pictorial invention—all serving as iconic flashpoints for current social and personal struggles. Susan talks about symbolism and being inspired by romance and poetry, inserting herself into someone else’s narrative, how images can represent sound, surrendering meaning and embracing ambiguity, vulnerability during studio visits, the self as primary audience, and feeling completely absorbed by the process of making a painting.

Libby Rothfeld makes conceptually driven sculpture that combines found objects, photography and drawing, and built wood structures that are often covered with banal hardware store tiles and kitchen counter laminate. Libby talks about the varied ingredients in her studio practice, subdued and faded color palettes as suggestions of time, an interest in the peripheral of our world, formality as feeling, figure skating and the collisions between taste, choice and identity.

Graham Collins makes sculpture and paintings that often combine complex structures, minimalism and material exploration. Graham talks about his approach to making and how different bodies of work connect and disconnect, thriving off of deadlines, being skeptical of art as a healthy exercise, allowing for fun in studio, small versus big galleries, green smoothies as placebo, how feelings aren’t facts, a desire for meaning to be visible and artist’s as the drivers of culture.