Deep Color

Joshua Abelow makes abstract paintings that feature a mix of geometric patterns, angular bursts, and stick figures that awkwardly vibrate up and through the picture plane. Josh talks about balancing broadness and specificity in his work, his writing and the futility of artist statements, his curatorial project and exhibition space “Freddy”, the value of maintaining a routine, and the similarities between making a mixtape and making a painting.

Erin M. Riley is a fiber-based artist that makes large scale, hand woven tapestries that depict still lives of forlorn objects, scenes of intimacy and self-portraiture. Erin talks about women expressing masculinity through art, selfies as a form of existence, her source material, ritual and the physicality of process, code words as privacy, slowing down and looking, and art as a fundamental survival mechanism.

2019 Fall Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor Maia Ruth Lee. All proceeds go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of these shirts will be produced. To view and pre-order, click HERE.

Jennie Jieun Lee makes ceramic sculpture covered with luscious layers of glaze, and wall works that combine assemblage, drawing and painting. Jennie talks about graduate school as a way to check ego and stretch the brain, otherness and an immigrant’s ear, emotions as appraisals of intelligence, collapsing boundaries between craft and fine art, her glazing strategies, and personal fulfillment through service and art making.

2019 Fall Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor Maia Ruth Lee. All proceeds go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of these shirts will be produced. To view and pre-order, click HERE.

Eric White makes representational oil paintings that often depict cinematic scenes and unsettling but graceful interactions between people and objects. Eric talks about film as an influence and using reference material, finding ideas in dream states, sleep and painting as obsession, the perverse satisfaction of using tiny brushes, and enjoying all the variables and challenges of making a good painting.

2019 Fall Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor Maia Ruth Lee. All proceeds go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of these shirts will be produced. To view and pre-order, click HERE.

Hilary Pecis makes vibrant acrylic paintings that depict still lives, landscapes and domestic interior spaces. Hilary talks about the benefits and challenges of a home studio, translating camera phone photos into dynamic paintings, looking for opportunities to try different types of mark-making and visual vocabularies, throwing a pie at Renoir, her takeaways from working in a contemporary art gallery and the importance of keeping ego in check.

Fall/Winter Fundraiser: show and wear your support for Deep Color™ with an artist shirt by episode 38 contributor, Maia Ruth Lee. All proceeds will go towards off setting the cost of producing Deep Color™ episodes and ensuring excellent future programming. Only a limited number of shirts will be produced. To view and pre-order, click HERE.

Sophie Stone makes work that shifts between painting, sculpture, and domestic floor rugs. Sophie talks about the state of ambiguity in her work, allowing materials to use their own muscles, her installation at NADA House on Governor’s Island, stains as gesture and grungy versus polished surfaces, frustration leading to revelation, letting go in studio, and reinterpreting decorative art and beauty.

Sarah Zapata makes textile-based installations and sculpture. Sarah talks about research, reading and writing as important parts of her process, her sculpture at NADA House on Governor’s Island in New York City, the contentious history of stripes in textiles, writing foot erotica, time as currency, her connection to Evangelicalism, guilt as a driving force and exchanges between craft and contemporary art.

Heather Hubbs is the Executive Director of The New Art Dealers Alliance (NADA), a non-profit membership organization for art galleries and alternative art spaces. Heather talks about NADA’s history and curatorial vision, the NADA House exhibit on Governor’s Island in NYC, where NADA fits within the landscape of contemporary art fairs, the impact of arts-based social media and online platforms, and a forthcoming NADA fair in Chicago.

Fabienne Lasserre makes three-dimensional work that oscillates between sculpture and painting. Fabienne talks about using materials that allow her to change her mind, the process of unthinking and undoing, how color can linger in memory, the indescribable aspects of art, making work that can adapt to its surroundings, a feeling of ease in studio and stubbornness as a guiding principle.

Megan Dickerson is the Senior Exhibitions Manager at The New Children’s Museum in San Diego. Megan talks about identifying as a “play worker,” working at the intersection of the contemporary art world and children’s museums, how kids explore and find agency through play, art materials as potentially “gnawable,” considering physical and emotional risks within an exhibit, re-balancing the relationships between work and play and finding flow, and believing in the immediate potential of children. This recording was organized and facilitated by artist Matt Rich.