Wendy Evans Joseph joins the podcast to discuss designing for exhibitions, reframing context through design, and her studio’s concept for the Folger Shakespeare Library

Duvall Decker founders Anne Marie Duvall Decker and Roy Decker join the podcast to discuss redefining architecture in Jackson, Mississippi; the AIA Housing Award–winning Cooperwood Senior Living community; and Foundations, a new book that expands on the ethos of the firm.

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DESIGN:ED Host Aaron Prinz is joined by Producer Raymond Castro & Bryn Young (2023 AIA San Diego Young Architect of the Year) as they sit down to discuss the recent podcast with Cavin Costello of The Ranch Mine to reflect on the conversation, how it influences their design process, and how it changed their view on the profession

The Ranch Mine co-founder Cavin Costello joins the podcast to discuss brand-building, his firm’s customized approach to designing high-end residential projects, and how transitioning to a fully remote practice has increased his team’s creativity

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DESIGN:ED Host Aaron Prinz is joined by Producer Raymond Castro & Bryn Young (2023 AIA San Diego Young Architect of the Year) as they sit down to discuss the recent podcast with John Patrick Winberry of The Up Studio to reflect on the conversation, how it influences their design process, and how it changed their view on the profession

The Up Studio co-founder John Patrick Winberry joins the podcast to discuss the importance of branding for architecture firms and how the studio's Open Corner House on Long Island became the key filming location for the hit Netflix movie Leave the World Behind.

DESIGN:ED Host Aaron Prinz and Producer Raymond Castro sit down to discuss the recent podcast with Alan Maskin and Blair Payson of Olson Kundig to reflect on the conversation, how it influences their design process, and how it changed their view on the profession

Alan Maskin and Blair Payson, Owner and Project Architect at Olson Kundig, join the podcast to discuss the renovation of the Space Needle, the complications of building a structure 500 feet off the ground, and the pressure that comes with renovating one of Seattle's most cherished landmarks

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