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Award-winning composer Disasterpeace discusses making midi-based music for cell phone games in the pre smartphone era, ascending through the E-wrestling gaming community, the link between concept albums, prog rock, and soundtracks, logging ungodly hours of Elder Scrolls and World of Warcraft, how to ease up on internal pressure and external expectations, creating deliberately synthetic performative sounds and the uncanny valley, experimenting outside the box with David Robert Mitchell, the importance of pursuing of creative novelty, not playing it cute for Marcel the Shell, the influence of Japanese New Age music in the early 80s, the political challenges of scoring Hollywood films, composing with synths as an ensemble, and more.
Disasterpeace’s moving score for Marcel the Shell with Shoes On is out now worldwide via Lakeshore Records.
By lakeshorerecords5
22 ratings
Award-winning composer Disasterpeace discusses making midi-based music for cell phone games in the pre smartphone era, ascending through the E-wrestling gaming community, the link between concept albums, prog rock, and soundtracks, logging ungodly hours of Elder Scrolls and World of Warcraft, how to ease up on internal pressure and external expectations, creating deliberately synthetic performative sounds and the uncanny valley, experimenting outside the box with David Robert Mitchell, the importance of pursuing of creative novelty, not playing it cute for Marcel the Shell, the influence of Japanese New Age music in the early 80s, the political challenges of scoring Hollywood films, composing with synths as an ensemble, and more.
Disasterpeace’s moving score for Marcel the Shell with Shoes On is out now worldwide via Lakeshore Records.

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