Our serialized analysis of Yeezus continues with the epic “Blood on the Leaves.” Here Yeezus reveals that a woman he once loved was stolen by the limelight, leaving an open wound that he’s been unable to heal. We break down the song’s many samples, references, and interpolations in what is undoubtedly one Kanye West’s greatest musical achievements.

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Our serialized analysis of Yeezus continues with “I’m In It.” After being rejected by an ex-girlfriend, Yeezus uses his celebrity status and escapes into a world of sex to mend his bruised ego. He conflates his political ambitions with sexual dominance before the song’s final verse reveals that Yeezus is reaching his breaking point.

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Our serialized analysis of Yeezus continues with “Hold My Liquor.” After failing to overthrow the powers that be, Yeezus retreats into a haze of alcohol and drugs, drunkenly visiting an ex-girlfriend who rejects him. How will his ego take this blow?

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Our serialized analysis of Yeezus continues with “New Slaves.” Over menacing, pulsating dissonance, Kanye expresses his belief that our cultural addiction to material things makes us “new slaves” to the handful of white billionaires who control the majority of the country’s wealth.

But the song takes a dramatic 180 near its end as a man singing in Hungarian provides one of the biggest keys to unlocking the album’s narrative.

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Our serialized examination of Yeezus continues with “I Am A God.” Written after being rejected entry into a Paris fashion show, “I Am A God” finds Kanye supercharging his ego and recklessly demanding a threesome, a massage, and….croissants. But why isn’t anyone taking him seriously?

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We continue our track by track analysis of Yeezus with “Black Skinhead.” Produced by Daft Punk, “Black Skinhead” is our first indication that Yeezus has ambitions outside of his celebrity lifestyle of sex and money. He channels the spirit of Malcolm X to rally his troops to rebel against the systemic injustice he sees in society. But is anyone listening?

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Our song by song analysis of Yeezus begins with its opening track “On Sight.” We meet the crude Yeezus character in his natural habitat at a nightclub, living an indulgent life fueled by drugs and women. But midway through the song there’s an unexpected sample of a gospel choir that foreshadows the fact that while Yeezus may be getting everything he wants, it’s not what he needs.

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Our season-long dissection of Yeezus by Kanye West begins now! After revisiting the album’s polarizing impact in 2013, we set up our song by song analysis of Yeezus with a brief discussion of how Kanye uses his albums to tell larger stories about his life. We then document the real life events that inspired the creation of Yeezus, including Kanye’s struggles breaking into the fashion industry, his new relationship with Kim Kardashian, and the many classic interviews that accompanied the Yeezus era.

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Our special mini-series on Beyonce’s BLACK IS KING concludes with an examination of “BLACK PARADE.”

Released on Juneteenth 2020, “BLACK PARADE” is Beyonce’s final call to action and a prideful celebration of the African motherland.

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Our special mini-series on Beyonce’s BLACK IS KING continues with an examination of “Otherside,” “My Power,” and “Spirit.”

Simba returns to the river to be reborn, reclaims his royal identity, and reunites with his father in heaven. Assisted by powerful women, Simba defeats Scar and reclaims his throne. Simba then raises his own child into the air, just as his father before him, completing his journey and fulfilling the circle of life.

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