The Oscar®-winning sound team discusses how they made a long, race car sequence sound interesting and other challenges in the film which won Best Sound Editing.

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The Oscar®-winning sound team discusses how they used impressionistic sound design to get inside Arthur Fleck’s mind and capture a gritty 1970s Gotham City.

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In this episode, we talk about the attempts made to de-age the sound of the actors’ voices and the challenges of building the film’s minimalist soundtrack.

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Lucasfilm design supervisor James Clyne shares how J.J. Abrams reimagined the X-Wing fighter and how they researched and built various Death Star interiors.

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Co-sound supervisors, Matthew Wood and David Acord, share nearly two decades of Star Wars experience including audio restorations of the original films.

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The filmmakers, composer, and sound team discuss how they used sound design and music to create the perilous, uncomfortable world of Adam Sandler’s character.

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The picture editor and sound team for the Elton John biopic, discuss the film’s unique blend of pre-recorded music, live singing on set, and post-recorded songs.

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The sound team talks about carving out moments for internal character sounds to come through and tracking down the original cars to keep the film sounding real.

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The show’s sound mixers explain how they created the sound of faerie wings and why Dolby Atmos® was part of the series’ sound concept right from the beginning.

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Join the sound team for a discussion about keeping creature sounds fresh and new, and delivering cinema-quality sound on an episodic schedule and budget.

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