
Sign up to save your podcasts
Or
Or, how focusing on good drama will result in good subtext.
We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how?
In this episode, Chas Fisher and Stu Willis are joined by screenwriter+teacher, Tom Vaughn (Winchester) to delve into the world of subtext.
We kick off the discussion by talking through Tom’s article “Why Subtext is Overrated” and break down his core idea that subtext is a byproduct of character goals, tactics and fears.
We explore this further through close examination of “the other way” scene from MICHAEL CLAYTON, “the strudel” scene INGLORIOUS BASTARDS (both known for their subtext) and the “new years” sequence from THE SUBSTANCE.
Inevitably discussion also terms to the relationship of subtext to emotional truth, theme, symbolism, dramatic irony and filmmakers subtext (?!).
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
CHAPTERS
RELATED EPISODES
LINKS
More Draft Zero is brought to you more often by our awesome Patreons. Especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob.
Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners.
We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack
4.8
113113 ratings
Or, how focusing on good drama will result in good subtext.
We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how?
In this episode, Chas Fisher and Stu Willis are joined by screenwriter+teacher, Tom Vaughn (Winchester) to delve into the world of subtext.
We kick off the discussion by talking through Tom’s article “Why Subtext is Overrated” and break down his core idea that subtext is a byproduct of character goals, tactics and fears.
We explore this further through close examination of “the other way” scene from MICHAEL CLAYTON, “the strudel” scene INGLORIOUS BASTARDS (both known for their subtext) and the “new years” sequence from THE SUBSTANCE.
Inevitably discussion also terms to the relationship of subtext to emotional truth, theme, symbolism, dramatic irony and filmmakers subtext (?!).
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
CHAPTERS
RELATED EPISODES
LINKS
More Draft Zero is brought to you more often by our awesome Patreons. Especially Lily, Paulo, Alexandre, Malay, Jennifer, Thomas, Randy, Jesse, Sandra, Theis, and Khrob.
Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners.
We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
BUY DRAFT ZERO MERCH via TeePublic SUBSCRIBE TO SHOT ZERO via Substack
660 Listeners
610 Listeners
29,439 Listeners
2,422 Listeners
328 Listeners
5,985 Listeners
721 Listeners
422 Listeners
105 Listeners
542 Listeners
947 Listeners
1,109 Listeners
161 Listeners
105 Listeners
1,052 Listeners