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Listen to steal Tarantino's technique for planting details that detonate as payoffs three scenes later.
Chapter 1: Of Milk and Men
Tarantino is widely heralded as one of the great writer/directors. Yet new writers are advised to avoid emulating Tarantino because his voice is so strong. Only Tarantino can get away with being Tarantino. Or so the theory goes.
But if Tarantino is that good, why shouldn't we look under the hood and analyse his screenwriting? You don't have to want to emulate his voice to want to understand why his craft is so good.
Chapter 2: The Bloodied Purpose
To that bloodied end, Chas and Stu look at three scripts from distinct phases of QT's career: TRUE ROMANCE, KILL BILL (Volume 1), and INGLOURIOUS BASTERDS. Stu and Chas break down QT's use of structure, detail and - in particular - dramatic irony in an attempt to understand how Tarantino's films are just that good.
Chapter 3: Epilogue, or, Links To Things We Talk About
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
LIKE THIS EPISODE?
Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily.
———
FILMS
SCRIPTS
LINKS
EPISODES IN THE FILMMAKER SPOTLIGHT SERIES
RELATED EPISODES
———
More Draft Zero is brought to you by our awesome Patreons.
If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser.
We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
Full show notes at: https://draft-zero.com/2014/dz-13/
By Chas Fisher and Stuart Willis4.8
114114 ratings
Listen to steal Tarantino's technique for planting details that detonate as payoffs three scenes later.
Chapter 1: Of Milk and Men
Tarantino is widely heralded as one of the great writer/directors. Yet new writers are advised to avoid emulating Tarantino because his voice is so strong. Only Tarantino can get away with being Tarantino. Or so the theory goes.
But if Tarantino is that good, why shouldn't we look under the hood and analyse his screenwriting? You don't have to want to emulate his voice to want to understand why his craft is so good.
Chapter 2: The Bloodied Purpose
To that bloodied end, Chas and Stu look at three scripts from distinct phases of QT's career: TRUE ROMANCE, KILL BILL (Volume 1), and INGLOURIOUS BASTERDS. Stu and Chas break down QT's use of structure, detail and - in particular - dramatic irony in an attempt to understand how Tarantino's films are just that good.
Chapter 3: Epilogue, or, Links To Things We Talk About
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
LIKE THIS EPISODE?
Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily.
———
FILMS
SCRIPTS
LINKS
EPISODES IN THE FILMMAKER SPOTLIGHT SERIES
RELATED EPISODES
———
More Draft Zero is brought to you by our awesome Patreons.
If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser.
We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
Full show notes at: https://draft-zero.com/2014/dz-13/

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