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Listen to understand how transitions compress time, enhance thematic connections, unify story threads, and orient your reader
*
Stu and Chas look at one of the basic building blocks of a script: scene transitions. Transitions don't just move you from one scene to another in a slick way, they can help you compress time, enhance thematic connections, unify different story threads, orient (or disorient) your reader... and just make your script feel more like a movie.
To help us see how scenes connect & collide in interesting ways, we take a close look at scripts of films with great transitions to see how much of the work was done by the writer (as opposed to the director or editor): SCOTT PILGRIM VS THE WORLD, HIGHLANDER, AMERICAN SPLENDOR and BOYHOOD.
And then, in backmatter we take a self-reflective look at TIME MANAGEMENT (and naps).
Oh, we are also holding a LIVE EPISODE of Draft Zero at the 2015 St Kilda Film Festival. May 25, 8pm. More details shortly!
BACKMATTER LINKS
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
LIKE THIS EPISODE?
Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily.
———
FILMS
SCRIPTS
LINKS
———
More Draft Zero is brought to you by our awesome Patreons.
If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser.
We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
Full show notes at: https://draft-zero.com/2015/dz-21/
By Chas Fisher and Stuart Willis4.8
114114 ratings
Listen to understand how transitions compress time, enhance thematic connections, unify story threads, and orient your reader
*
Stu and Chas look at one of the basic building blocks of a script: scene transitions. Transitions don't just move you from one scene to another in a slick way, they can help you compress time, enhance thematic connections, unify different story threads, orient (or disorient) your reader... and just make your script feel more like a movie.
To help us see how scenes connect & collide in interesting ways, we take a close look at scripts of films with great transitions to see how much of the work was done by the writer (as opposed to the director or editor): SCOTT PILGRIM VS THE WORLD, HIGHLANDER, AMERICAN SPLENDOR and BOYHOOD.
And then, in backmatter we take a self-reflective look at TIME MANAGEMENT (and naps).
Oh, we are also holding a LIVE EPISODE of Draft Zero at the 2015 St Kilda Film Festival. May 25, 8pm. More details shortly!
BACKMATTER LINKS
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
LIKE THIS EPISODE?
Thanks to our Patrons, especially Khrob, Theis, Sandra, Jesse, Randy, Paulo, Thomas, Jennifer, Malay, Alexandre and Lily.
———
FILMS
SCRIPTS
LINKS
———
More Draft Zero is brought to you by our awesome Patreons.
If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser.
We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
Full show notes at: https://draft-zero.com/2015/dz-21/

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