Listen to see how splitting character functions across your cast sharpens what your story actually means.

We are often told that our 'protagonist' needs to be a active. That they need to be compelling. That they need to change. And - old faithful - that they need to be likeable. But after looking at MAD MAX: FURY ROAD, STAR TREK (2009), THE FIGHTER, and SICARIO, Chas and Stu learn that your primary character does not need to do all these things. In fact, they learn that splitting these functions between your primary characters can reinforce theme and create potential for different types of narratives.

And stick around for backmatter if you want to hear Stu go on a rant. For a change.

As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

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Full show notes at: https://draft-zero.com/2016/dz-33/