Listen to discover how *produced* screenplays use unfilmables to shape tone, performance, and humour on the page.

AKA Why your screenwriting guru is wrong

In this episode, Chas and Stu deep dive into the controversial area of “unfilmables” — those alleged screenwriting sins, where a writer writes a line that (apparently) cannot be seen or heard. But many produced spec scripts use unfilmables to great effect. So how and why do they “get away with it”?

In this first part, they look at unfilmables in micro moments: to describe locations, set (or change) the mood/tone, bring performances to life, and communicate certain types of humour. To that end, they breakdown into examples from LETHAL WEAPON, MY BRIDESMAID IS A BITCH, HEREDITARY, FLEABAG, KILLING EVE, A QUIET PLACE, KILLING THEM SOFTLY, SHARP OBJECTS, SPARTAN, THE NICE GUYS, DRIVE, THREE BILLBOARDS OUTSIDE EBBING MISSOURI, TREE OF LIFE, and MICHAEL CLAYTON.

Thanks to Chris Walker for editing this episode, and Carissa Lee for performing the big print.

As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

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Thanks to our Patrons, especially Devin, Jack, Paul, Chris, Khrob, Sandra, Nick, Rob, Matteo, Daniel and Carrie.

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CHAPTERS

FILMS

SHOWS

SCRIPTS

SHOT ZERO DEEP DIVES

LINKS

EPISODES IN THE UNFILMABLES SERIES

RELATED EPISODES

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We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.

Full show notes at: https://draft-zero.com/2019/dz-60/