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How can unfilmables enhance the experience of your script?
AKA Why your screenwriting guru is wrong
In this episode, Chas and Stu deep dive into the controversial area of "unfilmables" — those alleged screenwriting sins, where a writer writes a line that (apparently) cannot be seen or heard. But many produced spec scripts use unfilmables to great effect. So how and why do they "get away with it"?
In this first part, they look at unfilmables in micro moments: to describe locations, set (or change) the mood/tone, bring performances to life, and communicate certain types of humour. To that end, they breakdown into examples from LETHAL WEAPON, MY BRIDESMAID IS A BITCH, HEREDITARY, FLEABAG, KILLING EVE, A QUIET PLACE, KILLING THEM SOFTLY, SHARP OBJECTS, SPARTAN, THE NICE GUYS, DRIVE, THREE BILLBOARDS OUTSIDE EBBING MISSOURI, TREE OF LIFE, and MICHAEL CLAYTON.
Thanks to Chris Walker for editing this episode, and Carissa Lee for performing the big print.
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
RUNNING ORDER
ASIDES (@ 23:08)
FRAMING THE SCENE (@ 52:58)
OPENINGS (@ 59:27)
PERFORMANCE (@ 1:36:07)
TONE/THEME (@ 01:54:49)
EPISODE LINKS
Please considering rating or subscribing to us on Apple Podcasts! or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter.
Many thanks to all our patrons but particularly to Devin, Jack, Paul, Chris, Khrob, Sandra, Nick, Rob, Matteo, Daniel and Carrie. They're good humans.
BUY DRAFT ZERO MERCH via TeePublic
By Chas Fisher and Stuart Willis4.8
114114 ratings
How can unfilmables enhance the experience of your script?
AKA Why your screenwriting guru is wrong
In this episode, Chas and Stu deep dive into the controversial area of "unfilmables" — those alleged screenwriting sins, where a writer writes a line that (apparently) cannot be seen or heard. But many produced spec scripts use unfilmables to great effect. So how and why do they "get away with it"?
In this first part, they look at unfilmables in micro moments: to describe locations, set (or change) the mood/tone, bring performances to life, and communicate certain types of humour. To that end, they breakdown into examples from LETHAL WEAPON, MY BRIDESMAID IS A BITCH, HEREDITARY, FLEABAG, KILLING EVE, A QUIET PLACE, KILLING THEM SOFTLY, SHARP OBJECTS, SPARTAN, THE NICE GUYS, DRIVE, THREE BILLBOARDS OUTSIDE EBBING MISSOURI, TREE OF LIFE, and MICHAEL CLAYTON.
Thanks to Chris Walker for editing this episode, and Carissa Lee for performing the big print.
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
RUNNING ORDER
ASIDES (@ 23:08)
FRAMING THE SCENE (@ 52:58)
OPENINGS (@ 59:27)
PERFORMANCE (@ 1:36:07)
TONE/THEME (@ 01:54:49)
EPISODE LINKS
Please considering rating or subscribing to us on Apple Podcasts! or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter.
Many thanks to all our patrons but particularly to Devin, Jack, Paul, Chris, Khrob, Sandra, Nick, Rob, Matteo, Daniel and Carrie. They're good humans.
BUY DRAFT ZERO MERCH via TeePublic

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