Draft Zero: a screenwriting podcast

DZ-90: Setups & Payoffs in EVERYTHING EVERYWHERE ALL AT ONCE


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Listen to understand how setups, payoffs, and reversals create narrative cohesion even when your story is fkn bonkers.

In this one-shot, Chas and Stu jump into the utter chaos of EVERYTHING EVERYWHERE ALL AT ONCE. Y'know, nultiverses, butt-plug action sequences, hot-dog fingers, a raccoon chef, a nihilist bagel. All the good stuff. And yet it lands emotionally in a way that feels inevitable.

So of-course we break it down in a masterclass in setups and payoffs — specifically, how payoffs do two jobs at once: they reward the audience for paying attention, and they stitch what would otherwise be an episodic swirl into something that feels like a single, coherent whole.

The framework we land on has three parts (with debt to William Dunn):

  • Pointers — setups the audience is meant to notice. They point forward and create tension or expectation.
  • Plants — setups you only understand in hindsight. The joyful surprise of oh, that's where that came from.
  • Stitches (or underpinnings) — a third category: connective tissue that was never meant to be noticed at all. It just makes the fabric hold.
  • From there, we deep dive down how EEAAO earns all three. Raccacoonie starts as a throwaway joke, then appears as a half-visible visual seed, then tracks Evelyn's relationship arc across three separate beats. The opening 13 minutes crams in more setups than you register on first watch — and then we talk about why that invisibility is the craft. And the ending turns out to be a payoff for something planted in the very first scene of the film.

    In particular, we focus on its use of setups, payoffs and reversals; breakdown the difference between Pointers and Plants and Stitches; deep dive into its Michael Arndt inspired ending. And, of course, we talk hotdog fingers and butt-plugs.

    We also tackle the film's macro structure: the midpoint reversal where the mission shifts from defeating to saving Joy, the competing philosophical stakes (nihilism versus kindness, but more precisely, control versus empathy), and what Michael Arndt's climax structure reveals about how the ending's repeated beat finally lands hardest

    "No one's meant to notice this scaffolding. But it needs to be there — because otherwise people would be like, where did that come from?"

    Thanks to Chris Walker for editing this episode.

    As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

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      Read the transcript for this episode.

      ———

      "And it does all of that with fucking butt plug action sequences and hot dog fingers." — Chas Fisher @ 00:00:00

      ———

      CHAPTERS

      • 00:00:00 – Cold Open
      • 00:00:43 – Anywhere Anything At The Same Time: What Makes Setups and Payoffs Work
      • 00:03:26 – › How payoffs reward attention and stitch a film into a cohesive whole
      • 00:05:53 – › Pointers, plants, and a third category: stitches
      • 00:10:40 – Plot Summary and Structural Architecture
      • 00:13:22 – › The opening 15 minutes and the status quo of Evelyn's world
      • 00:17:10 – › Midpoint reversal: the mission shifts from defeating to saving Joy
      • 00:22:46 – › Setup, reversal, and payoff at the macro structural level
      • 00:29:51 – Pointers, Plants, and Stitches: How the Film Layers Information
      • 00:33:53 – › Ratatouille as throwaway joke, visual seed, and character payoff
      • 00:39:08 – › How each alternate universe tracks a relationship, not just a skill
      • 00:43:27 – › Verse-jumping rules established through repetition and withholding
      • 00:50:35 – › When setups are ambiguous: pointer or plant depending on the audience
      • 00:56:17 – The Ending and Michael Arndt's Climax Structure
      • 01:00:43 – › Competing values: kindness versus nihilism as the philosophical stakes
      • 01:05:05 – › Evelyn fights with kindness and lets Joy go as the decisive act
      • 01:13:09 – › Why the repeated beat lands hardest at the father confrontation
      • 01:17:59 – Key Learnings & Wrap Up
      • 01:21:46 – › Invisible scaffolding and the writer's craft of deliberate concealment
      • 01:23:48 – › Using plot intrusions as setups for future payoffs
      • 01:29:44 – Patreon Thanks
      • FILMS

        • EVERYTHING EVERYWHERE ALL AT ONCE (2022) — (w) Daniel Kwan, Daniel Scheinert (d) Daniel Scheinert, Daniel Kwan
        • SCRIPTS

          • Study the script: EVERYTHING EVERYWHERE ALL AT ONCE (2022) — Daniel Kwan, Daniel Scheinert
          • RELATED EPISODES

            • DZ-04: Catharsis and the Post-Coital Cigarette
            • DZ-06: Key Scenes and Unlocking the Story
            • DZ-10: Midpoint Reversals and The Ride
            • ———

              More Draft Zero is brought to you by our awesome Patreons.

              If you enjoy the show, please leave a review on Apple Podcasts, a rating on Spotify, or a review on Podchaser.

              We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.

              Full show notes at: https://draft-zero.com/2022/dz-90/

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              Draft Zero: a screenwriting podcastBy Chas Fisher and Stuart Willis

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