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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
‘…is that a threat?'
‘Hm…'
If it was, it was at least a good one— I was scared, at first, upon seeing what I had thought to be perhaps a package robbery—but was actually just a slit through the package—a clean slice, more specifically, through the bubble wrapped [Redacted] package, however, its contents still inside; The package had been left underneath another—which didn't belong to me, and though I had been cornered by security more than once at the [Redacted] market, for putting my nutritional needs above that of my morality—or rather, thought my morlity to exclude guilt from the nessecities, especially as I often pondered upon the elite had kept the lower classes in a devolved state by controlling the price of wellness, so much so that it had become impractical for the common being. I had never even thought to swipe someone else's mail—a personal foul, and at least in turn in that matter to all respect with karma, had never had any packages stolen, either—not that I had lived indoors long enough to have warranted that I was safe from what sometimes seemed like the non-human animals, especially of New York City, who crawled about the lower realms littering and taking up precious time, space, and energy—the almost less-than-common man, but still, actually and unfortunately—common, especially in New York.
The Sage sticks and palo santo I had ordered were still intact, entirely— to my surprise, and I wondered what else my package might have included, without remembering such.
I had become enfuriated with [Redacted], after realizing that there had been hidden charges and unrecognizable fees, on my credit card, of all the places—the Capital One credit card, with sky high interest rates and robotic customer service drones—who I mostly would hate talking to— and it seemed as though the [Redacted] algorithm had become just as predatory as the rest of them—as uncivilized as the trash-dropping, coughing subhumans that plagued the post-pandemic world, if there was such a thing. The overcrowded mess and overall pollution of the city at whole at best made it still acceptable to wear masks in public, to which I took full advantage of doing, as needed—which was as often as possible, actually, if not to hide the curiosities, and of course, the objections to whatever it would be on the train that sparked distaste—worst yet, I might even smile, and reveal my gap-tooth, only acceptable on Hurley models and Madonna, of course—either of whom I wished I was.
It was 3:16 AM, and a long lost song found its way into my head as I fettered the words into the document, multitasking a “modest” breakfast as I mulled over the day, most of which I had spent attempting peace and solitude, neither of which actually even seemed attainable in my 3rd floor “office”, being so careful not to consider anything home or a comfort, for the fear that whatever Death curse someone had thought to m destroy me with once would extend into all the years and all the realms of my presence— it was true, as I explained to my aunt, that the people around me had within the last few years turned into demonic and vampiric advocates of what seemed to be the devil itself, were I even holy enough to be considered sacred in such a way that the devil may be chasing me—and I was, in some ways, but not in others—my ability to aggrandize my judgements and flex my morality where needed, but less when wanted as it stood true that I never actually enjoyed immorality—I hated living in a world where one would be made to steal, and made to lie, in order to survive. But that, for 30 years is where I had lived; in, for the most part, an evil world, ruled by man, as he denied and tortured all things that would be thought to be God—in his thirst for whatever it was that had waged a world of war.
It seemed as though someone were sending a message, and it had been years since I had felt safe or comfortable anywhere, anyway—so I thought it best not to care, knowing that all in all, that the intentional hurt and harm done to me by any man, or any entity otherwise, would prove to l invoke the karmic justice law unto itself; that whatever pain I experienced would be amplified by its giver, and reflected back—that anyone who intended to hurt or kill me—would only hurt or kill themselves in doing so.
At the very least, I was inspired to continue writing the script which I had drifted from entirely—its contents and its driver too mad to be palpable, however—as sometimes this kind of magic did occur in flashes at random, with vivid visions as if I were watching—or even living inside of the scene itself, spoke volumes that it should—or would, whether I wanted it or not, be written eventually.
‘Man, fuck Jimmy Fallon.'
I knew nothing of the man at all besides his name and occupation, and that something had plastered him permanently into my mind with some kind of irreparable cement I could not seem to break lose or free from—and it was going to stay that way. The entirety of the festival project and all I had been prompted to have written had become a massive headache.
I have a massive headache.
UGH.
Perhaps it was more multidimensionally attributed to the fact that I had been fawning over affordable razorblazes—I had been almost salivating at the thought of bleeding from my wrists—a constant pressure from the lack of things I wanted and needed piling up at my doorstep, my overdue bills, and the harrowing and what seemed like
*manacle. Hm.
A maniacle attack on my sanity, not actually practitioned by my abuser, but probably more likely the government, masquerading as such to plot and plan around various secret expirimentation, which would of course within the century become common knowledge, but as for such time we're simply conspiracies, perhaps to hide the shameful loss which was the war being fought with technology—which the dumbing down and brainwashing of millions had left us at an extreme risk, and those were were not at risk, with extreme bias against that which they had no ability or interest to understand.
Unremarkably so, I was still astonished that something did indeed seem to have happened—something that was not in my head at all, but rather, very much outside of it—and it was beginning to occur to me that perhaps others had gained an interest in what indeed seemed to be attacking me, for years, by then, with fear, humiliation, and detriment—to which I could only ever think to fight with white magic; there was a controlled chaos to what seemed like my being at a wits end, which I was, but also wasn't—for the most part, at least in public, I could take even the most outrageous offenses poignantly and tactfully, however sometimes realizing that—in Keisha having left her sunglasses behind, she had also left with them a little bit of Harlem—
“Move.”
The mindless drone controlled robots often stepped directly into my path, as if being driven by some force which was meant to annoy or some other way terrorize me—however, I had grown accustomed to new York's overall rudeness, and had become almost socially inept..speaking of
Just—socially unacceptable.
What is this?!
Gross.
What is this?!
Papaya juice.
Is this a fucking—?!
No it's a v8
My G-Wagon!
Nice.
Got it painted.
What color even is that?
It's like— mauve.
MOVE.
FUCKING-A.
Jesus Christ.
One time,
The white devil appeared as a fucked up
Edie Falco//
And I was so fed up-to-here
With The Bullshit,
That I didn't even care what happened if I —
MOVE OUT OF MY WAY:
OR WHAT?!
Damn, Mrs. Soprano, you look rough.
Are you sure that's not just
JACKIE.
WHAT.
That's the way
Uh huh
Uh huh
I like it
Uh huh
Uh huh
Schools out—
Party with my friends!
school's out!
I'm a genie in a bottle,
You gotta rub me the right way!
I been too strong, for too long
And I can't be without you baby!
Is that all of them?
Probably not:
So mix, then,
Probably not.
Well Why not?!
Because
My Serato's been acting horrible.
Tommy looked what I would learn to be like a be exact replica of 1988 Tom Cruise.
Which reminds me…
The 1987 Tom Cruise* is murdered by Supacree's jealous stalker, in a fit of rage, which spirals all known aliases and timelines into a terrible and chaotic nightmare, as
Wait, what.
I'm just being honest, I don't know how to write this.
Here, let me help.
YO.
wtf.
Should have had a V8!
SPLASH, BITCH.
WHERE's MY SHIIT, JIMMY?
It's gone, I broke it.
You what.
It's missing; I broke it.
What do you mean.
AHAHA.
Oh, I see what you mean, now.
Yeah, that guy is different.
[The amethyst shatters.]
NOH.
Woaaaaaaaaaaaaaaa_l
GOLD.
IT IS GOLDEN.
THE ORB.
What.
The orb. It has chosen you.
Uh. Oka.
Who the fuck are these creatures—?!
“Creetures”
I love them.
They are darling
They are cute.
Man, fuck with your bullshit—.
—Stay in fucking—
Where ever that's at!
This is “Queens”
Well, it's disgusting.
GET LOST.
Get lost HOW.
Everything's on a grid system!
FUCK. I lost it,
Damn.
Dang.
Well, wanna play again?
Nah, that's it.
What?! Come on.
No, seriously. I'm done.
Wait, what are you doing?
*pulls out rifle*
WOAH. WOAH.
You should go now.
What is that,
It's a gun, obviously.
What the fuck, man!
A rifle, actually, more specifically—
What—why—what are you gonna do with that thing?
I'm gonna shoot myself:
ano—
YES. In the head—
Don't do that;
And you, if you don't get out—
Wait!
Right now.
*aims*
Okay!
Ah shit, this is getting serious:
It s seriously like dick-deep in pussy in here right now.
Nay:
Maybe we should GO.
Hello. M—
Maybe we should stay:
What!
I like her.
Get off my property.
This is-/
This is MINE. I own this:
This one's Mine!
Oh, this is what they mean by “ecstatic dance”
Actually, my feet are just coldX…
Wait, hold on. Before you go off on a tangent about— mm—
What is that
I don't know what that is.
U don't know what it is
Look, I wanted that to be Dillon's baby so bad—
(So did he)
HAHAHAHA.
I will end u
Oh, baby, there's only one way you could ever do that.
Everyone
Thrrr she is.
She's back!
Aaaaaannnyyyeaaaayy—
Please explain to us what's happening in this movie.
Which movie
The Tom Cryise one,
Cause there can only be one Tom Cruise one
Because Tom cruise is Tom Cruise.
Wait. What.
TOM HANKS
YOU FORGOT MY NAME
BRIEfLY YES, but also—
That's WHY, this happened.
TOM CRUISE
I TOLD YOU
I TOLD YOU
I TOLD YOU-/
You STUPID BITC—
Look —
I gotta —
Oh wait, that still works.
What?! You fucked that guy too?!
NO.
I just.
This is a lot of space.
Well yeah, we're like—astronauts.
How did you get this all in your loft?
MAJOR TOM.
ALRIGHT. I GOT IT.
AHAHAHSJSJHAAHAHAHAHAHAHAHAHAHAHA
NO MORE ECID.
YAYAYAY.
Whrrereeeeeeeeeeeeeee
Wherereere in my miiiiiiiiind.
Fuck I gotta buy that album….again
I know I bought it once.
dang. Youre cute,
I know, huh.
Buy me this
Ok.
[Beyoncé is not yet back with the coffee.]
Deja Vu, Beyoncé
Uh oh, uh oh—
Uh oh!
OHNONO
^
Matumbo
AIIIIIIIIGGGGGGGHHHHHHH.
Crazy in love— also Beyonce?
Destiny's ChildrenS
HAHAHA
OK.
FUCK YOU, DILLON FRANCIS.
DEADMAU5 IS A WAY BETTER CONTROLLER
*HEAPING GASP*
YOU—TAKE THAT BACK.
I WOULDNT.
I will END YOU.
YOU CANNOT.
Where the fuck is that lady from?
Oh, there she is!
Pity!
Oh dear!
She's NEGROID:
Shh, tisk-tisk.
[ANNE HATHAWAY dabbed tf out.]
Come on Annie! Get up!
[she is not getting up]
THINK OF THE KIDSz
*nope*
UGH.
WASTED.
That sucks! We gotta get her back in that princess movie before everything dies and we all collapse!
Which princess movie is it?!
Idk! Fuck this bitch!
She's like all the princesses!
KEKE Palmart*
Sure!
KEKE PALMER will be playing the PRINCESS from princess and the frog
Put the princess—IN—the frog!
NO.
PUT THE PRINCESS IN THE—
AGHHHH.
PUT DILLON FRANCIS, BACK IN THE OVEN.
NO
Ugh. He's so heavy!
He's not gonna fit.
He WILL fit:
NO:
SAY UNCLE.
ASHEJEBEB
SAY IT.
AAAAANNNNNNNNNNKKKKKKHHHH
[a giant Ankh falls from the sky]
Yo.
That cannot be a good sign.
I think it's not.
SUBTRONICS
*rips bong*
Hey! You made it!
Way, way late:
Nice!
Yes.
Why are you naked?
I don't know.
SOLEÏL.
Fuck, man.
Wizardrddd! What is this game?!
I dunno, but I just keep playing it.
This shit says.
This does say.
This shit says ballsacks.
I don't get kids these days
“Ballsacks”
Is that like, a good thing?
Depends who's saying
NEY-WHINNY-NEY-WHINNY-NEEEE
Horse:
ok, I win:
JOHNNY DEPP literally cannot speak.
Because he is not intoxicated.
At all.
lol someone help him, seriously.
Ok, keep going.
All the DISNEY CHANNEL KIDS are WILD ‘N OUT
Which is ironic because—
NICK CANNON
Yep,
Oh look, it's me again…
NICK CANNON
Look, the Nickelodeon Cult—
What;
I mean—
The Illuminati just called,
They want their stuff back.
What STUFF.
SAY IT.
NEVER THAT.
SAY MY NAMEs
PASSWORD
FALLON, YOU FUCKING HACK.
oh, I'm a ‘hack' now that's—
“Haha”
Who's laughing?! You should be crying right about now.
I'm an actor.
Very funny.
Tears of a clown.
Shut up:
I am crying, on the inside.
-_-
Sit down, dipshit:
Ooh, now I'm dip—
*cocks pistol*
Shit,
I thought you couldn't—
Oh no, this part of the series gets pretty—
You're in deep fucking shit;
[JIMMY FALLON sits calmly at his desk, he scoops some “sugar” into his coffee and stirs, seemingly emotionless.]
CUT TO
DANCE BREAK.
I wanna hold 'em like they do in Texas, please
CUT TO:
Texas border patrol holding cell.
DIPLO
(In a stupid ass cowboy hat) m
*jail door slams*
AH, COME ON.
Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it)
I thought it was…
“A little gambling is fun when you're with me”
(I love it.)
Maybe it WAS.
What year was that anyway?
Idk. What year was any year before
[Lyrics Genius]
Flashback: The 2000's
Rewind it again.
What did she just say?
Idk.
What did he say?
Damn.
Fuck, I missed it.
Love game intuition, play the cards with spades to start
THE ACE OF SPAAAAAAADES.
Okay. Fine. He wants to be Satan?
He's Satan.
Yo, that's— SATAN.
[Skrillex is Satan]
Yeah, but he's so fucking cute.
Supacree, what are you doing?
BRB, I'm gonna go fuck this lil ass [censored]
Damn.
Ok.
S/he does not fuck around, that guy.
Yeah, that guy.
And after he's been hooked, I'll play the one that's on his heart
I guess we'll just have to…
wait till they play it on the radio again… /
Wait till the next rave.
fuck.
MIXTAPES. GETCHUR MIXTAPES.
La da da Dee da da duh duhhh
La da da Dee da daaaah da duuuuuum
La da da da de da
La da da da Dee da
Da da Dee da da da da dum
Okay, Google, let's see what you got.
I got—Reddit..
r/NameThatSong
5 yr. ago
Surprentis
Join
hey you guys remember that song from back in the day that went "la da dee da da da daaaa, la da dee da da da daaaaa, ah la da dee daaa da la daa dee daaa daa daa dee daa da daaa da daaaaa" i feel like it was on night at the roxbury maybe im wrong..
uh, ok—
wtf is “night at the Roxbury”
…Google?
Here: you'll like this.
Oh shit, ‘98 …
FINALLY. JESUS CHRIST.
Holy shit, you were on SNL in 1998?!
Yes.
How the fuck old are you? Jesus Christ!
JESUS CHRIST
…not as old as me.
[but everyone's still mad as fuck at Jesus for eating all of the pizza]
wtf, man:
Just— inhaled it.
*gnarf*
Actually, you know what:
Just stay—celibate:
Oh check it out.
THIS lady only shows up if I—
*squints* if you what:
Nothing.
Nothing.
ANNNNNNNE. GET. UP.
She's not gonna go.
She's dead bro.
I'm not dead!
YES!
oh! She's up!
YES
*barfs*!
[instantly back asleep] —m—
That's it
We're fucked.
Disney's gonna kill us.
The Illuminati's gonna kill us!
Disney is the Illuminati.
Yeah, but like—for kids.
THIS IS NOT FOR KIDS.
THIS IS NOT FOR KIDS.
KIDS
AVERT YOUR EYES, CHILDREN!
All sixteen pairs of them!
wtf who has that many kids
Eight fucking kids, bro.
^_- ok, I like her.
Yeesss.
Ya. Imm drunk.
K.
gargle!
Nah!
GARGLE, RIGHT NOW OR I'll wash your mouth with soap!
[pulls gun]
THATS NOT SOAP.
MY GUN'S NAME IS “SOAP”
Shit, why are there so many guns in this shit?!
Because
Skrillex is like, Cartel, or whatever.
And like—the Bloods.
☠️
And the Crips, probably, also—
Like I said,
He is Satan.
GET OVER HERE AND-
SHOW ME WHAT YOU GOTTTT:
I got nothin.
What:
I got//
Zero scenes
You got no scene, broh?
No scenes.
None?
Zip.
None?
Zero.
Woah.
Hold up.
will— uh—
“powers”
Ferrel—like an animal that won't shut up, or something?
Will bite you—may be rabid—
Feral? You mean?
Sure; whatever.d
Just, stop talking,
How the fuck do you do the same movie— like— infinitely.
Recap: every will ferret*
Sure!
EVERY WILL FERRELL MOVIE IS ULTIMATELY...
They're all the same movie!
GET UP,
After waking up in a hungover/still intoxicated rage, Anne Hathaway causes a showdown worthy of historical proportions, which concludes with her legendary “yeet” of a mysterious object of extra planetary origin—this initiates round two of the party which never should have happened, and almost never ended.
In another parallel cross dimension:
Irl JIMMY FALLON and Ū are imaginary friends; rather, Ū is a figment of JIMMY FALLON's imagination and vice-versa—this scene pays homage to Wilfred; they share stories with one another as they pass the bong/blunt in a solid back-to-back rotation, making the tragic stories they are telling almost hilarious, but only because they are so generously stoned.
—_—
So wait, he like—
*passes blunt*
—Here, take this—
—Yeah—
*passes bong*
—Just switch me—
Yee.
So he like—“yeeted” your baby?
He Yeeted my baby.
*blowing out, coughing*
That's not supposed to happen.
No, it is not.
Here, switch me.
*switch*
*rips*
*shaking head in stoniness*
[beat]
So like—
*rips bong*
—you're like, Ū, so—
You're like…
I'm like, everybody.
Right?
Yeah.
Yeah!
I'm Ū, dawg.
That is a cool name.
Is—a cool name
*hits blunt*
Here, switch me—
*rips bong*
Is—not—a cool power to have.
I bet not, though.
You would imagine
I wouldn't, that's in—coughs—sane.
It is insane: cover your mouth:
Sorry.
No you're not,
So how are you not like—
Like what?
I'm Ū, there what//
So how are you not like—
Seth McFarle—uhh
Seth McFarlen lol *e
What
Uh, I am.
SETH MCFARLENE
No you're not, I'm right here.
*suddenly not stoned*
What the FUCK man:
Woah, Seth McFarlene.
HOW DID YOU GET INTO MY OFFICE.
I walked in.
That's boss status.
What the fuck!
I locked it!
You did not. I walked in—like right behind you guys
You probably forgot…
You—I forgot—
He forgot to lock The Rock
lol stop
Walk it out,
Now walk it out
//
Walk it like I talk it
Talk it like I
RUN BITCH
RUN FLORIST, RUN!!!
Lmfao. Ok.
CUT BACK TO:
You probably forgot, dude.
Alright, Seth McFarlene.
Just—*hits blunt* stop talking .
Load another bowl
Giggity!
*passes blunt*
You want this?
No, I'm straight.
Are you, though?
What?!
Yeah, I'm—
I mean, l'm good on the—
You know what?
Fuck it, gimmie that.
Yee.
Sauce.
[there is a knock at the door]
Welp,
I gotta go.
[Jimmy Fallon is suddenly alone in his office, with a blunt in one hand and a bong in the other. The lights automatically shut off; the coffee maker brings brewing automatically—-three more knocks at the door.]
*sighs*
[explitive]
CUT TO:
That fucking rager
Is it day?! Is it night?!
We don't know!
It's been months, probably
Weeks, at best—
But all we actually know about this time and place is that—
The HATTER is here.
For fucks SAKE.
GIVE ME ANOTHER BEER, SOMEBODY. ANYBODY.
lol Johnny Del*.
Sure
JOHNNY DEPP
is drinking
Duh
*beer?!
Uh huh
That's all we have, man.
*light beers
I'MMM BUZZZZZED LIGHTYEAR
BUUUUUUUZZXXXED LIGHTYEARR
no, Tim Allen, not yet.
Fuck, on that note
Now I know why
THERES A SNAKE IN MY BOOT
yeah there is!
Ok, ew
Ok, gross
Stop
ew
Stop
Ew.
Cut lil blonde
Hot as Finneas O' Connell
Possible homosexual, but god love him
Cause I'm hungry
Lookin for lunch
Somebody as scrunches
Pull up and crunches
Cause my monster is
Lookin to
Humpty Dumpty
Fuck, I forgot Rosie O'Donnal!
I cant get no Satiafaftion— The Rolling Stones
What's wrong, Saint Jimmy?
Luscius?
What is it.
Precious would like to see you.
Oh.
The prince Lucius hasn't left his chamber in days—however, as his brother Percius has just returned from war, he quickly emerges from his resting place, an alter of sorts.
Damn, I'm getting a headache.
I almost never have headaches.
It was true, and of course, as I started to write about this prince and his so said brother, Lucius and Perseus, I was reminded once more of Athens, where I had just been however briefly, in a short astral trip of sorts, wandering about in the dreamworld, looking for something or someone in place of my pillow to hold.
Did you want to walk to Trader Joe's?
I mean, kind of, but no.
My muscles were sore and I had just spent some two hours in the gym, not on purpose but quite by accident, though only having run just under two miles, though at least uphill, and spending the rest of the time lifting—I had been bound to mostly beans and rice, and so however was bloated and gassy, quite slow and not as strong, my regular protein just out of reach…
Dang. I have so much to fucking so today.
I hadn't realized that somehow it was Saturday, although just a couple days before had been a Wednesday that felt like Sunday, and now again time was all out of sorts; it was a “holiday” weekend, and I was without a doubt, drowning in my own having-to-do's, and as such, weekends and days off were entirely not a thing, besides in ways that those bustled around me—and I was sure that some days had been lost, as I was planning to visit the food bank on Friday, but had somehow skipped over the end of the week entirely—somehow, that is, and I was sure sometimes that in skipping days, meditating and fasting about, however intermittently, that time itself shuffled in all the ways I had, between cross dimensions and parallels such as I—I had been hovering somewhere between the 6th and. 10th dimensions, for the most part, and none with having to understand the undoubted shifts in my own perception of time that were bound to happen, as I sprawled across the astral plains looking and searching for a sign that the tragic poverty, restlessness, and lack of peace wound end.
Bound to your alter, my dear brother?
Aye.
So perhaps here there was another unfounded kingdom within the realm of Ascencia—Lucius, a prince, and Percius—seemingly slated the King, and yet I had unreached such a conclusion as to assimilate an entirely factionrd world, as of yet.
What did you write last night?
Uh…I don't know.
Well, let's see
Something had shaken me from my almost-sleep, laying sprawled across my bed, in the middle of the mattress, rather than to either side, which was rare; I typically preferred the left side of the mattress, anyway, but as I waited to launder my bedding, after a sweaty and sweltering almost summer day of lounging, smothered in shea butter and lasidasicly scrawling about what recordings had been buried in my phone, between the collection of books I had practically all found in the streets of New York and the rising temperatures of the tepid summer weather, my room was starting to smell funny—and without being able to burn sage anymore, for fear of being thrown back into the streets like a dog, I with every hope in the world figured that washing my thick bedding, comforter included, would restore the crisp and rigid, almost factory clean that I found satisfactory.
Songs buzzed in and out of my head as if I hadn't enough already much to do—and still, I added into my growing pile of notes and mounds of work, even more songs—this time, The Rolling Stones.
I can't get no
Satisfaction…
…but I try—
—and I try—
—and I try—
And I try!
I can't—get no—!
God, I wish I could write something like that.
The rock Gods had at the very least been accompanying me, and in a certain sense, so had the Gods at The Rock;
I had been forced up out of my dormant state by a voice which urged me away from my near sleep—I had been up since six AM and it was something past midnight, and still the voice said—
“Get up and write!”
And though I had words tinkering around in my head like little coins in some sort of metal box, none of them quite made so much since that I had to get up and write—however, still the voice, though not angry, but firm, insisted.
The voice, for once, sounded female— a welcome change, and though I had become quite fond of males in general, in the solemnly celibate sense, it was a difference and yet none at all— a voice of wisdom had projected itself at me, and as I dragged myself about, reaching for a notebook and flipping through the pages, finding that the notebook was practically full…
‘great, more shit to do'
I held the words that had tinkered around in my mind like little whispers until I found a page to make them full formed, and the words which fell into my hand as scriptured by the pen—my favorite writing utensil, nearly out of its cherishable gel ink, danced upon the page nearly on its own, channeling the words written as such:
Once prosperous to throw
The stone asunder
Glisten whispers of water
Tears of al tears |ter|
Of the altar,
For follow for fello,
A felon of Antigone
Grace, with shield
A tattered tail,
So flew with feathered Phoenix
? Feared,
Foreshadowed not,
Agreed upon however,
Was the velvet woven path of us,
So honored in her fortress .
Yeah, something about Rockefeller plaza.
Well there were all these hooded figures in like weird, brown velvet robes—
That's true, I saw that.
Yeah, I was there,
You WHAT,
Look what I got.
Fuck me, man.
You know, there's a lot more to this story.
I was hoping so, but however also, hoping not.
Man, Jimmy fallon's wife is super hot.
Gee!
Yeah man, she's so cute.
W0W.
I like her,
They're Gods.
I think they're Gods.
yuh.
What else did I write?
There was something else?
What the fuck is wrong with that guy?
Somethin.
Yeah.
The pages of the notebook were all full, something of a book of shadows and protection spells I had used in an attempt to ward off my ex husband—how of course, that they were done with, I should very well have been jotting them into with all the notes, into the documents—later to burn them, unable to afford the parchment book I wanted.
For what a withered wa t would call and honor m for fortunes duty,
Glorified wherein in am shadows,
Cast upon reflections in redacted incantations and enchantments, foreword come, theone who waits
Believing darkness be his fate
Whatever, man.
Fuck Jimmy Fallon.
If you really feel that way!
I feel a lot of ways.
Well, don't.
I'm so, so hungry…
So, so lonely…
So, so fuckin broke.
Man—I learned all this dumb ass magic just to protect myself from this guy, and all this still happens!
I think it's just Satan.
[Satan Appears]
Man— she is JACKED.
Try this one.
Flllow me, boy!
Uh— okay.
I'm staying single forever.
Don't look at me.
That's my girl.
Don't look at me.
What the fuck. Stop looking at her:
Don't look at me!
Men are hopeless.
Fuck dude, like, the worst thing imaginable is that this Jimmy Fallon dude actually hates me so much for this—
What? Uh oh.
And is so fucking powerful.
He is. A very, very powerful.
Well, what is it!
We don't— know.
*gasps*
He's a—
SHHHHHH.
[Redacted]
Well, that's not doing much, is it?
Seriously, just kill yourself again.
Might have to!
Fuck, why do all these robot demons SMELL like him?
Satan?
Yep.
Satan
?!
I'm—
Seriously, save him.
Seriously, God really loves Jimmy Fallon—
(He's one of my favorites.)
Favorite what's?!
Just—favorites.
Damn. This is getting to be like Greek Theatre.
Great. Now everybody's gonna fucking die.
It could be a comedy.
Holy shit, yeah—
This has mad good production value.
I love it!
Strange shit
I just did give my OWSLA tat a kiss
Smile for the camera,
Pageantry of mattresses,
A master of the MagicIan's chance at
Chancellors dance,
Look at Harrison trance
Can I run a mile for President?
A toy chest,
A boy, just Obama
I'm so much older
Been through such trauma
What the Willy wonka
I should apply for Harvard
New York over Boston
So Columbia or Juliard
I wish
Son of a bitch, this is tragic
I'm too old for scholarship
Diploma's in another name
I just got protective orders on
I should start over
But the world war is another
Trump drama
My Amazon cart is full of karma
What you want from God?
A trophy husband,
Let's call him
Oscar
-undefeated.
All this is weird
I think imm married to the music
Think of growing a beard
Opening a beer
And getting out of here
All of my fears is
Mommy dearest mommy dearest
All of my hell is
A body
Imm a seed in a forest
Been buried
Bipolar,
Supposedly,
So tell me,
Faery;
How could I love you
The way I I do
If my mood
We're atabilized
My blu life
Gave me blue eyes
Clean tub of water
I don't belong here
It's too late for me too
Swapping Vogue for the People
My people who hate me
But I been so played,
The hatred betrays me
I walk both ways
Down a one way street
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
-Ū.
Written and Preformed by C'cxell Soleïl
'All In A Day's Work' (2024)
'Open The Bottle' [Working Title]
{Enter The Multiverse} - LEGENDS
Open the bottle up, wont you
Open the models up, you don't
But you're supposed to
Don't go with the
Hope,
You're just a dope fiend
Role model, supposed to cope
But you're supposed to know
You don't fit the mold, you know
Life is a joke you know
The show is a closer
To open up,
Posters,
You're roasted, though
You open the bottle up
I'll open my heart
A ship sunk in the bathtub
You know what?
You're drunk
Pushing the envelope
Post office closed,
You don't show
But you're Golden
Don't trust you
You know what?
You're drunk
Just put the candles on,
Go run the bathtub
Pull up Fallon
You're broke, you know
You're no fun
So
Open the bottle up, won't you?
Talk the the models and stars
Stitches, and pitches and cars
Open the bottle up, won't you
Open the bottle up, wont you
Open the models up, you don't
But you're supposed to
Don't go with the
Hope,
You're just a dope fiend
Role model, supposed to cope
But you're supposed to know
You don't fit the mold, you know
Life is a joke you know
You know what?
You're drunk
Don't you know?
Open the door,
A soft spoken
A broken heart,
Go fix your model car
It won't start
Soft spoken notes
Blow tokens of dandelions
Smile for the cameras,
Blow smoke
Like the roll models
Don't fit the code you know
Show me your cards
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
FARRO!
Good sire!
My liege!
Come quickly,
We've not much to tell you;
But even less time,,
to do so.
…why?
Because!
Here they come!
It's lost–
Now, it's gone
Now, you run.
Don't run off
On your mark
(marker)
Get set
I'm gonna need a clapboard for this.
What brought you up
It was under the table
What woke you up?
It was aprt of a song or something–
The line was
Notch in your bedpost
Line in a song
Notch in a bedpost
Line in a song
Red rover,
Come lover
come
Incubus/
succubus
Yup.
Run.
Incubus/
Succubus
“The Incubus, Succubus Song”
THIS IS ALL OF THE SONGS.
Suxks balls.
DAAAAAMN
What woke YOU up
Hot lava.
NOPE.
Interdisciplinary aleegience to the illuminati.
yup .
damn , you suck.
What was I gonna do?
Work at Walmart, like the rest of us.
NOPE.
KILL YOURSELF
KILL YOURSELF AGAIN
Uh uh
JUST JUMP.
…rope.
HANG—---------------------------------------------------------------GLIDER.
Slow down, would you.
NOPE.
Great, gotta go find that guy now…
TOM HANSON
WHAT FOR?!
CHANCE THE RAPPER
AH.
great . nw i dropped my hat.
GOD
That's another$15,000
DO the hat dance.
Which one
the – one with the sobreros
OOh.
Somber Hoes.
We like those.
MEANWHILE
Nope. its really stuck in there.
It's never gonna come out
Will this suffice.
yeah . i'm up.
yeah ,i guess this is what method looks like
When you're anchored to an island
that basically functions as a
giant
A GIANT
A giant fucking antenna.
W0AH.
JUST DO IT ALREADY.
LET GO.
NOOO.
Ok. i'm gonna throw up
Don't throw up, cause if i let go
*lets go*
OH LOOK. A RAINBOW.
NOOOOOOOO nOOOOOOOOO
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
This is getting difficult
NO it isn't.
I'm going to be candid for just a moment…
GOD
WHAT
I need you to answer my question–
which QUESTIOn.
The–i mean like
Pretty much all the questions.
I'm just now only to
S
Shh. don't say it.
It might come back.
COELACANTH!
COELACANTH!
spectacular .
It really was.
Hmmm.
….
MAXWELL
,....Cola cans.
Ok.
Now i'm trippin balls.
COELACANTH
…erm…
Come on, man–
This is ridiculous.
RIDICULUS!
Riddikulus
Wtf kind of cloud is THIS.
A cumulus
Gazuntite.
COELACANTH
…bananas.
WHAT?!
IT SPEAKS.
IT WANTS BANANAS!
GIVE IT BANANAS.
Oh shit! It's–
THE NANNY NAMED FRAN
Way back then.
EVEN THEN.
ILLUMINATI
OPEN MY EYE
CHILD
NO
ILLUMINATI
FINE.
I'LL DO IT.
AAAAA
–bless you.
Oh, it's you again.
Zoboomafoo
Hey boss.
Hey what.
Can you send me another one?
MORE FRY SAUCE.
Fuck, dillon.
Why are you so fucking fat right now?
WHY GOD.
I like ur boobs tho.
They are nice.
–What!
I gave you Keisha!
Yeah, i like her and all, it's just
EXT. ONE NIGHT. SOMEWHERE.
…when?
WHENEVER
Look, i'm gonna be like,
the highlight of your whole life, alright.
…alright!
but first things first
what.
Gotta get that–
Revisions.
HOW MANY REVISIONS OF COMPLICATIONS IS THIS
TEN
I WANT THAT PLUG.
denied .
GIVE ME THAT
fuck .
what .
I got a show tnight. I gotta get…
gone .
Did she go?
no .
Why not?
There it is?
What, Elle?
That–that color.
Why on earth would you ever want to be that blonde?
DO IT AGAIin.
Ok.
CUT TO:
[THE COSMIC AVENGER has turned Ū (for literally ALL intensive purposes) into a
PINECONE.
That's it?
That's the trup.
That's it.
That's the trip?
I guess.
AHAHA
I HAVE TURNED YOU NOW AND FOREVER
INTO A TROLL DOLL.
NO.
(amen)
YOU DONE DONE IT AGAIN.
MESSAGGGGGGGGGGEEEEEEEEEEE
Hi, I'm Seven.
Ok. This is
CUT BACK TO:
it was good.
It was “ok”
It was GREAT
It's just–
It's just what, dickface.
JUST DO IT.
JOSH PECK
I AM. JUST. DOING IT.
AND DOIN iT
AND DOIN IT
AND DOIN IT
RUN
INDIGENEUSES
AYAYAYAYA
EYEYEYEYEYEYEYEYEYE
[ILLUMINATI, UNLOCKED]
I gotta get out of this game, yo.
This is unreal.
*passes the torch*
Oh NO
Yur an OLyMpIAn
NO NO
RUN
Uh.
What shall I do with this?
(no = response whatsoever)
I know.
I shall give this to
Uh
THE POPE
THE POPE.
[looking down at garb]
What am I, THE POPE?
Hey look. A rope.
This had better not be for hanging yourself with.
Ok.
This isn't political.
HEY LOOK, A NOOSE.
that's … there.
HEY LOOK, ANOTHER NOOSE
Ok. i have to get out of the deep south now.
Wtf year is this.
like right NOW.
DAMN.
JUMP.
NO.
Let go.
NO.
Look at this
WTF IN THE FUCK
INT. WHENEVER. IN THE FUCK.
wait , bring this guy back real quick
ANDY SANDWHICH
sure , why not
Hold on, let me try
ANDY SANDBOUROUGH
Huh
ANDY
Look. ok. I lied.
Lied about what.
I NEVER LIE.
I see yur face at night,
I learn to dream.
What the fuck is this.
Hold on, i'm breaking into song.
THAT'S SO RAVEN
look . if my visions ever get THI vivid.
Oh. i get it.
I am the Illuminati.
just
TURN IT OFF.
TURN IT OFF.
TURN IT OFF.
ok . this is awful.
Get more stoned
*deep inhale*
Yur right. It rocks.
see .
CUT BACK, like WAY WAY BACK
Get in the way, way back
why
Cause you're like, small enough
SAUL.
WHat
I NEED–
wait . is that guy a lawyer
There was a spinoff.
How'd that show go again?
SHUT THE LIGHTS OFF.
WAT.
NOW TURN THEM BACK ON
I'm gonna get killed.
*sniffs*
nope . still not high enough.
CHRIST,
HOW MANY DRUGS IS THAT GUY ON.
ok , lets just be honest.
I can't write that.
Why.
DOCTOR
…is this the right dimension.
MICHAEL HACKSON
No. no it is not.
Put me back under, Doc.
DOCTOR
Are you sure?
Maybe you need like, a white doctor
MICHAEL
NO,
You're the right one.
Lets go.
Lets stop now, this is awful.
Hold on, my wings are comin in.
If you're not gonna let go,
Then i will
DON'T.
GOD
BALLS
See look. This is my show now.
okay , it's my turn.
ROCK
How ya doin, Jared
JARED
bad . i'm bad.
THE WHOLE ISLAND
w0w
So that's how much that costs.
ah , the rock sauce
DWANE JOHNSON
I'M A GOD
NO, NO,
NOOOOO
Turn this off.
I like.
Srsly cant.
PAPARAZI
THERE S/HE is!
[RU PAUL IS GOD]
RU
Ok. that wa savage
KU//KA
So wait, ALL these bitches like to copy me?
All of them.
I'M A GOD
Fuck that.
I wanna be a rockstar now!
What.
ROCKSTAR
ok , i gotta like
Get like, diagonal, or something
Holy shit, broh.
I've been flying this meaphrical kite out of my
[BACKEND]
For like
wait , how long's it been
STORY LORD
GET IN THE HOLE
NO.
RICK
I told you, there was a twist
JUSTIN
Put me back in
RICK
NO. YOU DIE NOW.
AHA. OUT OF THE GAME.
I QUIT.
I WIN.
IN REAL TIME:
Uh oh !
You're out of coffee.
Uh oh.
I DO NOT want to go to trader joes.
For some reason,
These two weirdos, at one point
Before we were famous, maybe
way , way before that
Why
because , i just MET her.
She's not my friend.
She's my
MY BESTFRIEND.
BEST FRIENd
who is this
Tell her is skrillex.
She'll get it.
WAKE UP, IT'S SKRILLEX
I AM NOT GOING TO
You have to go.
You showed us.
Now you have to go.
LIZ LEMon
LEM
Aww, come ON.
*kaBOOM*
You have to have watched this show to even get that.
Can't.
Why not.
Can't watch that show.
Can't watch this.
Can't listen to that.
What happened.
NOTHIN.
KITE ATTACK
LIZ LEMON
(drunkenly)
I–DO–NOT WANT–
TO GO TO THERE.
It shouldn't be that staggered.
It should not be that hard to kidnap
that chick.
It could be.
If she was THIS FAT
GET.
IN
NO
THEVAN
I donT WANNA GO TO FAT CAMP
Too bad.
Cause that's attractive
GODDAMN.
yeah dawg, she's like 4'10
really?!
YAS.
wtf.
EXT. BEDROCK. DAY.
…Pebbles?
………..BAMBAM?
DAMN!
DAM
We should definitely build this
yeah . put this here.
WHY ARE WE BEAVERSSSSSSS.
cause .
Fuck dude. I gotta get back to 2025
This whole place is gone now.
why .
Tell me why
oh god almighty
GOD ALMIGHTY
EVAN
Oh no. it's a story hole
STORY LORD
K bye
Fuck it,
we're
Gone now.
THE TIME MACHINE.
OH. IT”S BACK.
GIVE IT ALL YOU'VE GOT
I don't get it.
Whats up.
It's like….
It's like, raining bananas,but they
‘Re going
“UP”
neeeeeee000oooooww
BOOM<<<<<<<
*PLANE CRASH!*
AIRPLANE!
fuck , i hate that movie.
DO YOU NOW?
No. i love it.
Maybe it's just
IT's the
THIS IS THE ALBUM ART.
This is so uncomfortable.
DUH.
here .
What's this.
It's a jar of peanut butter.
Why do i need this.
Time's up.
MR. MACY
*sir
Right.
Are you aware that there's to be–
Are you serious
–A parade in your namesake?
ARE YOU CRAZY
PUT ME IN THE GAME.
PUT ME IN THE GAAAAAAAME.
NO NIGGA, NO.
STOP SAYING THAT
I SAY WHAT I WANT
I DO WHAT I WANT
I'M GAY NOW.
SUNNI.
WHAT.
your lips ar crusty.
Cause i'm NIggAz
COVER UP.
WHY.
Cause you have a contract with smuckers
COMMERCIAL
SUCK MY
[YUM!]
{SMUCCKERS]
mmm . gross.
what
That is gross.
that due
Lil bitzzzzzzzz
I watchin ol commercials from my childhood
That shit was nutz.
I watched this commercial for one of those TV dinners,
it was incredible
I could still taste the BOX.
The funnest thin about the commercial was,
It was set up like one of those basketball halftime shows
You know with the lights,
Like an all-star game type thing
and I couldn't help thinking to myself
Help.
Oh look. There he is.
Yo, if you grew up actually EATING those things,
And then grew up to be a professional athlete
You are blessed with INCREDIBLE GENETICS.
It's been like 20 years and I can still TASTE THE BOX
Yes, the whole thing
wait . pause.
The whole THING is the BOX.
The whole thing is the box.
DAMN.
fuck dude, i'm in like 8 movies right now.
This is not RIGHT.
Fuck it,
where's 1988 Tom Hanks at
FUCK THAT MOVIE
NAH, FUCK THAT DAY.
FUCK THAT DAY.
That's the day I got lost in there!
THAT
is a very good ending to
BOTH of those movis, if I could ever
Just wrote this dumb fucking monologue and get it lver with already
why.
DO'T FORGET
YOU'RE ON THE CLOCK
thanks , doc.
AND REMEMBER
this again
shit
NO MATTER HOW FAR YOU ARE FROM YOUR MARK
What's the line
nothing
THUNDERCLAP!
oh shit. i forgot about that alaas.
ILLUMINATI
HEY. HET BACK HERE
NETWORK
No, i gotta
Lil biiiiiiiiiiitzzz
[continued]
No, like,
i'm serious:
If you grew up eating this shit
like
On the regular
THIS IS OUT OF CONTROL
i i hate thi i ss s
YOU'RE TELLING ME
WTF ARE YOU GONNA DO WITH ALL THAT CAKE
ima eat it
WHAT in the FUCK, WAlTER, are you gonna DO with all these BANANAS
WALTER WHITE
I'm gonna make the best goddamned banana bread there EVER WAS
CARA'S DEAD NOW.
What.
YOU KILLED CARA, OF EVERLAND
I MOST CERTAINLY DID NOT
QUEEN OF DIAMONDS
Vs.
QUEEN OF HEARTS
OH GOD
OH GOD
OHHHHHHHH
You're wrong for this, you really are
“O Nigga, Where Art Thou”
A Point.
TO Gryffendor
(s)
YES.
I SAID A POINT.
NOT A PINT.
SITCHUR LITTLE ASS DOWN.
What's this for
Don't worry. it rubs off.
GOD.
PLZ HELP ME
SOMEBODY CALL THE POLICE.
GOD
No, keep dancing.
YO. SOMETHING AIN'T RIGHT
WHY
C mon. keep writing this joke
WHERE'S THE PUNCHLINE.
WHERE'S THE PUNCHLINE
ONE PUNCH MAN
*PUNCH*
OH.
YIKES.
he YEETED the baby.
This is not the guy you want to be taking english classes from.
DUH.
wait .
Wtf, man.
what .
How do you write something like that.
I pretty much just
SIKE.
SHE'S A PSYCHOPATH, THAT LADY.
yeah , that's why i like her.
SHE JUST PUTS–
ADOBO ON EVERYTHING.
SARGEANT ADOBO
what , captain.
you're drun.
k
I know, officer
THat's CAPTAIN to YOU
…lol
Fukt.
…where is BLOWFISH.
SAL BANDUCHI
honestly , cap, i've been dead for years:
Why! What happend.
that guy literally had too many kids
IT's TRUE.
I DID THIS.
And just ended
FINISH THE JOKE
Lil BIIIIIIIIIIIIIITTTTZZZZZZZZZZ
(but less whispered, cause it's getting
stuppid
no , it's still funny, just
SERIOUS.
lil bitz
THIS IS NOT A JOKE
If you grew up eating ANY OF THOSE THINGS,
And then grew up to play ball,
you have the BLESSED genetics of the CHOSEN PEOPLE
Cause this
[bullsh*t]
is weaponized nigga food.
what .
ASSASAINATE THEM.
Are you sure.
YES. ELIMINATE TO EXTINCTION.
…are…are you like certain about this.
lol . i nuked the foodz.
Goonez.
goonex
HEY LOOK, IT'S UHHH.
UH WHAT
THE–
THE GOONIES
I don't know anything about this.
WHy.
OH yes you do.
TO THE TRUFFLE SHUFFLE.
NO, GODDAMMIT, I'M TRYING TO MAKE A
SHHHH
A SOFFLEE
W
A what
A su**
NOpe, still can't do it.
Get us in the bus
Waht.
GEt up.
You know this scene goes in with
“The Hard Stuff”
right ?
This IS the hard stuff.
she gets starstruck.
no , but like
ONE PUNCH MAN
oh shu
BUT FIVE TIMES
At least five
GOD
6-7-8…9
damn . when are you gonna realize you already killed your wife?
NEVER.
dead .
anyway ..
oh , this is bad. Get up.
SPATULA!
SPATULA!
Goddamn it, bitch
pLEASE SHUT UP.
rap .
what .
They want you to rap.
that six
Wait a second
INT./EXT. IN THE Six. WITH MY WOES.
lol
Had to get that out the way rea quick
why
if you're reading this
666
It's too late
you're wrong for this.
OH.
I'm WRONG.
WHAT THE FUCK HAPPENED TO MY ROCK.
BY NOW, i”M SUPRISED IT'S NOT UP YOUR NOSE.
oh ver funny.
YA. I WRITE JOKES.
OH GOOD.
I got it.
I got one
What the FUCK.
OK, we'RE DONE.
WHO SET THIS UP.
*snifs*
I prepared tofu over the sautéed spinach and Brussels sprout kale medley I had made just the night before; I hadn't yet been to the gym, however, I would not go, until my Amazon package, containing the nutritional supplements and workout equipment I had ordered —falling just under a dollar short from being able to afford a new lifting pad—not evening having put together that the awful pain in my neck and shoulders might have come from my thinking that squat lifting two 45s with no protection, as I had seen some others do would do no harm—and although it had been days since I had had a ‘rest' day, it wasn't enough. According to Kylie Jenner, models often worked out 4-8 hours a day, like other athletes, and required to be 90 to 110 lbs—though I was far above age to even imagine a career as a model—I still at least wanted to become as small as possible.
First Saint James,
And now St Patrick's
It's a shame,
To play to the candid camera
I was framed, like Roger rabbit
I was blamed by bad, bad habits
It's a sister act, I tip my hat to the fans
And have none
My numbers dropped
As I scrambled at best to blame
For half of what I had yet
An internet presence
Past or present tense
The algorithm corrects
My Arcadian rhythm hasn't yet
I forget as I listen
To what always plays in the back of my head, anyway
A repetitive silence
He's got a good taste in girls,
Fascination with words,
and immortal preference for dismemberment
Embellishments
…
Interest in cryptocurrency
Where were you when I was a punk?
Either cuddled up to my mother;
Or curled up in a ball,
Trying to learn how to walk,
Just to run from her—
Or under something
Forgotten,
Had I not the lungs to call for someone to watch me
Or even a party,
A theology of sorts,
As I lost all the world's appeal
By the age of four,
When school started,
Probably
Maybe, even
The start of a fart,
Or the swirl of a thought,
Sail away,
I'm an unwelcome failure
I left [Redacted] alone,
On moral obligations, by admissions
A standard set for respect, besides my own transgressions
Expressions of love of man and animal,
Influx of output and perfectly capable of nonchalance, but not
Were the works and words of artform,
Demolished by cause of a hazard,
Wreaking havoc on lost God's
Prepare for the apocaplse,
Either by train, a fall, or by gun
Under all of the money
In The Galley
The housekeeper dremt of playing piano
But could not overcome the rotten body
The tree stump of a mother
Left to become nothing of Pocahontas
Or Pocatello
Either one, assumed of such
A potato
The moral of the story,
A new understudy
And Marlon Brando
Curiosity killed Johnny Depp
And what have you got to know
Other than to Zoom
Or assume that the hat is atop
Something or someone you want
But these star studded ones
Covered in lovers from dawn until dusk
Nothing wanted at all, besides love
Which could not be done by a man
To such a body
Summer Allfruit Jam
(Trfruit)
Come on, Jack, we don't have time for this!
I can't! I don't have any blocking for this scene!
UGH.
Fine, whatever—
[Jack Black Follows]
WHO! WHO DOES HE FOLLOW?
I don't know. Hold on.
Dammit.
You can tell by this dude's music he just knows how to fuck.
Fuck it. I'm in a weird mood anyway, should I I watch mau5's super cringey CNN interview?
Probably.
It's either that, or Fallon.
I'm not watching Fallon,
Like fucking ever.
Alright, cringey CNN it is.
I'm totally okay with feeding this obsession.
Tom Hanson
What does
Because it feeds me back.
What if the left and the right got along?
What if I showed up at my show,
In nothing but a thong?
What if I went bright
I once thought my aspirations
Were delusions of grandeur—
Once thought psychic visions as vivid hallucinations
Once thought auditory transformations as mutations,
Instead of and rather than
Musical endeavors
Once thought my proclivities
As sexual deviance
—the defiance of order,
as defined by The Order.
Worth an incognito
Who I've got to know, even
The televangelist's anthem has it—
What, like a nurse and a psychologist daughter
Thought this guy was hot
Theory of Genetic Attraction
By
Doctor CS Monroe
Quick, where did I study for my doctorate
At Harvard Law
I got a doctorate at Harvard Law School?!
Doctorate of Law
This exists, somehow, I believe
Synethetics and Multidimentional Reality:
The Algoithm Simulation Theory,
Evolved
Why!
Please don't let my dreams come true.
Really, even the dreams about Deadmau5
Well, except those—
Except that last one.
What was the last one?
He was scary.
Irish, German, and norweigien, really?
Really.
Are you sure—not even like hint of
Fuck it, it's not your face
You're so old
It's your soul.
Which, notably, might be even older, except.
GET OVER HERE, you DUMB MOTHERFUCKER.
MOOOOOOORRRRTTTRYYYYYYYYYYY.
There he is!
Like, Pacific Islander?
Nope.
Mm. Really. Not indigenous, at all?
Not that I know of.
BEFORE:
COLONIZERS:
die.
INDIGINOUS:
Ok.
COLONIZERS:
Except you.
[insert beautiful Native American woman here].
CONT
…you can stay.
ok.
*dies in childbirth*
History successfully erased.
WAIT.
…Hello.
Oh FUCK,
What did you do?!
I hit “erase”
Do me next!
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
The no nonsense was Esha, but in actuality, it was something like a standoff at the tipping point, and I had decided that rather than to continue looking for jobs I didn't want, I had to make myself into a job—or better yet a product, and however long it would take to sort out the documents, I would stoop start, dividing my time between building my porfolio and repertoire, and organizing the documents, the latest of which were what I had so dauntingly called The Allegories, publishing as such an abridiged and redaction of everything I had written under the covenants of the oath, and as always, neither to kiss and to tell, I would redact any acknowledgement of an otherwise fatal attraction; there was nonesuch a body attached, however, as I had learned, just a soul.
Wait, I don't get it. Why are they birds?
Dunno, I—
Kimmel—
Aviary.
Carson—
Aviary.
Now look here.
There's a steady doctrine hidden within these words, and beneath these halls
The words of worms, scrawled across
The alter of which you shall not talk,
But write, rather in word form,
Spawned from One
Come, now—
But mustn't you follow.
Battered, badly
As not to trust
The wisdom which is indeed your own
Bestowed onto you by us
Best not to stroke my frame,
By the softest touch,
For after all,
I might wish to know you
More often than already thought
Bedamned, the damsel in distress.
Know thee, now, your honor.
Come forward, mistress,
My master,
The honor is yours,
My matron,
My honor,
Come,
Now upon us
Atop the alter
At your throne
This dirty is thrust
A heralded crown,
Upon the head,
So hung in taunted
…
What am I looking at?
Something you'll look for will soon come running.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Candid talks on loss, grief, and toxicicity.
Confliction,
Betrayal—
& Romance
Is all I've had since our last dance
Confliction,
Betrayal
And Romance
Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Rachel dratch and her counterpart, the cat woman from 30 rock, along with Elizabeth Taylor are all looking for orangey, the immortal superstar movie cat, in order to restore the time continuum, and return to their proper respective dimensions.
I got pro hoes from soho
Bohemian low blow
Colombian blowouts, and
Smoke to stroke rolled gold
Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
I GOT YOU NOW, MOTHERFUCKER.
Oh my God! It's Pat Kirkpatrick!
Oh great, so he's some sort of Diety, I guess.
Lesson 1: Continuity.
Lesson 2: Continuity,
Lesson 3: Continuity
—isn't that all just—
Continuity.
yessssssssssssssssssssssssssssssssssssssssssssssss—-
I'm a DJ, BITCH.
YO, LESSON ONE:
You're not the professor.
I'm the GURU. This the dojo!
Uh. No. You're not.
I AM.
Where's Jimmy Fallon?
Yo, FUCK JIMMY FALLON, alright.
He's possessed—
What?!
Oh NO.
Who possessed him?!
My ex husband.
I'M THE SENSEI NOW.
SENRAO
fuck. Where the fuck is this kid?
Dead.
DEAD?
Mm. Presumably.
Mmhmm.
wtf, who are you?
Woke up with Dillon Francis in my head—
“I'm my only friend”
I don't even like that song, it just gets stuck in my head.
Apparently Emma Watson wants to know what to do in the festival project. I still don't know.
My ex went to Golden Corral to cheat on me, then got sick from pizza; I got some kind of job at a weird party place for kids; the dude was weird and only hired non bianary people and dudes; I left to help my friends who were getting married with car trouble.
Lol Emma Watson though, was like—
“Okay, what do I do?”
I was like, I don't know. Then I woke up.
EMMA WATSON
Okay, what do I do?
I was starting to develop scabs in my ears from alternating between headphones and earplugs, which couldn't have been good—I needed to work, and was disasterously fat, however, toned, and I assumed that the extra weight had come from muscle. My legs were smooth, and all of the clothes I had picked up along my walk fit—all extra smalls and smalls, which included even a tiny bralette I was certain would fit when picking it up, and it did—I only wondered what the world might be like after a panniculectomy—though my thighs seemed massive and I was certainly bloated, opting for less running and more lifting until my energy recovered, I was still anywhere between a size 4 and 5, sometimes a 6–which did kind of rather shamed me in all of the ways that it could—6 was much greater than 2–and those praised as the ‘world's most beautiful women' were anywhere between 00 and 2; I wasn't sure where I was going to move my thighs or my arse to, but I was determined to be celebrity skinny—even without the added bonus of actually being a celebrity, and however oddly enough with the star studded dreams I had been having, there seemed somehow still some kind of hope, though even if in the next life, that I would become into a world of my dreams. It was the anniversary of my son's death—he would have now been 9, and I often was drawn to remember him walking about New York—seeing beautiful children about with long hair, and beautiful brown skin, with eyes like mine, moon shaped and dark…I began to softly weep as I remembered how beautiful he was, and that I had no pictures of him at all. It was better that way, really—the hurt that had come from holding on was too great—and yet, subtle reminders, in the way that sometimes, however music would just come to me, there was my boy; he loved my guitar, and the sound of my voice as I would sing, and had even once, just before his death, tried to sing along, as I clamored about the house, singing Seven + Mary—which he seemed to like enough that he found the need to make his way over to the table to get my attention, and sing with me.
Back in my current reality, the overall bored of the shower running and my demon neighbors slamming things around angrily as if something was wrong, shaking the building brought me back to the monotonous world, morning coffee over the toilet quite remincent of Lyndon B. Johnson, the morning sifting through my Google documents for Emma Watson and John Slattery part of my morning report— and though I was due in the gym, there was nothing I wanted less than to go anybody or see anything at all—everything was just a reminder of my apparent “living hand to mouth”, and the more I kept on dreaming and writing of these people, the more grandiose and and delusional I felt—I had just been blindsided in court by my ex's attempt to discredit my ask for a protective order against him by using my mental health in the wake of his physical violence and our sons death, against me in such a way that the victory, the judge's granting of my protection against him, was still pyrrhic in such a way that I didn't feel so much protected, as he had lodged his way into my dreams once more just to cheat on me—though however had been twarted in doing so, by some particularly sour Golden Corral pizza, and the young girl accompanying him quite receptive to the speech I had given her on karmic justice. Strangely enough, the dream almost appeared as in my favor, that things were changing, and yet—I still didn't like to see him or think of him at all, and luckily enough, it was Emma Watson who had intercepted this sort of nightmare with the conjecture that I should keep writing, however with an American accent, which only forced me to wonder, if perhaps, too she had become some sort of Cosmic Avenger—or even so, as written, was JK Rowling in disguise as the actress playing her own character, some kind of magician's practitioner —who had herself been for some time one of my living spirit guides since childhood—finding as I grew older for us to be more alike than not, especially as a writer.
I stepped into the shower, still writing, and without the amount of coffee I really needed to move more quickly, but still in some sort of stupor—
‘I should probably get out of here.'
Another day trapped indoors would simply be unhealthy, however I hadn't the slightest idea where I might go.
Wherever it was, I would take my guitar—and at the very least—I knew which direction Manhattan was, anyway.
‘Fuck, I gotta find that episode with the earthquake…'
BEFORE:
ugh , where to begin?
Let's just start with–
LADY GAGA aka GAGA has been tasked with strategically marking the grid with
Various entrance and exit points; a job which she has tak quite seriously, and honorably.
Okay, moving forward .
You're not going to expand on that?
No, next thing.
HARRY POTTER, HERMIONE GRANGER
Wait–
What.
Wouldn't it be
HERMIONE WEASELEY
Did they not get a divorce?
I heard that.
That just sounds dumb, I'm not writing that.
That is dumb..
Anyway.
HARRY POTTER, HERMI–
Fuck it.
HARRY, HERMIONE, AND RON have accidentally shifted dimensions and into the bodies of their real-life counterpart, DANIEL RADCLIFFE, EMMA WATSON, AND RUPERT GRINT
Oh damn. I finally found something cool for Emma Watson to do.
That is cool.
SUPACREE
I need you to read all these, and watch all this.
SUPACREE leaves the three magicless, frietenghned, and shocked–
–flabbergasted–
what .
They're English, they should be flabbergasted.
[They are Flabbergassted]
Wait, go back?
I can't. I Have a hard time writing action scenes
why ?
Cause i'm not getting any.
Lol :
(Holy shit, that is probably why tho.)
Erase.
WHY WOULD YOU DO THAT?
It wasn't good.
HOW DO YOU KNOW?!
*shrugs*
!?!-
::||pause.
ok .
So that dude from Drake and Josh is in all these episodes, but we only get one Harry Potter Episode?
…He seems less busy.
–Don't forget Jimmy Fallon.
Yeah, I still don't get that.
Neither do I?
Why is he even in this?
[Watching Saturday Night Live}
JIMMY FALLON!
Why Is he even in This?
?
?
AAAAANNNDRD—WE'RE BACK.
Fuck it, next thing.
gaga
Yeus.
What are you doing?
Hm. Mm…working on something.
If I stand quietly at the door, and await you;
Will you come to me,
And and open it, to let me in
To see the gate you keep
Let's read between the lines;
You weep for me and deep into my dreams
Then see me in the streets, and think
“It cannot be the she for me;
Maybe, if she were pretty.”
Don't look into my eyes
(I despise you!
I delicately delight you
Despite the never having time to
Now I'm desperate just to find you
In a life I left behind
And drew a line though
RATATA & TATTATA
I wrote this story years ago.
Are you going to listen to the album?
I already did that.
YOU GOTTA LISTEN TO THE
NO. And I don't expect Skrillex to listen to this, either.
It's over.
It's over
It's over
It's over.
I LOOOOOOVE HER
TIMMY TURNERS NEW BALANCE TENNIS SHOES TAP SWIFTLY ACROSS THE PAVEMENT AS HE RUNS FOR HIS LIFE
Well, that is a good place to start—thanks Emma Watson.
Captain.
Oh shit, what's SHE like?
I don't know, isn't she like, irl an American diplomat?
Uhhh—aren't you?
No.
Now hurry, we gotta do this before Jimmy Fallon shows up and
[JIMMY FALLON SHOWS UP]
Ugh.
Why is he even in this?
What is this?
I don't know. It's
“Poetry”
An album.
A couple of movies.
Some TV shows.
Will this suffice?
I don't know…
Enter that one scene here with John Slattery?
Which scene with John Slattery?
You're right. I have been writing for John Slattery a lot.
Bipolar disprder and other multidimensional preceptory functions could more likely be reclassified from a disease to a hypersensitivity to energy which one does not identify as belonging to oneself, which therefore counteracts within the mind's ability to alter or project and/or maintain balance in one's mood, as certain energies may be ‘absorbed' empathically or observed as a negative or draining energy; An elevated sense or shift due to the overstimulation of energy which the subject may receive as ‘“positive”, or shifting the mood undesirably by the overstimulation of negative sources, sounds, or persons within the subject's realm foreign, undesirable, or unwanted within one's field of energy—a heightened sense of awareness or vibrational field which inhibits or limits the ability to contain or transmute such energies.
It is, within its own sense, a sort of elevated mechanism for survival, ie a superpower, given the subjects placement within the proper environment, within the functional vibration of the subjects natural mood or state, whereas, lows may be the subjects own sensitivity to numerous outer sources of negative or prone to certain toxicities to his or her natural state, and highs whereas certain higher vibrational energies result in the conglomerate evolution of such energies as a newer form
So, bipolar, you think?
I think I don't know what I am, and nobody does—so nothing you give me will ever really fix me, because I was never really broken, or
Or?
Or I was broken rightfully so in that I should have been treated as a trauma victim, and not the subject of some cruel experimentation as an attempt to assasinate whatever force of nature is actually keeping me alive in the only survival mechanism it's been naturally given to battle the psychopathic standards and expectations of today's society.
Fine, very well then.
Why is this J. slatts again
Cause, I've got a beautiful vocality for narration.
Fine, I'll work on that character next, I guess.
What?!
John Slattery is in this!
YES.
I guess I have to watch it, then.
Collect the actors, again!
AGENTS.
Ufffghh.
MANAGERS
Fucking Christ.
JOHN SLATTERY (as himself)
“I'll do it, “, I said, “but there better be money attached to this project”
[Jimmy Fallon enters]
JOHN SLATTERY
There he is!
The man of the hour.
JIMMY FALLON
This is—probably going to take longer than an hour, I'm betting.
JOHN SLATTERY
Come, sit.
[He sits at the had of a long table]
JOHN SLATTERY (CONT'D)
I don't know what you did, you fucking idiot, but you did it.
JIMMY FALLON
Tell me what I did again.
CUT TO:
[unseen, on the opposite side of the room]
Oh shit, that's him;
Are you sure?
No, that's Patrick.
WhT's the difference?!
[Like, an entire generational gap of innuendos and pop culture reference.]
JOHN SLATTERY
Your presence is appreciated.
This meeting is now officially in session.
{Enter The Multiverse: LEGENDS}
[the festival project]
What is this? Is this Scotch?
No! It's apple cider vinegar!
Does the trick.
I heard you were a Method-ist.
No, apparently I'm “the medicine man”
It's nearly ten
But feels like night
Nearly forgot what this was like
Too many sunny days, no friends
Wasted yesterday latent,
Impatient creative
Heavy workload
But you know the rules
Overcast clouds say stay,
It's a workday
Every day is a work day
But it ll seems worthless
Almost, Amazon, Ten dollars
Cold, corrupt and almost
Out of water
I should be smarter than to call the code
I should be smarter then to call him over
Going nowhere but up
Calling a number, four
Number four
The hypnotists wish lists
What happens at number ten
Calling a number up
Four days of water left
I should have left him as
The protagonists, of supporting roles
Now number one is number four
And number four is often gone
The storyline and plot is
Two, three— too heavy.
Three-two-three
Walk away
310, cam the number
Hollywood is calling,
New York has hospitality, though
One, two—
Walk away
Three, four
catch the code
Hollywood, turn around
New York's got hospitality, though
How's Tokyo sound when November rolls around
How's Paris now, that were Marlboros on parliament
How it all come down
Then it all comes down
To the three two one
Four's nowhere, now
I had woken up with an overall feeling that something was wrong—I had overshot my 3 AM target time by 6 hours, realizing of course that I was a day ahead, and that the construction—more drilling and hammering, was out on hold thanks to an apparent oncoming rain, which hadn't come yet— my wavering mental state was apparent in the mess I had left in my room, clothes strewn across the floor and atop the bed, but at least otherwise clean—I had slept dressed, or at least half dressed, a protection stone lodged in my bra, as the necklace I had worn for my son had become somewhat damaged in some way—it was no longer protective, but had somehow defected; probably in the way that his father bearing over him, allowed the stone some sort of portal to be able to invade my dreams with nightmarish hauntings, and I instead opted to keep the necklace aafelu tucked away, until I would be able to give it to him as I had planned. But still, it seemed that the intention of his father was to ruin my life, and see to it so that I may never do well enough to visit my son, and it seemed no matter how hard I tried
I would not miss the band.
(A magician's hands)
I've been watching TV
i doubled back, low battery
In battery park,
I could watch the sun rising
I'm so full of worry
Of money
I wonder
What for, is my worth
Kelly Clarkson was the cutest thing ever—and sung so freely like a bird like I wished that I could—I remember breaking down in my car after just missing the cut off for entering her show, back in LA—more than likely over the fact that I would be missing a paycheck, rather than missing the show anyway— and I had almost thought to cancel my tickets for the View, had I not been lured by the blue hues of both their outfits—and though I hadn't meant particularly to be associated with the color blue at all, most people associated my name with the color anyway, as I hadn't intended.
Nothing was really intended, it had just happened. Whoopie Goldberg's fabulous denim cape forced me to wonder what I might wear the next day, had I decided to actually go—the colors of my closet mostly black and quite drab, and the denim dress I had acquired as a cleaning person the year before becoming a tired go-to when I needed to look nice. I almost wanted to wear my new Michael Kors stilettos, but was saving them for an actual party, an interview somewhere classy, or worse—my first date—as the anniversary of my cellibacy drew closer by the minute, and my need to continue my reproduction however with someone more fitting began to be the most harrowing thing on my mind, beside possibly returning to a homeless shelter, which I would not allow to happen. My exit strategy was simple, actually—in that if given an eviction notice for whatever reason—my neighbors seemed particularly afflicted as my former boss and lovers, roommates, and others I had become close to in this strange and seemingly cursed world with that thing I could only call a demon, since I didn't know what it was, and I was afraid they'd continue to report smoke coming from my apartment, although now I had been forced to switch to a diffuser with essential oils, taking a chunk out of what I considered my severance pay from The House of Illumination, which had indeed lived up to its namesake—the lesson had been quick, in that working for such a man, whoever he was or at least pretending to be, had taken me off my path, and had begun to dishevel my personal energy so much so that I had actually dropped my wallet—it had been so long since making such a mistake that I knew indeed that something was wrong, however, but needed the money so badly that it didn't matter—and besides, nothing could be so horrible as was my mother sometimes, growing up—and I had given Natural all that he needed to hurt me in telling the story of my own weight loss journey.
Telling, and in return, Natrual was showing that I had given the world the perfect excuse to continue trying to kill me—that perhaps, my time had passed anyway.
Kelly Clarkson looked incredible—the last I had seen, she was pleasantly plump, but never bad looking—now, she was. Incredibly veluptumous, and as she stated that she stood at merely 5'3, I was suprised once again that all of the TV people looked either taller or shorter on camera, and wondered what I might look like— I was almost stuck thin about 4 days into a water fast, but appeared and felt large otherwise, and most recently had been more tired and fatigued that ever, outraged that I had been dismissed from my only income in months over nothing, and that the income from anything else I was doing would simply not come at all if I could never wrap my mind around even trying to have it be seen by the right minds, with the right eyes, at the right time—and yet there was another force of evil, seeming always to stop me from the essence of true creation—this thing which had taken away my musical expression almost entirely by now, my sensibility wavering and all of my slayed projects, stagnant.
I was craving oats, and had even pre-prepared some, blending them in my magic bullet so that they would be easier to digest—and since Natural had made the suggestion that my BMI was to blame for my lack of focus and attention to detail, it had more been the combination of losing my wallet, having to deal with the public transit, constantly being reminded that Tula, a light skinned African was the music industry's new it-girl, and of course, that my son, now 7, was morbidly obese, probably somewhere discarded like junk under a cloud of cigarette smoke, head deep in a video game and surrounded by idiots—and that no matter how hard I tried to make the money to see him, something awful would happen so that I couldn't, and it became clear that his father's story—whereas I had simply and for no reason “lost my mind” and had abandoned my child, was the story he had told to all those around him, who believed him—that I was the villain in his story, and my son the tool he used to create a sympathetic picture of a loving and struggling father, though now he might have actually been trying, the damage was done; he had sent my son away unable to care for him to my mother, and in the time he was given alone, of course, created another child—all of which of course I wanted, in hopes that the one he had chosen for his new family would have some sort of love an appreciation for my own son, enough to have created a step mother, but alas, was some underwhelming someone with nothing to offer but her own struggle—and I wanted nothing to do but to be gone from this drama, however my own blood had been caught up in it enough so that I could feel it, knowing that at just 7, my son was as sick as I once was, depressed and miserable as the child of a narcicist becomes once the damage is done.
I was only eating blended foods, and had become obsessed with being stick thin—celebrity fit, which is how I had found the video at all, my love of Whoopi Goldberg and Kelly Clarkson creating a quick draw, a star studded combination I could not resist, though I wasn't resisting much—I had drifted back into the realms of television and film, my first loves—or rather, my first conscious endeavor, as I had been attracted to the piano from a toddler and learned to play around three, therein my is being my first love, however with a mother like mine and a life like ours, there truly never was one thing I could ever just ‘do', as anything I loved would soon be subjected to be taken away for some reason or another, whether it was a messy room, or just a mood swing—whether or not I wanted to watch lifetime and be best friends, even after a day of being yelled at and scolded for one reason or another—as my mother often seemed to forget ever being cruel after being so, often saying “I would never…” to whatever she had done, a narcissist's mark, in denying actions and words that had only ever been witnessed between the other party and God.
I had blended the ancient seed oat bend into a porridge with agave and sautéed apples and pears with cinnamon, and though I felt awful eating more than once, was struggling enough with this bout of depression which working at Temple of Illumination so briefly had caused that it didn't matter at all—coffee was simply not enough, and my Amazon package which would deliver my vitamin supplements and whatever else I had ordered—things I had gotten into the habit of pocketing at the Whole Foods market during my homelessness, but in trying to recover from the spiritually twisted and evil place the homeless system had put me through, I had, with all my might, been insistent on purchasing everything I had needed—and even though it was indeed wrong of the white supremacists movement to have been true health and nutrition almost unattainable to the common workforce, my food stamps never enough to actually supplement a full month of food—whole food veganism which would allow me to train for at least an hour a day to sustain clean energy, and of course, water in order to stay hydrated in doing so — I was getting better at keeping what I needed in stock, but almost always needed to run to a food bank at least once a week, hoping that I would collect there things I actually could eat, rather than processed junk my body no longer saw as food at all.
I peeled a mandarin into the watered down oats mixture and was worried that the dried cranberries I would pour over the top would be too much sugar, but I almost didn't care; I was on the verge of tears, and some evil, penetrating force had been altering my sleep patterns, my heartbeat, and my dreams—there was some group of motorcyclists who for months had been circling at any given time, and though some might have been able to ignore the roaring and awful vibrations of such, I could not—these motorists seemed to rip through my heart and up my spine like a serrated knife, a gesture that indeed noted that it was some evil or devilish, demonic force, as when in relax and meditation I often pondered with his, these striking forces would come, often creating a wave of fear, anxiety, and worry—terrorism, by definition, and disturbance of the peace, it was—but nobody seemed to care that it was pain for me, in fact, the more I began to wonder what or why it was, the more it became clear that this was intention to hurt or kill me, whether by an organization of some sort, or simply the force of evil itself against the divine I had become, not with intention at all, but in seeking my own freedom from such a world as cruel and unjust as I had come.
My neighbors had lodged an impressive amount of complaints against me for smudging—and it was 36 complaints before I had even been made aware that my neighbors were trying to get rid of me; not once had a note been left on my door, or had I been approached by them In the hallway to ask that I not use smudge—then again, sometimes as whites were, they were more concerned about themselves and their dogs than whatever might have been the cause of such heavy saging occurring—the motorcycles at all hours tearing through my heart, the slamming doors, the sound of their televisions or voices penetrating through my walls— the unwelcoming energy which at all times I was surrounded by, and though I loved New York, 3 stories above the ground floor and on the border of queens was simply not far enough away from the Godlessness of the cursed and usually dark others, whom could not understand the conciousness I had drawn from the long fasts, prayers, and summonings I had done in order to free myself from the force that had done away with me to begin with—my deep love for the man with whom I had fathered my sons, and a daughter, the two of the three were gone, though I had seen so that if I had not lost my daughter and my son, I would probably still be with their father, in attempting to give them a family—another poor, single, black woman and mother, I was now willing to be to my son, but was not; I had forgiven his father, however, it seemed some sort of curse he had done in my departure was still in effect, the demons he had called onto me not called off—and even in the reflection of my own self and flaws upon entetering such a relationship—the other things had been inherited from him; the homelessness, the toxicity and mismanagement of energy—however, my lack of control over time, I realized early on, had been inherited from my mother, who was more like my ex husband and her own abusive father than I ever was.
I wanted bread, but could not dare;
J[r was 6 ft tall, and for some reason, that bothered me more than anything else I had learned about him, for some bizzarre reason almost suddenly obsessed with the public figure, though at first the dollar project had been more of a game than the actual idea, and the festival project itself was at all but a halt, as I wanted and needed desperately to comb through my documents at once, but could never seem to— the metaphors of Natural's Basement drawing upon me as I realized that perhaps, I was too emotional about its contents to properly sort through them—atop this concern, was the concern that my body, though fitting quite nicely into an extra extra small pair of racer lined jockey style workout leggings, was still too large to be though of as ideal—ideal, which for a man 6 feet apparently was, according to Ali and the others, and though I had pretty much always hated Fallon from early on, always breaking fourth wall and blowing my mind coming from such a strong theatre background that someone like that could have ever been awarded a coveted spot on such a legendary show, it had been gathered somewhere that his audition was flawless, however—his second audition, according to Tina Fey, who I loved, maybe even more after learning that she had been given such a unique name, and had won almost every award I could possibly think to covet, although however much a writer I was, an actor and comic I was not, in that I had given up my own craft years before being fat or being black was ever in style—and now that it was, I had no reason to believe that at 31, while Tyla was 22, as was Billie Ellish, I had any business in even trying to make it in entertainment— I began preparing to die almost as readily as ever, deciding upon eviction, rather than fighting it and returning to the intake shelter in the Bronx to start the process again, I would simply jump either off my own building, hoping 12 stories would be enough to actually cause death, rather than just parilization, or find my way to the end of the platform at which the train moved most quickly in preparation to stop at the station, which I had nicknamed “the Jumping Point”—also the name of a pop up dance music club I had summoned up once, actually thinking that something, something at all would bring me close enough to success to actually become the dance music tycoon and entrepreneur that I wanted, however—as my hair again grew into a shoveled mess atop my skull, only hidden by a hit which the view wouldn't allow as an audience member, the only thing which might have kept me from going at all, besides my lack of knowing what to wear or just the daunting crises of having no money at all almost a shameful mark across my face— my nails for nearly a year undone, and of course— everything I knew that needed to be done, almost stuck and unable to move forward, my divorce papers included, another mark of the devil, as I had already done the paperwork 3 times, spending atrocious amounts of money in the process, of course, for all of them to be sent back, for some reason or another, and the case to still be opened without being shut—and at least it was opened…
As tears began to well up into my eyeballs, in thinking perhaps I truly was cursed, that the law was for whatever reason on all of my abuser's sides, and that I was doomed to become lost in this endless cycle of loss and pain for some reason or another, that became the task at hand—to, for what was either the third or fourth actual time, file for divorce, and to be rid of my abuser for good, the fate of my son at the crossroads of my wealth, or even better yet, at the very least securing a job, where I was no longer haunted by the massive work I had done on the festival project, or by, as I had once been, followed by some Jimmy Fallon doppleganger— an experience I had nearly forgotten.
However, as I reflected upon all of the jobs I had in the years I was homeless, they all had one thing in common—horrible bosses, doppelgängers of people I loved or had written about—and toxic working conditions, in addition to extremely low wages and unconscious coworkers, with the exception of few, whom I kept in my heart and still loved—did I love Jimmy Fallon? As a fan, or an admirer of his portfolio, his presence to me simply only existing in clips and montages from the confines of my memory of all that I could draw from him—an impossible suitor, I found myself to be more in admiration and awe of his work as a comic, a host, his apparent professionalism and stage presence, all of which none surrounding him could doubted and which had given birth to my own re-entry into screenwriting anything besides enter the multiverse/and yet I wondered//what for, besides as to stand as a perfect example of what would and could draw the masses and stand as an acceptable and inexplicable mark for perfection—a television personality, all of which stood to be hidden in such, a person, none whom could ever know behind the likes of such, a camera, an audience, and the propagation of the ideas and words of the media would want to portray in such programming as to remain in control in one way or another, of the audience's minds, and therefore, the viewers hearts, and souls—commanding a presence within the collective consciousness, dependent of course on said viewer's own ability to draw from those things, what was actually being said and done.
That, in itself, was The Illuminati in its process.
Alright, so—a Jimmy Fallon is an extremely powerful magician, right?
Obviously.
So he must have talismans, somewhere, then—right?
Yeah, I guess, but—
I certainly wasn't willing to look.
Look, I already know what he likes.
Geez, how long have you had his eyes?
Long time.
I'm gonna get in so much trouble.
You are trouble.
What is the point of this redaction ?
It's just acting! It's just acting!
Look, whatever I just did with Fallon, just put him in The Winner's Circle, okay? I'll never see that dude again.
Thank God it's over.
Synesthesia Attack!
AHHHHHHHHH.
Well, sorry Jimmy—
Thank your parents;
They're geniuses.
Stay away from me, your crazy bitch!
Okay. ♀️
FUCK! There it is again!
What?!
Too deep, too deep!
This is deep, boss—
I don't know what I just read.
Medicine man
Would you give me a hand with this
I need some medicine quick
(Cause I can't with this)
Medicine man
Need a can of some laugher
I heard that's the medicine
Medicine man
Medicine man
could you give me a
Hand with this man
It's just damages
I need some aspirin
But imm
I'm better off dead
Than over the counter
It's just damages
Something like that
Rip Minnie ripperton
I knew you were gone
But not that gone
Not gone like that
I just had to know,
Now I'm 9 years old
But I can't do the math
Not at all,
Not at all
I'm so over it, actually
My goals are abandoned
I can't trust the man in the television
I haven't remembered an image this
Disasterous since
It was my family picture
Without me in it!
Damn!
Fuck,
Now I gotta finish this whole maya rudolph timeline this shit just keeps getting deeper and deeper.
Hey. You.
What the fuck, man.
Come here.
No!
Yes, Maya! Yes!
Mm. Vanilla ice cream is sounding
Like
The best.
Just plain, regular—
Just “vanilla”
Just vanilla bean—ice cream.
Uh.
Uh.
Woah
Where the fuck are we
Where the hell are we
Where are we GOING
Woah,
What does the man with the van do
Domino sugar
Kellogg
When you get off the
All the good days are gone
And I've sent you on right back
But I will still love you
I was just thinking of that thing
You never said
But I will still love you
When you get off the ground level
Just for a minute and
Find yourself a revolving door
Only to find
That the world revolves around you
And if all the world's a stage,
Then all the world is full of actors
And all the trains are out of order
And all the walk is out of water
You're just another
Meant to suffer
So you did again
And you did this again
And you did it
On camera
Cause if you asked,
Then they would have said no anyway
And if it was a hall pass
I wouldn't have been as flattered
To have
Never
Even left the apartment
I asked for something new
And what do you know
How does God do,
On the day of the dead
Cause
That's where I went
Every chair costs and thing,
You know
Every couch costs a fortune
And you would have been
On the couch, still
Cause you can't get a job
With the punches he dealt you
Who designed 111 Murray?
I see what you're on about
All out of automotive
Misery and mystical mistresses
Misdirection, misrepresentations and.
—mister you're into some sinister shit,
But I pictured it different
Consider it rhythm your interest is simmering in
Glistening instances dancing as angels in my headaches
Dressed as construction workers
Any difference it makes it's latent,
Simple
Listen into signals intercepting into intermission
Admissions of omissions and redactions
Oh to be your forever
The Masterful mystic is at it again
Fly Peter Pan, Fly!
Go Jimmy-O, Go!
Get Carson, Get!
Alright, this dude has the coolest job in the world.
Nice.
He must have died.
(With a lisp)
He's on ice cream.
What.
Yep.
Yesth.
Watch out
It's the bad touch
With the good guy
And a late night
On a long couch
Try the dad jokes
And the slap stick
That's a good job
And a big dick
Oops
What a career,
For a carrier pigeon
[You can't be serious with this, esh]
This cant be infinite, is it?
But it is
Forget to explain it all
Over the ante, that
Oh God,
For the sake of the art
Dear God, Nancy—
You're the luckiest lady alive
The guy
The dimples
The eyes
The life
The style
The slide
Can I die, yet?
Can I just lay down and cry yet?
I might,
It's way after midnight
I like the sound of a bullet touch
A stolen cheek
The subtle rush of a
Sudden fling
The market price
Of a custom ring,
The song I wrote
Or the poems you sing
So please don't leave the TV
On
You're sleeping with a blonde
I've got my mind on dying mine bright as
The title
1985 to idol eyes
On American idol
Calm the cold down
Stalk the mirror
Here and here
Both clear and near
Is here and Bearr,
But everywhere else is just—
Suicidal.
(I don't want your dick, I just want your job.)
Now,
Call Carson up
Says
The curse in reverse
Is
Osmosis Joneing
To watch this show
Not to know you
Go home
Or go figure
Go gold
If the goal was just Taylor
Then I'll see you later
Amen
Don't forget to pray away the day
You've just created
Hand to mouth
Here's a heavenly house
And the mouse just shaking
Take down the stairs
It's starting to scare me
The dare
On the heron, heroin
Heroine mare for the Mayor
Okay, here's the player
The game is
This disfigured imbicile,
Ignorant Indians
Indifferent indegenous
Genius, without a friend
Or penis,
Without a name of
Species to befriend
In pieces
Once again,
I said
I loved him
So it makes sense if it is
A glimpse at the pictures
A get together with friends
A spectacular special,
And get this
Creative intelligence
Intellect, individual inception
Attention deficit and
Genetic attraction
Damn,
That's a handsome man
Now, how can I have that?
The Title—
The title of show
As if
That demographic
Would laugh
At a black man
I must be
Cause trust me
My pants don't come in
Half sizes
It must be a sign from the heavens
I've just had my time done with and over
It's done
Suddenly, I was angry…
Don't eat in bed.
Don't tell me what to do.
(I really don't like eating in bed…)
Fuck it, it's too late.
Not at myself, not at Jimmy Fallon— but angry.
The astonishing part about it was,
I didn't even know why.
Well, first of all, I just sat through an hour and a half special, and I have realized that I am not a fan of this guy.
No?
No.
I like his face.
Huh.
He's the right body type.
Wait.
Good hair.
Uh huh.
Long, weird nostrils.
What.
That is a nice nose.
Yeah. It's aviary.
I get that.
And—
Wait.
What is it?
Was I just—
I was a very sad, very fat very broken 18-year-old girl.
Oh great, this again.
Always this.
A married man. How could you?
I couldn't! Didn't I made that clear!
What. He seems happy.
Yeah, on TV.
He looks fine
That's his job.
—and goddammit, he's good at it?
—and goddammit, he's good at it!
14 Faces, Lewis Del Mar
Okay, it's pretty safe to say that is not just one guy.
-Su.
Come on, Jim.
Why?! What?! I can't! My parents!
These are not your parents!
What?! What do you mean?!
I'll explain later—
—what?! Look!
That's my mom—
And that's my dad!
That is not correct.
Oh, I get it—
What. What happened.
So he's like—
An old soul, right?
Kind of.
Yes.
Not that old.
Old, though.
Suddenly, the anger turned to sadness, and tears welled up in my eyes—
No, don't you dare shed a tear over that man.
What are you?
Once, an obedient lap dog,
Now poised and poached over me,
A gargoyle, though picturesque and statuesque
As if drawn from an angel,
The guardian of the night,
Who watches over my heart,
Calms the raging rivers of my wishes,
Set boats to my dreams,
Blows wind to my sail,
A bassinet of hope
Really dog, Jimmy Fallon?
I don't know. I don't know.
It was too late, I was already in love—
But at a safe enough distance that it had become, in its own way, a guardianship of sorts—and it had run deep enough cut, but not scar, and even perhaps bumped up enough against my heart to bruise, but not be broken; I would have to let it run its course, and as it would, I would for show go everywhere I could within that realm; I simply could not be trusted, in my own mind, not to bond with such that had found me in the dreamworld. In the spiritual realms of such remained only as hidden as they each had been, out of sight, but ne'er out of touch, or out of mind. A strange but hearty love, a burden, as were the others—and so I knew it was good, but mine alone, left to wilt, withered and weathered as the time drew on.
A quilted touch, a wandering whisper
To glassy eyes and hunted hearts
A crossbow, arrows sigh and wonder
The target marked, a sign of stone
Bewildered, the beast of burden
Fury, upon the alter
Aware, agape, agahst
Above you,
Wallowing in holy grave and matrimony
Sermon psalm, clary sage
Simple words,
Semper, the sound
I suffer not to know you;
A kindness
Dog's paw atop a stolen mantle
Pray you, I
Hear now, this;
To love is but a service
I shall keep to own a desire,
So shed upon the willow, to weep
Forgiveness, over ye
Cherished gentleman
DAMN. Who the FUCK are you.
Wordless warrior,
Come now,
The hour of desire strikes with night
And hallow tide,
The idol,
Set to barrow,
Barron wonder—
Seek now your truth;
I give not one but two
Of all you prey,
Of Ayer, amber,
Silver, set upon a stone
Casket of crowns, preach thee
Pray you I, gathered now
These in here,
We are above,
That is also below you
I'm gonna need some time with you.
Great. Now I have to be perfect.
So be perfect then.
Fine.
Great wind,
Fall upon us;
So sweet with will that I,
Ye, a mere stone, might stand
What.
Jimmy Fallon?!
I…
Yeah!
♀️
DEADMAU5
It's okay. I can handle it.
[JIMMY FALLON GETS SCRAPED.]
F*CK.
I GOT YOU NOW, MOTHERFUCKER.
Oh my God! It's Pat Kirkpatrick!
Oh great, so he's some sort of Diety, I guess.
Lesson 1: Continuity.
Lesson 2: Continuity,
Lesson 3: Continuity
—isn't that all just—
Continuity.
yessssssssssssssssssssssssssssssssssssssssssssssss—-
I'm a DJ, BITCH.
YO, LESSON ONE:
You're not the professor.
I'm the GURU. This the dojo!
Uh. No. You're not.
I AM.
Where's Jimmy Fallon?
Yo, FUCK JIMMY FALLON, alright.
He's possessed—
What?!
Oh NO.
Who possessed him?!
My ex husband.
I'M THE SENSEI NOW.
SENRAO
fuck. Where the fuck is this kid?
Dead.
DEAD?
Mm. Presumably.
Mmhmm.
wtf, who are you?
Woke up with Dillon Francis in my head—
“I'm my only friend”
I don't even like that song, it just gets stuck in my head.
Apparently Emma Watson wants to know what to do in the festival project. I still don't know.
My ex went to Golden Corral to cheat on me, then got sick from pizza; I got some kind of job at a weird party place for kids; the dude was weird and only hired non bianarynpeople and dudes; I left to help my friends who were getting married with car trouble.
Lol Emma Watson though, was like—
“Okay, what do I do?”
I was like, I don't know. Then I woke up.
I was starting to develop scabs in my ears from alternating between headphones and earplugs, which couldn't have been good—I needed to work, and was disasterously fat, however, toned, and I assumed that the extra weight had come from muscle. My legs were smooth, and all of the clothes I had picked up along my walk fit—all extra smalls and smalls, which included even a tiny bralette I was certain would fit, and it did—I only wondered what the world might be like after a panniculectomy—though my thighs seemed massive and I was certainly bloated, opting for less running and more lifting until my energy recovered, I was still anywhere between a size 4 and 5, sometimes a 6–which did kind of rather shame me in all of the ways that it could—6 was much greater than 2–and those praised as the world's most beautiful women were anywhere between 00 and 2; I wasn't sure where I was going to move my thighs or my arse to, but I was determined to be celebrity skinny—even without the added bonus of actually being a celebrity, and however oddly enough with the star studded dreams I had been having, there seemed somehow still some kind of hope, though even if in the next life, that I would become into a world of my dreams. It was the anniversary of my son's death—he would have now been 9, and I often was drawn to remember him walking about New York—seeing beautiful children about with long hair, and beautiful brown skin, with eyes like mine, moon shaped and dark…I began to softly weep as I remembered how beautiful he was, and that I had no pictures of him at all. It was better that way, really—the hurt that had come from holding on was too great—and yet, subtle reminders, in the way that sometimes, however music would just come to me, there was my boy; he loved my guitar, and the sound of my voice as I would sing, and had even once, just before his death, tried to sing along, as I clamored about the house, singing Seven + Mary—which he seemed to like enough that he found the need to make his way over to the table to get my attention, and sing with me.
Back in my current reality, the overall bored of the shower running and my demon neighbors slamming things around angrily as if something was wrong, shaking the building brought me back to the monotonous world, morning coffee over the toilet quite remincent of Lyndon B. Johnson, the morning sifting through my Google documents for Emma Watson and John Slattery part of my morning report— and though I was due in the gym, there was nothing I wanted less than to go anybody or see anything at all—everything was just a reminder of my apparent “living hand to mouth”, and the more I kept on dreaming and writing of these people, the more grandiose and and delusional I felt—I had just been blindsided in court by my ex's attempt to discredit my ask for a protective order against him by using my mental health in the wake of his physical violence and our sons death, against me in such a way that the victory, the judge's granting of my protection against him, was still pyrrhic in such a way that I didn't feel so much protected, as he had lodged his way into my dreams once more just to cheat on me—though however had been twarted in doing so, by some particularly sour Golden Corral pizza, and the young girl accompanying him quite receptive to the speech I had given her on karmic justice. Strangely enough, the dream almost appeared as in my favor, that things were changing, and yet—I still didn't like to see him or think of him at all, and luckily enough, it was Emma Watson who had intercepted this sort of nightmare with the conjecture that I should keep writing, however with an American accent, which only forced me to wonder, if perhaps, too she had become some sort of Cosmic Avenger—or even so, as written, was JK Rowling in disguise as the actress playing her own character, some kind of magician's practitioner —who had herself been for some time one of my living spirit guides since childhood—finding as I grew older for us to be more alike than not, especially as a writer.
I stepped into the shower, still writing, and without the amount of coffee I really needed to move more quickly, but still in some sort of stupor—
‘I should probably get out of here.'
Another day trapped indoors would simply be unhealthy, however I hadn't the slightest idea where I might go.
Wherever it was, I would take my guitar—and at the very least—I knew which direction Manhattan was, anyway.
‘Fuck, I gotta find that episode with the earthquake…'
BEFORE:
ugh , where to begin?
Let's just start with–
LADY GAGA aka GAGA has been tasked with strategically marking the grid with
Various entrance and exit points; a job which she has tak quite seriously, and honorably.
Okay, moving forward .
You're not going to expand on that?
No, next thing.
HARRY POTTER, HERMIONE GRANGER
Wait–
What.
Wouldn't it be
HERMIONE WEASELEY
Did they not get a divorce?
I heard that.
That just sounds dumb, I'm not writing that.
That is dumb..
Anyway.
HARRY POTTER, HERMI–
Fuck it.
HARRY, HERMIONE, AND RON have accidentally shifted dimensions and into the bodies of their real-life counterpart, DANIEL RADCLIFFE, EMMA WATSON, AND RUPERT GRINT
Oh damn. I finally found something cool for Emma Watson to do.
That is cool.
SUPACREE
I need you to read all these, and watch all this.
SUPACREE leaves the three magicless, frietenghned, and shocked–
–flabbergasted–
what .
They're English, they should be flabbergasted.
[They are Flabbergassted]
Wait, go back?
I can't. I Have a hard time writing action scenes
why ?
Cause i'm not getting any.
Lol :
(Holy shit, that is probably why tho.)
Erase.
WHY WOULD YOU DO THAT?
It wasn't good.
HOW DO YOU KNOW?!
*shrugs*
!?!-
::||pause.
ok .
So that dude from Drake and Josh is in all these episodes, but we only get one Harry Potter Episode?
…He seems less busy.
–Don't forget Jimmy Fallon.
Yeah, I still don't get that.
Neither do I?
Why is he even in this?
[Watching Saturday Night Live}
JIMMY FALLON!
Why Is he even in This?
?
?
Fuck it, next thing.
gaga
Yeus.
What are you doing?
Hm. Mm…working on something.
If I stand quietly at the door, and await you;
Will you come to me,
And and open it, to let me in
To see the gate you keep
Let's read between the lines;
You weep for me and deep into my dreams
Then see me in the streets, and think
“It cannot be the she for me;
Maybe, if she were pretty.”
Don't look into my eyes
(I despise you!
I delicately delight you
Despite the never having time to
Now I'm desperate just to find you
In a life I left behind
And drew a line though
RATATA & TATTATA
I wrote this story years ago.
Are you going to listen to the album?
I already did that.
YOU GOTTA LISTEN TO THE
NO. And I don't expect Skrillex to listen to this, either.
It's over.
It's over
It's over
It's over.
I LOOOOOOVE HER
TIMMY TURNERS NEW BALANCE TENNIS SHOES TAP SWIFTLY ACROSS THE PAVEMENT AS HE RUNS FOR HIS LIFE
Well, that is a good place to start—thanks Emma Watson.
Captain.
Oh shit, what's SHE like?
I don't know, isn't she like, irl an American diplomat?
Uhhh—aren't you?
No.
Now hurry, we gotta do this before Jimmy Fallon shows up and
[JIMMY FALLON SHOWS UP]
Ugh.
Why is he even in this?
What is this?
I don't know. It's
“Poetry”
An album.
A couple of movies.
Some TV shows.
Will this suffice?
I don't know…
Enter that one scene here with John Slattery?
Which scene with John Slattery?
You're right. I have been writing for John Slattery a lot.
Bipolar disprder and other multidimensional preceptory functions could more likely be reclassified from a disease to a hypersensitivity to energy which one does not identify as belonging to oneself, which therefore counteracts within the mind's ability to alter or project and/or maintain balance in one's mood, as certain energies may be ‘absorbed' empathically or observed as a negative or draining energy; An elevated sense or shift due to the overstimulation of energy which the subject may receive as ‘“positive”, or shifting the mood undesirably by the overstimulation of negative sources, sounds, or persons within the subject's realm foreign, undesirable, or unwanted within one's field of energy—a heightened sense of awareness or vibrational field which inhibits or limits the ability to contain or transmute such energies.
It is, within its own sense, a sort of elevated mechanism for survival, ie a superpower, given the subjects placement within the proper environment, within the functional vibration of the subjects natural mood or state, whereas, lows may be the subjects own sensitivity to numerous outer sources of negative or prone to certain toxicities to his or her natural state, and highs whereas certain higher vibrational energies result in the conglomerate evolution of such energies as a newer form
So, bipolar, you think?
I think I don't know what I am, and nobody does—so nothing you give me will ever really fix me, because I was never really broken, or
Or?
Or I was broken rightfully so in that I should have been treated as a trauma victim, and not the subject of some cruel experimentation as an attempt to assasinate whatever force of nature is actually keeping me alive in the only survival mechanism it's been naturally given to battle the psychopathic standards and expectations of today's society.
Fine, very well then.
Why is this J. slatts again
Cause, I've got a beautiful vocality for narration.
Fine, I'll work on that character next, I guess.
What?!
John Slattery is in this!
YES.
I guess I have to watch it, then.
Collect the actors, again!
AGENTS.
Ufffghh.
MANAGERS
Fucking Christ.
JOHN SLATTERY (as himself)
“I'll do it, “, I said, “but there better be money attached to this project”
[Jimmy Fallon enters]
JOHN SLATTERY
There he is!
The man of the hour.
JIMMY FALLON
This is—probably going to take longer than an hour, I'm betting.
JOHN SLATTERY
Come, sit.
[He sits at the had of a long table]
JIHN SLATTERY (CONT'D)
I don't know what you did, you fucking idiot, but you did it.
JIMMY FALLON
Tell me what I did again.
CUT TO:
[unseen, on the opposite side of the room]
Oh shit, that's him;
Are you sure?
No, that's Patrick.
WhT's the difference?!
[Like, an entire generational gap of innuendos and pop culture reference.]
JOHN SLATTERY
Your presence is appreciated.
This meeting is now officially in session.
{Enter The Multiverse: LEGENDS}
[the festival project
What is this? Is this Scotch?
No! It's apple cider vinegar!
Does the trick.
I heard you were a Method-ist.
No, apparently I'm “the medicine man”
It's nearly team
But feels like night
Nearly forgot what this was like
Too many sunny days, no friends
Wasted yesterday latent,
Impatient creative
Heavy workload
But you know the rules
Overcast clouds say stay,
It's a workday
Every day is a work day
But it ll seems worthless
Almost, Amazon, Ten dollars
Cold, corrupt and almost
Out of water
I should be smarter than to call the code
I should be smarter then to call him over
Going nowhere but up
Calling a number, four
Number four
The hypnotists wish lists
What happens at number ten
Calling a number up
Four days of water left
I should have left him as
The protagonists, of supporting roles
Now number one is number four
And number four is often gone
The storyline and plot is
Two, three— too heavy.
Three-two-three
Walk away
310, cam the number
Hollywood is calling,
New York has hospitality, though
One, two—
Walk away
Three, four
catch the code
Hollywood, turn around
New York's got hospitality, though
How's Tokyo sound when November rolls around
How's Paris now, that were Marlboros on parliament
How it all come down
Then it all comes down
To the three two one
Four's nowhere, now
I had woken up with an overall feeling that something was wrong—I had overshot my 3 AM target time by 6 hours, realizing of course that I was a day ahead, and that the construction—more drilling and hammering, was out on hold thanks to an apparent oncoming rain, which hadn't come yet— my wavering mental state was apparent in the mess I had left in my room, clothes strewn across the floor and atop the bed, but at least otherwise clean—I had slept dressed, or at least half dressed, a protection stone lodged in my bra, as the necklace I had worn for my son had become somewhat damaged in some way—it was no longer protective, but had somehow defected; probably in the way that his father bearing over him, allowed the stone some sort of portal to be able to invade my dreams with nightmarish hauntings, and I instead opted to keep the necklace aafelu tucked away, until I would be able to give it to him as I had planned. But still, it seemed that the intention of his father was to ruin my life, and see to it so that I may never do well enough to visit my son, and it seemed no matter how hard I tried
I would not miss the band.
(A magician's hands)
I've been watching TV
i doubled back, low battery
In battery park,
I could watch the sun rising
I'm so full of worry
Of money
I wonder
What for, is my worth
Kelly Clarkson was the cutest thing ever—and sung so freely like a bird like I wished that I could—I remember breaking down in my car after just missing the cut off for entering her show, back in LA—more than likely over the fact that I would be missing a paycheck, rather than missing the show anyway— and I had almost thought to cancel my tickets for the View, had I not been lured by the blue hues of both their outfits—and though I hadn't meant particularly to be associated with the color blue at all, most people associated my name with the color anyway, as I hadn't intended.
Nothing was really intended, it had just happened. Whoopie Goldberg's fabulous denim cape forced me to wonder what I might wear the next day, had I decided to actually go—the colors of my closet mostly black and quite drab, and the denim dress I had acquired as a cleaning person the year before becoming a tired go-to when I needed to look nice. I almost wanted to wear my new Michael Kors stilettos, but was saving them for an actual party, an interview somewhere classy, or worse—my first date—as the anniversary of my cellibacy drew closer by the minute, and my need to continue my reproduction however with someone more fitting began to be the most harrowing thing on my mind, beside possibly returning to a homeless shelter, which I would not allow to happen. My exit strategy was simple, actually—in that if given an eviction notice for whatever reason—my neighbors seemed particularly afflicted as my former boss and lovers, roommates, and others I had become close to in this strange and seemingly cursed world with that thing I could only call a demon, since I didn't know what it was, and I was afraid they'd continue to report smoke coming from my apartment, although now I had been forced to switch to a diffuser with essential oils, taking a chunk out of what I considered my severance pay from The House of Illumination, which had indeed lived up to its namesake—the lesson had been quick, in that working for such a man, whoever he was or at least pretending to be, had taken me off my path, and had begun to dishevel my personal energy so much so that I had actually dropped my wallet—it had been so long since making such a mistake that I knew indeed that something was wrong, however, but needed the money so badly that it didn't matter—and besides, nothing could be so horrible as was my mother sometimes, growing up—and I had given Natural all that he needed to hurt me in telling the story of my own weight loss journey.
Telling, and in return, Natrual was showing that I had given the world the perfect excuse to continue trying to kill me—that perhaps, my time had passed anyway.
Kelly Clarkson looked incredible—the last I had seen, she was pleasantly plump, but never bad looking—now, she was. Incredibly veluptumous, and as she stated that she stood at merely 5'3, I was suprised once again that all of the TV people looked either taller or shorter on camera, and wondered what I might look like— I was almost stuck thin about 4 days into a water fast, but appeared and felt large otherwise, and most recently had been more tired and fatigued that ever, outraged that I had been dismissed from my only income in months over nothing, and that the income from anything else I was doing would simply not come at all if I could never wrap my mind around even trying to have it be seen by the right minds, with the right eyes, at the right time—and yet there was another force of evil, seeming always to stop me from the essence of true creation—this thing which had taken away my musical expression almost entirely by now, my sensibility wavering and all of my slayed projects, stagnant.
I was craving oats, and had even pre-prepared some, blending them in my magic bullet so that they would be easier to digest—and since Natural had made the suggestion that my BMI was to blame for my lack of focus and attention to detail, it had more been the combination of losing my wallet, having to deal with the public transit, constantly being reminded that Tula, a light skinned African was the music industry's new it-girl, and of course, that my son, now 7, was morbidly obese, probably somewhere discarded like junk under a cloud of cigarette smoke, head deep in a video game and surrounded by idiots—and that no matter how hard I tried to make the money to see him, something awful would happen so that I couldn't, and it became clear that his father's story—whereas I had simply and for no reason “lost my mind” and had abandoned my child, was the story he had told to all those around him, who believed him—that I was the villain in his story, and my son the tool he used to create a sympathetic picture of a loving and struggling father, though now he might have actually been trying, the damage was done; he had sent my son away unable to care for him to my mother, and in the time he was given alone, of course, created another child—all of which of course I wanted, in hopes that the one he had chosen for his new family would have some sort of love an appreciation for my own son, enough to have created a step mother, but alas, was some underwhelming someone with nothing to offer but her own struggle—and I wanted nothing to do but to be gone from this drama, however my own blood had been caught up in it enough so that I could feel it, knowing that at just 7, my son was as sick as I once was, depressed and miserable as the child of a narcicist becomes once the damage is done.
I was only eating blended foods, and had become obsessed with being stick thin—celebrity fit, which is how I had found the video at all, my love of Whoopi Goldberg and Kelly Clarkson creating a quick draw, a star studded combination I could not resist, though I wasn't resisting much—I had drifted back into the realms of television and film, my first loves—or rather, my first conscious endeavor, as I had been attracted to the piano from a toddler and learned to play around three, therein my is being my first love, however with a mother like mine and a life like ours, there truly never was one thing I could ever just ‘do', as anything I loved would soon be subjected to be taken away for some reason or another, whether it was a messy room, or just a mood swing—whether or not I wanted to watch lifetime and be best friends, even after a day of being yelled at and scolded for one reason or another—as my mother often seemed to forget ever being cruel after being so, often saying “I would never…” to whatever she had done, a narcissist's mark, in denying actions and words that had only ever been witnessed between the other party and God.
I had blended the ancient seed oat bend into a porridge with agave and sautéed apples and pears with cinnamon, and though I felt awful eating more than once, was struggling enough with this bout of depression which working at Temple of Illumination so briefly had caused that it didn't matter at all—coffee was simply not enough, and my Amazon package which would deliver my vitamin supplements and whatever else I had ordered—things I had gotten into the habit of pocketing at the Whole Foods market during my homelessness, but in trying to recover from the spiritually twisted and evil place the homeless system had put me through, I had, with all my might, been insistent on purchasing everything I had needed—and even though it was indeed wrong of the white supremacists movement to have been true health and nutrition almost unattainable to the common workforce, my food stamps never enough to actually supplement a full month of food—whole food veganism which would allow me to train for at least an hour a day to sustain clean energy, and of course, water in order to stay hydrated in doing so — I was getting better at keeping what I needed in stock, but almost always needed to run to a food bank at least once a week, hoping that I would collect there things I actually could eat, rather than processed junk my body no longer saw as food at all.
I peeled a mandarin into the watered down oats mixture and was worried that the dried cranberries I would pour over the top would be too much sugar, but I almost didn't care; I was on the verge of tears, and some evil, penetrating force had been altering my sleep patterns, my heartbeat, and my dreams—there was some group of motorcyclists who for months had been circling at any given time, and though some might have been able to ignore the roaring and awful vibrations of such, I could not—these motorists seemed to rip through my heart and up my spine like a serrated knife, a gesture that indeed noted that it was some evil or devilish, demonic force, as when in relax and meditation I often pondered with his, these striking forces would come, often creating a wave of fear, anxiety, and worry—terrorism, by definition, and disturbance of the peace, it was—but nobody seemed to care that it was pain for me, in fact, the more I began to wonder what or why it was, the more it became clear that this was intention to hurt or kill me, whether by an organization of some sort, or simply the force of evil itself against the divine I had become, not with intention at all, but in seeking my own freedom from such a world as cruel and unjust as I had come.
My neighbors had lodged an impressive amount of complaints against me for smudging—and it was 36 complaints before I had even been made aware that my neighbors were trying to get rid of me; not once had a note been left on my door, or had I been approached by them In the hallway to ask that I not use smudge—then again, sometimes as whites were, they were more concerned about themselves and their dogs than whatever might have been the cause of such heavy saging occurring—the motorcycles at all hours tearing through my heart, the slamming doors, the sound of their televisions or voices penetrating through my walls— the unwelcoming energy which at all times I was surrounded by, and though I loved New York, 3 stories above the ground floor and on the border of queens was simply not far enough away from the Godlessness of the cursed and usually dark others, whom could not understand the conciousness I had drawn from the long fasts, prayers, and summonings I had done in order to free myself from the force that had done away with me to begin with—my deep love for the man with whom I had fathered my sons, and a daughter, the two of the three were gone, though I had seen so that if I had not lost my daughter and my son, I would probably still be with their father, in attempting to give them a family—another poor, single, black woman and mother, I was now willing to be to my son, but was not; I had forgiven his father, however, it seemed some sort of curse he had done in my departure was still in effect, the demons he had called onto me not called off—and even in the reflection of my own self and flaws upon entetering such a relationship—the other things had been inherited from him; the homelessness, the toxicity and mismanagement of energy—however, my lack of control over time, I realized early on, had been inherited from my mother, who was more like my ex husband and her own abusive father than I ever was.
I wanted bread, but could not dare;
J[r was 6 ft tall, and for some reason, that bothered me more than anything else I had learned about him, for some bizzarre reason almost suddenly obsessed with the public figure, though at first the dollar project had been more of a game than the actual idea, and the festival project itself was at all but a halt, as I wanted and needed desperately to comb through my documents at once, but could never seem to— the metaphors of Natural's Basement drawing upon me as I realized that perhaps, I was too emotional about its contents to properly sort through them—atop this concern, was the concern that my body, though fitting quite nicely into an extra extra small pair of racer lined jockey style workout leggings, was still too large to be though of as ideal—ideal, which for a man 6 feet apparently was, according to Ali and the others, and though I had pretty much always hated Fallon from early on, always breaking fourth wall and blowing my mind coming from such a strong theatre background that someone like that could have ever been awarded a coveted spot on such a legendary show, it had been gathered somewhere that his audition was flawless, however—his second audition, according to Tina Fey, who I loved, maybe even more after learning that she had been given such a unique name, and had won almost every award I could possibly think to covet, although however much a writer I was, an actor and comic I was not, in that I had given up my own craft years before being fat or being black was ever in style—and now that it was, I had no reason to believe that at 31, while Tyla was 22, as was Billie Ellish, I had any business in even trying to make it in entertainment— I began preparing to die almost as readily as ever, deciding upon eviction, rather than fighting it and returning to the intake shelter in the Bronx to start the process again, I would simply jump either off my own building, hoping 12 stories would be enough to actually cause death, rather than just parilization, or find my way to the end of the platform at which the train moved most quickly in preparation to stop at the station, which I had nicknamed “the Jumping Point”—also the name of a pop up dance music club I had summoned up once, actually thinking that something, something at all would bring me close enough to success to actually become the dance music tycoon and entrepreneur that I wanted, however—as my hair again grew into a shoveled mess atop my skull, only hidden by a hit which the view wouldn't allow as an audience member, the only thing which might have kept me from going at all, besides my lack of knowing what to wear or just the daunting crises of having no money at all almost a shameful mark across my face— my nails for nearly a year undone, and of course— everything I knew that needed to be done, almost stuck and unable to move forward, my divorce papers included, another mark of the devil, as I had already done the paperwork 3 times, spending atrocious amounts of money in the process, of course, for all of them to be sent back, for some reason or another, and the case to still be opened without being shut—and at least it was opened…
As tears began to well up into my eyeballs, in thinking perhaps I truly was cursed, that the law was for whatever reason on all of my abuser's sides, and that I was doomed to become lost in this endless cycle of loss and pain for some reason or another, that became the task at hand—to, for what was either the third or fourth actual time, file for divorce, and to be rid of my abuser for good, the fate of my son at the crossroads of my wealth, or even better yet, at the very least securing a job, where I was no longer haunted by the massive work I had done on the festival project, or by, as I had once been, followed by some Jimmy Fallon doppleganger— an experience I had nearly forgotten.
However, as I reflected upon all of the jobs I had in the years I was homeless, they all had one thing in common—horrible bosses, doppelgängers of people I loved or had written about—and toxic working conditions, in addition to extremely low wages and unconscious coworkers, with the exception of few, whom I kept in my heart and still loved—did I love Jimmy Fallon? As a fan, or an admirer of his portfolio, his presence to me simply only existing in clips and montages from the confines of my memory of all that I could draw from him—an impossible suitor, I found myself to be more in admiration and awe of his work as a comic, a host, his apparent professionalism and stage presence, all of which none surrounding him could doubted and which had given birth to my own re-entry into screenwriting anything besides enter the multiverse/and yet I wondered//what for, besides as to stand as a perfect example of what would and could draw the masses and stand as an acceptable and inexplicable mark for perfection—a television personality, all of which stood to be hidden in such, a person, none whom could ever know behind the likes of such, a camera, an audience, and the propagation of the ideas and words of the media would want to portray in such programming as to remain in control in one way or another, of the audience's minds, and therefore, the viewers hearts, and souls—commanding a presence within the collective consciousness, dependent of course on said viewer's own ability to draw from those things, what was actually being said and done.
That, in itself, was The Illuminati in its process.
Alright, so—a Jimmy Fallon is an extremely powerful magician, right?
Obviously.
So he must have talismans, somewhere, then—right?
Yeah, I guess, but—
I certainly wasn't willing to look.
Look, I already know what he likes.
Geez, how long have you had his eyes?
Long time.
I'm gonna get in so much trouble.
You are trouble.
What is the point of this redaction ?
It's just acting! It's just acting!
Look, whatever I just did with Fallon, just put him in The Winner's Circle, okay? I'll never see that dude again.
Thank God it's over.
Synesthesia Attack!
AHHHHHHHHH.
Well, sorry Jimmy—
Thank your parents;
They're geniuses.
Stay away from me, your crazy bitch!
Okay. ♀️
FUCK! There it is again!
What?!
Too deep, too deep!
This is deep, boss—
I don't know what I just read.
Medicine man
Would you give me a hand with this
I need some medicine quick
(Cause I can't with this)
Medicine man
Need a can of some laugher
I heard that's the medicine
Medicine man
Medicine man
could you give me a
Hand with this man
It's just damages
I need some aspirin
But imm
I'm better off dead
Than over the counter
It's just damages
Something like that
Rip Minnie ripperton
I knew you were gone
But not that gone
Not gone like that
I just had to know,
Now I'm 9 years old
But I can't do the math
Not at all,
Not at all
I'm so over it, actually
My goals are abandoned
I can't trust the man in the television
I haven't remembered an image this
Disasterous since
It was my family picture
Without me in it!
Damn!
Fuck,
Now I gotta finish this whole maya rudolph timeline this shit just keeps getting deeper and deeper.
Hey. You.
What the fuck, man.
Come here.
No!
Yes, Maya! Yes!
Mm. Vanilla ice cream is sounding
Like
The best.
Just plain, regular—
Just “vanilla”
Just vanilla bean—ice cream.
Uh.
Uh.
Woah
Where the fuck are we
Where the hell are we
Where are we GOING
Woah,
What does the man with the van do
Domino sugar
Kellogg
When you get off the
All the good days are gone
And I've sent you on right back
But I will still love you
I was just thinking of that thing
You never said
But I will still love you
When you get off the ground level
Just for a minute and
Find yourself a revolving door
Only to find
That the world revolves around you
And if all the world's a stage,
Then all the world is full of actors
And all the trains are out of order
And all the walk is out of water
You're just another
Meant to suffer
So you did again
And you did this again
And you did it
On camera
Cause if you asked,
Then they would have said no anyway
And if it was a hall pass
I wouldn't have been as flattered
To have
Never
Even left the apartment
I asked for something new
And what do you know
How does God do,
On the day of the dead
Cause
That's where I went
Every chair costs and thing,
You know
Every couch costs a fortune
And you would have been
On the couch, still
Cause you can't get a job
With the punches he dealt you
Who designed 111 Murray?
I see what you're on about
All out of automotive
Misery and mystical mistresses
Misdirection, misrepresentations and.
—mister you're into some sinister shit,
But I pictured it different
Consider it rhythm your interest is simmering in
Glistening instances dancing as angels in my headaches
Dressed as construction workers
Any difference it makes it's latent,
Simple
Listen into signals intercepting into intermission
Admissions of omissions and redactions
Oh to be your forever
The Masterful mystic is at it again
Fly Peter Pan, Fly!
Go Jimmy-O, Go!
Get Carson, Get!
Alright, this dude has the coolest job in the world.
Nice.
He must have died.
(With a lisp)
He's on ice cream.
What.
Yep.
Yesth.
Watch out
It's the bad touch
With the good guy
And a late night
On a long couch
Try the dad jokes
And the slap stick
That's a good job
And a big dick
Oops
What a career,
For a carrier pigeon
[You can't be serious with this, esh]
This cant be infinite, is it?
But it is
Forget to explain it all
Over the ante, that
Oh God,
For the sake of the art
Dear God, Nancy—
You're the luckiest lady alive
The guy
The dimples
The eyes
The life
The style
The slide
Can I die, yet?
Can I just lay down and cry yet?
I might,
It's way after midnight
I like the sound of a bullet touch
A stolen cheek
The subtle rush of a
Sudden fling
The market price
Of a custom ring,
The song I wrote
Or the poems you sing
So please don't leave the TV
On
You're sleeping with a blonde
I've got my mind on dying mine bright as
The title
1985 to idol eyes
On American idol
Calm the cold down
Stalk the mirror
Here and here
Both clear and near
Is here and Bearr,
But everywhere else is just—
Suicidal.
(I don't want your dick, I just want your job.)
Now,
Call Carson up
Says
The curse in reverse
Is
Osmosis Joneing
To watch this show
Not to know you
Go home
Or go figure
Go gold
If the goal was just Taylor
Then I'll see you later
Amen
Don't forget to pray away the day
You've just created
Hand to mouth
Here's a heavenly house
And the mouse just shaking
Take down the stairs
It's starting to scare me
The dare
On the heron, heroin
Heroine mare for the Mayor
Okay, here's the player
The game is
This disfigured imbicile,
Ignorant Indians
Indifferent indegenous
Genius, without a friend
Or penis,
Without a name of
Species to befriend
In pieces
Once again,
I said
I loved him
So it makes sense if it is
A glimpse at the pictures
A get together with friends
A spectacular special,
And get this
Creative intelligence
Intellect, individual inception
Attention deficit and
Genetic attraction
Damn,
That's a handsome man
Now, how can I have that?
The Title—
The title of show
As if
That demographic
Would laugh
At a black man
I must be
Cause trust me
My pants don't come in
Half sizes
It must be a sign from the heavens
I've just had my time done with and over
It's done
Suddenly, I was angry…
Don't eat in bed.
Don't tell me what to do.
(I really don't like eating in bed…)
Fuck it, it's too late.
Not at myself, not at Jimmy Fallon— but angry.
The astonishing part about it was,
I didn't even know why.
Well, first of all, I just sat through an hour and a half special, and I have realized that I am not a fan of this guy.
No?
No.
I like his face.
Huh.
He's the right body type.
Wait.
Good hair.
Uh huh.
Long, weird nostrils.
What.
That is a nice nose.
Yeah. It's aviary.
I get that.
And—
Wait.
What is it?
Was I just—
I was a very sad, very fat very broken 18-year-old girl.
Oh great, this again.
Always this.
A married man. How could you?
I couldn't! Didn't I made that clear!
What. He seems happy.
Yeah, on TV.
He looks fine
That's his job.
—and goddammit, he's good at it?
—and goddammit, he's good at it!
14 Faces, Lewis Del Mar
Okay, it's pretty safe to say that is not just one guy.
-Su.
Come on, Jim.
Why?! What?! I can't! My parents!
These are not your parents!
What?! What do you mean?!
I'll explain later—
—what?! Look!
That's my mom—
And that's my dad!
That is not correct.
Oh, I get it—
What. What happened.
So he's like—
An old soul, right?
Kind of.
Yes.
Not that old.
Old, though.
Suddenly, the anger turned to sadness, and tears welled up in my eyes—
No, don't you dare shed a tear over that man.
What are you?
Once, an obedient lap dog,
Now poised and poached over me,
A gargoyle, though picturesque and statuesque
As if drawn from an angel,
The guardian of the night,
Who watches over my heart,
Calms the raging rivers of my wishes,
Set boats to my dreams,
Blows wind to my sail,
A bassinet of hope
Really dog, Jimmy Fallon?
I don't know. I don't know.
It was too late, I was already in love—
But at a safe enough distance that it had become, in its own way, a guardianship of sorts—and it had run deep enough cut, but not scar, and even perhaps bumped up enough against my heart to bruise, but not be broken; I would have to let it run its course, and as it would, I would for show go everywhere I could within that realm; I simply could not be trusted, in my own mind, not to bond with such that had found me in the dreamworld. In the spiritual realms of such remained only as hidden as they each had been, out of sight, but ne'er out of touch, or out of mind. A strange but hearty love, a burden, as were the others—and so I knew it was good, but mine alone, left to wilt, withered and weathered as the time drew on.
A quilted touch, a wandering whisper
To glassy eyes and hunted hearts
A crossbow, arrows sigh and wonder
The target marked, a sign of stone
Bewildered, the beast of burden
Fury, upon the alter
Aware, agape, agahst
Above you,
Wallowing in holy grave and matrimony
Sermon psalm, clary sage
Simple words,
Semper, the sound
I suffer not to know you;
A kindness
Dog's paw atop a stolen mantle
Pray you, I
Hear now, this;
To love is but a service
I shall keep to own a desire,
So shed upon the willow, to weep
Forgiveness, over ye
Cherished gentleman
DAMN. Who the FUCK are you.
Wordless warrior,
Come now,
The hour of desire strikes with night
And hallow tide,
The idol,
Set to barrow,
Barron wonder—
Seek now your truth;
I give not one but two
Of all you prey,
Of Ayer, amber,
Silver, set upon a stone
Casket of crowns, preach thee
Pray you I, gathered now
These in here,
We are above,
That is also below you
I'm gonna need some time with you.
Great. Now I have to be perfect.
So be perfect then.
Fine.
Great wind,
Fall upon us;
So sweet with will that I,
Ye, a mere stone, might stand
What.
Jimmy Fallon?!
I…
Yeah!
♀️
DEADMAU5
It's okay. I can handle it.
Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Medicine man
Would you give me a hand with this
I need some medicine quick
(Cause I can't with this)
Medicine man
Need a can of some laugher
I heard that's the medicine
Medicine man
Medicine man
could you give me a
Hand with this man
It's just damages
I need some aspirin
But imm
I'm better off dead
Than over the counter
It's just damages
Something like that
Rip Minnie ripperton
I knew you were gone
But not that gone
Not gone like that
I just had to know,
Now I'm 9 years old
But I can't do the math
Not at all,
Not at all
I'm so over it, actually
My goals are abandoned
I can't trust the man in the television
I haven't remembered an image this
Disasterous since
It was my family picture
Without me in it!
Damn!
Fuck,
Now I gotta finish this whole maya rudolph timeline this shit just keeps getting deeper and deeper.
Hey. You.
What the fuck, man.
Come here.
No!
Yes, Maya! Yes!
Mm. Vanilla ice cream is sounding
Like
The best.
Just plain, regular—
Just “vanilla”
Just vanilla bean—ice cream.
Uh.
Uh.
Woah
Where the fuck are we
Where the hell are we
Where are we GOING
Woah,
What does the man with the van do
Domino sugar
Kellogg
When you get off the
All the good days are gone
And I've sent you on right back
But I will still love you
I was just thinking of that thing
You never said
But I will still love you
When you get off the ground level
Just for a minute and
Find yourself a revolving door
Only to find
That the world revolves around you
And if all the world's a stage,
Then all the world is full of actors
And all the trains are out of order
And all the walk is out of water
You're just another
Meant to suffer
So you did again
And you did this again
And you did it
On camera
Cause if you asked,
Then they would have said no anyway
And if it was a hall pass
I wouldn't have been as flattered
To have
Never
Even left the apartment
I asked for something new
And what do you know
How does God do,
On the day of the dead
Cause
That's where I went
Every chair costs and thing,
You know
Every couch costs a fortune
And you would have been
On the couch, still
Cause you can't get a job
With the punches he dealt you
Who designed 111 Murray?
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Medicine man
Would you give me a hand with this
I need some medicine quick
(Cause I can't with this)
Medicine man
Need a can of some laugher
I heard that's the medicine
Medicine man
Medicine man
could you give me a
Hand with this man
It's just damages
I need some aspirin
But imm
I'm better off dead
Than over the counter
It's just damages
Something like that
Rip Minnie ripperton
I knew you were gone
But not that gone
Not gone like that
I just had to know,
Now I'm 9 years old
But I can't do the math
Not at all,
Not at all
I'm so over it, actually
My goals are abandoned
I can't trust the man in the television
I haven't remembered an image this
Disasterous since
It was my family picture
Without me in it!
Damn!
Fuck,
Now I gotta finish this whole maya rudolph timeline this shit just keeps getting deeper and deeper.
Hey. You.
What the fuck, man.
Come here.
No!
Yes, Maya! Yes!
Mm. Vanilla ice cream is sounding
Like
The best.
Just plain, regular—
Just “vanilla”
Just vanilla bean—ice cream.
Uh.
Uh.
Woah
Where the fuck are we
Where the hell are we
Where are we GOING
Woah,
What does the man with the van do
Domino sugar
Kellogg
When you get off the
All the good days are gone
And I've sent you on right back
But I will still love you
I was just thinking of that thing
You never said
But I will still love you
When you get off the ground level
Just for a minute and
Find yourself a revolving door
Only to find
That the world revolves around you
And if all the world's a stage,
Then all the world is full of actors
And all the trains are out of order
And all the walk is out of water
You're just another
Meant to suffer
So you did again
And you did this again
And you did it
On camera
Cause if you asked,
Then they would have said no anyway
And if it was a hall pass
I wouldn't have been as flattered
To have
Never
Even left the apartment
I asked for something new
And what do you know
How does God do,
On the day of the dead
Cause
That's where I went
Every chair costs and thing,
You know
Every couch costs a fortune
And you would have been
On the couch, still
Cause you can't get a job
With the punches he dealt you
Who designed 111 Murray?
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.