Join Caroline Wilson and Corrie Perkin for Ep 138 'State of Disaster'.

Don't Shoot the Messenger is powered by Red Energy. To support the company that supports us - give Red Energy a call on 131 806 or visit their website HERE - for real Aussie energy.

SHOW NOTES

This week Caro and Corrie reflect on how Melbourne life has changed again under Stage 4 Lockdown - which includes an 8pm curfew and 5km shopping radius!

We'd love to hear your lockdown stories. Send us a voice mail or email [email protected].

We discuss another dramatic week in the AFL which included Collingwood's iso breach, the reprimand by the AFL against one of it's AFL.com.au journalists Mitch Cleary, more players coming forward to discuss their experince of losing loved ones to suicide and the return of North Melbourne's Mjak Daw.

Corrie's Crush of the Week for Red Energy is Victorian Premier Daniel Andrews and NSW Premier Gladys Berejiklian.

In Books, Screen and Food - Corrie has been enjoying the winner of the 2020 Miles Franklin award The Yield by Tara June Winch - available by phone or online order at Corrie's My Bookshop HERE.

Corrie's highly recommending Mother, Father Son on ABC Iview and Caro's got a incredibly easy but delicious lemony chicken and orzo stew by Danielle Alvarez's to share - check out the recipe on the Good Food website HERE.

Caro's Grumpy about Tim Smith the rogue Liberal member for Kew, we talk about what we'll miss most now Stage 4 restrictions are in place, Corrie's got an amazing science fact of the week (cue the monkeys) and we pay tribute to the films of award winning film director Sir Alan Parker. Caro recommends watching Shoot the Moon.

If you need to speak about any of the issues raised in this show you can call Lifeline on 13 11 14 or visit their website HERE.

For videos and pics make sure you follow us on Instagram @DontShootPod.

Like our Facebook page and hit 'Sign Up' to receive weekly updates HERE.

Email the show via [email protected].

Don't Shoot the Messenger is produced by Corrie Perkin, Caroline Wilson and produced, engineered and edited by Jane Nield for Crocmedia.