Political Beats

Episode 151: Damon Linker / Tom Waits [Part 2]


Listen Later

Scot and Jeff discuss the second part of Tom Waits’ career (1983-2011) with Damon Linker.

Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Damon Linker. Damon is a senior lecturer in political science at the University of Pennsylvania, and publishes a Substack newsletter titled “Notes from the Middleground.” Follow him at @DamonLinker on Twitter.

Damon’s Music Pick: Tom Waits
We sail tonight for Singapore and we’re all as mad as hatters here. Yes, Political Beats finishes its two-part celebration of the career of Tom Waits, rejoined by doughty boatswain Damon Linker as we pilot our way to unknown musical seas. 

Tom Waits had a fine career up through the year 1982, when he finished work on the soundtrack for Francis Ford Coppola’s One from the Heart. But we're talking about the man primarily because of what happened afterwards, when he became more than just a down-and-out jazz pianist with the voice of a Babadook. Waits met script supervisor Kathleen Brennan on the set of the film and fell in love, marrying a year later. (They remain married to this day.) 

Proving herself the anti-Yoko Ono, Brennan then alchemically helped to raise Waits’s music to an entirely new level of excitement and experimentation. His lyrics ideas become weirder, and more vivid. His ballads become infinitely more heartfelt (most of them are secretly addressed to Brennan). And his arrangements become a world of their own: Tom Waits begins, in 1983, to create glorious junk sculptures out of sound, using uncharacteristic (often minimalistic) instrumentation to create music that nobody has heard before.

Through such landmarks of the 1980s and 1990s as Swordfishtrombones, Rain Dogs, Bone Machine, and The Mule Variations, Tom Waits transcended his balladeering origin -- without ever leaving it entirely behind -- and created a body of work famous for its eccentric, compelling, and deeply influential series. Once you get past the fact that he has a voice like the sawblades of a lumber mill, entire worlds will open up to you. Click play and clap hands!


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

...more
View all episodesView all episodes
Download on the App Store

Political BeatsBy National Review

  • 4.8
  • 4.8
  • 4.8
  • 4.8
  • 4.8

4.8

531 ratings


More shows like Political Beats

View all
3 Martini Lunch by Current events, satire, humor news by Radio America

3 Martini Lunch

1,521 Listeners

GLoP Culture by Ricochet

GLoP Culture

1,832 Listeners

The Ricochet Podcast by Ricochet

The Ricochet Podcast

1,392 Listeners

The Commentary Magazine Podcast by Commentary Magazine

The Commentary Magazine Podcast

5,160 Listeners

The Fifth Column by Kmele Foster, Michael Moynihan, and Matt Welch

The Fifth Column

2,885 Listeners

The Editors by National Review

The Editors

4,867 Listeners

National Review's Radio Free California Podcast by National Review

National Review's Radio Free California Podcast

688 Listeners

The Remnant with Jonah Goldberg by The Dispatch

The Remnant with Jonah Goldberg

6,549 Listeners

The McCarthy Report by National Review

The McCarthy Report

2,844 Listeners

Across the Movie Aisle by Across the Movie Aisle

Across the Movie Aisle

296 Listeners

The Dispatch Podcast by The Dispatch

The Dispatch Podcast

3,303 Listeners

Martini Shot by TheAnkler.com

Martini Shot

456 Listeners

The Charles C. W. Cooke Podcast by National Review

The Charles C. W. Cooke Podcast

1,052 Listeners

How The World Works by Kevin D. Williamson

How The World Works

203 Listeners

Breaking History by The Free Press

Breaking History

746 Listeners