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Anida Yoeu Ali’s art mixes humour, public confrontation, and science fiction to explore issues of identity. As a Muslim Khmer woman, Anida is a minority whether she’s in her native Cambodia or in the United States, where her family relocated to escape the regime of Pol Pot. She talks about her work across disciplines, from absurdist poetry to public performances such as the Buddhist Bug, where she meets the public, dressed as a large, orange worm-like creature.
The Museum wishes to thank Nadir and Shabin Mohamed for their founding support of This Being Human.
Hosted on Acast. See acast.com/privacy for more information.
By Aga Khan Museum & The Walrus Lab5
2424 ratings
Anida Yoeu Ali’s art mixes humour, public confrontation, and science fiction to explore issues of identity. As a Muslim Khmer woman, Anida is a minority whether she’s in her native Cambodia or in the United States, where her family relocated to escape the regime of Pol Pot. She talks about her work across disciplines, from absurdist poetry to public performances such as the Buddhist Bug, where she meets the public, dressed as a large, orange worm-like creature.
The Museum wishes to thank Nadir and Shabin Mohamed for their founding support of This Being Human.
Hosted on Acast. See acast.com/privacy for more information.

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