Archaeology is the study of human activity in the past, looking at lots of different things from lots of different angles. We take that approach with Rock N Roll.

We recap episode one, and open in Memphis, 1954. Sun Records owner Sam Phillips has found his elusive crossover sound—and the artist who can deliver it. Elvis breaks out; in just a few months he’s on the cusp of national stardom.

We get to know Sam Phillips better; we find he shares affinity and common ground with his young star. Sam will be showing up again as we go through our story.

Elvis gets his first big break on the Louisiana Hayride radio show. Young Roy Orbison and Buddy Holly see him on his first big tour, opening for the country singer Hank Snow.

Elvis and Col. Tom Parker meet for the first time.

We move to a detailed discussion of the rise of American television in the 1950s: technical advances, the economic and social impacts, and how it affected and was affected by the rise of Rock N Roll.

We bring it back around to Bill Haley’s appearance on the Ed Sullivan Show in August of 1955.

In early 1956, Elvis gets a big-time deal with RCA Records. Col. Parker buys out Sam Phillips’ management contract and the Presley/Parker business relationship is formalized—for better and for worse.

The self-titled debut album is released that spring. It’s a smash; the first modern rock album and it has stood the test of time.

Our storylines merge on Sept 9th 1956: Elvis makes his historic debut on the Ed Sullivan Show. We dig into some of the back story and do a little mythbusting.

Then we assert something a bit controversial, which might make some Elvis fans angry.

Finally, we profile two artists who are challenging Elvis, taking Rock N Roll in new directions: Chuck Berry and Little Richard. We learn the succinct definition of Rock N Roll, and spend a hungover Sunday morning in church.

We close the show with a brief introduction to Buddy Holly, to set up Episode Three.

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