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Should we show friends and family our manuscripts as we compose them? Good reasons for and against exist. The key to vivid writing: be specific, definite, and concrete. Plus, famous romantic lines, avoiding useless analogies, and a technique for vivid writing: using verbs rather than verb objects.
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Should we show friends and family our manuscripts as we compose them? Good reasons for and against exist. The key to vivid writing: be specific, definite, and concrete. Plus, famous romantic lines, avoiding useless analogies, and a technique for vivid writing: using verbs rather than verb objects.
Support the show
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