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Literary & cultural critic Darryl Pinckney rejoins the show to celebrate his new memoir/memorial, Come Back In September: A Literary Education on West Sixty-Seventh Street, Manhattan (FSG). We get into Darryl's friendship with/apprenticeship to Elizabeth Hardwick, and the relationships he built with Susan Sontag, Barbara Epstein, and the New York Review of Books in the '70s & beyond. We also talk about recognizing a golden age when you're in it, our current professionalization of culture and why it leads to meh art, the value of his literary/writing education from Hardwick (& others), the NYC New Wave scene he was a part of alongside Howard Brookner, Lucy Sante, Felice Rosser, and others, and why the one place he felt a sense of belonging was on the red sofa in Elizabeth Hardwick's home. Plus, we talk about his massive project on the history of black literature in the 20th century, why there are so few examples of failure in black autobiographical tradition and why (and whether) he considers himself a failure, why someone once told him, 'You're very disciplined at beating yourself up,' why we bonded over the same character in Middlemarch, and more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
By Gil Roth4.9
9595 ratings
Literary & cultural critic Darryl Pinckney rejoins the show to celebrate his new memoir/memorial, Come Back In September: A Literary Education on West Sixty-Seventh Street, Manhattan (FSG). We get into Darryl's friendship with/apprenticeship to Elizabeth Hardwick, and the relationships he built with Susan Sontag, Barbara Epstein, and the New York Review of Books in the '70s & beyond. We also talk about recognizing a golden age when you're in it, our current professionalization of culture and why it leads to meh art, the value of his literary/writing education from Hardwick (& others), the NYC New Wave scene he was a part of alongside Howard Brookner, Lucy Sante, Felice Rosser, and others, and why the one place he felt a sense of belonging was on the red sofa in Elizabeth Hardwick's home. Plus, we talk about his massive project on the history of black literature in the 20th century, why there are so few examples of failure in black autobiographical tradition and why (and whether) he considers himself a failure, why someone once told him, 'You're very disciplined at beating yourself up,' why we bonded over the same character in Middlemarch, and more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

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