This week: we take a look at postwar samurai film/jidaigeki in order to understand better the trajectory of the most influential genre in the history of Japanese film. Why did jidaigeki, a staple of pre-1945 film, storm back with a vengeance to the big screen after the end of World War II? What makes post-1945 samurai films distinctive or unique? And what about their relationship to another archetype of international film: the American Western?

Show notes here.