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For our first October episode, we try out another new opening, touch upon the recent catastrophic weather in Florida and the hazards of attempting near future SF in a rapidly changing world, with Norman Spinrad’s Russian Spring as one example.
After a brief digression (what else?) on novels that extrapolate political decisions more than technological change—like the two novels that preceded the movie Dr. Strangelove, we touch upon the question of whether J.G. Ballard may catch the current zeitgeist in the same way Philp K. Dick did a generation ago.
Finally, a few more short digressions on whether awards like World Fantasy can significantly influence a book's sales or reputation, on the value of “best of” anthologies, and on what makes a good gift book for the forthcoming holiday season.
By Jonathan Strahan & Gary K. Wolfe4.8
5757 ratings
For our first October episode, we try out another new opening, touch upon the recent catastrophic weather in Florida and the hazards of attempting near future SF in a rapidly changing world, with Norman Spinrad’s Russian Spring as one example.
After a brief digression (what else?) on novels that extrapolate political decisions more than technological change—like the two novels that preceded the movie Dr. Strangelove, we touch upon the question of whether J.G. Ballard may catch the current zeitgeist in the same way Philp K. Dick did a generation ago.
Finally, a few more short digressions on whether awards like World Fantasy can significantly influence a book's sales or reputation, on the value of “best of” anthologies, and on what makes a good gift book for the forthcoming holiday season.

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