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Episode 8 of the 2015 Summer Season
Music
* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.
* First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie.
* We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing...
* Runaway from Olafur Arnalds.
Notes:
*The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.".
* Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst.
* As was Lynching in America: A History in Documents, compiled by Christopher Waldrep.
* Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource.
* And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it.
By Nate DiMeo4.8
68206,820 ratings
Episode 8 of the 2015 Summer Season
Music
* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.
* First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie.
* We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing...
* Runaway from Olafur Arnalds.
Notes:
*The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.".
* Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst.
* As was Lynching in America: A History in Documents, compiled by Christopher Waldrep.
* Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource.
* And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it.

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