For The Wild

Alnoor Ladha's discusses neoliberal capitalism, the global economic system and how we can work ourselves out of it.

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For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

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Jasmine Fuego is an activist, artist and permaculturist redefining the transformational festival scene by bridging the gap between art and action.

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For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

Find us at www.forthewild.world →
Become a For The Wild Partner →
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Join our Slow Earth Companion Practice Community →

Ayana is joined by Chief Caleen Sisk, spiritual leader of the Winnemem Wintu Tribe of Northern California, to explore how the forces of industrial society have attempted to tame and exploit living waters, and how Indigenous stewards are facing the subsequent ecological predicament.

Support the show

For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

Find us at www.forthewild.world →
Become a For The Wild Partner →
Follow us on Instagram →
Sign up for our Newsletter →
Join our Slow Earth Companion Practice Community →

Starhawk is one of the most respected voices in modern earth-based spirituality, and a cofounder of Reclaiming, an activist branch of modern Pagan religion. She is a veteran of progressive movements, from anti-war to anti-nukes, and is deeply committed to bringing the techniques and creative power of spirituality to political activism.

Support the show

For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

Find us at www.forthewild.world →
Become a For The Wild Partner →
Follow us on Instagram →
Sign up for our Newsletter →
Join our Slow Earth Companion Practice Community →

Starhawk is one of the most respected voices in modern earth-based spirituality, and a cofounder of Reclaiming, an activist branch of modern Pagan religion. She is a veteran of progressive movements, from anti-war to anti-nukes, and is deeply committed to bringing the techniques and creative power of spirituality to political activism. She is the author or coauthor of twelve books, including The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess, long considered the essential text for the Neo-Pagan movement, and the now-classic ecotopian novel The Fifth Sacred Thing, now in development for film and television. She is a founder of Earth Activist Trainings (EAT), teaching permaculture design grounded in spirit and with a focus on organizing and activism.  Together with Charles Williams and others, she co-teaches EAT courses in the U.S., Canada, and Europe. She also champions ‘social permaculture’: the application of permaculture principles to social organizations, policy and strategy. She has taught in many Bay Area colleges and universities, and is presently adjunct faculty at the California Institute of Integral Studies. Starhawk travels internationally, lecturing and teaching permaculture, earth-based spirituality and ritual, and the skills of activism. She lives between San Francisco and West Sonoma, where she is developing a model of carbon-sequestering ranching, incorporating holistic management rotational grazing with sheep and goats, restorative forestry, food forests and perennial systems.

In this episode we speak with activist Eriel Tchekwie Deranger about the largest industrial project in the world, the Tarsands in Alberta, Canada, and strategize about the future of the fossil fuel resistance.

Support the show

For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

Find us at www.forthewild.world →
Become a For The Wild Partner →
Follow us on Instagram →
Sign up for our Newsletter →
Join our Slow Earth Companion Practice Community →

In this episode we speak with activist Eriel Tchekwie Deranger about the largest industrial project in the world, the Tarsands in Alberta, Canada, and strategize about the future of the fossil fuel resistance. We discuss institutional warfare waged by extractive industry on indigenous sovereignty, land rights, and the boreal forest—“the other Amazon”—Earth’s preeminent carbon sink. We cover the political manipulation that has secured new oil and gas pipeline construction in Canada despite exuberant public outcry, and how a movement must target the source and the motive of the extraction, not just the routes of transport.   Eriel is an Indigenous rights advocate and member of the Athabasca Chipewyan First Nation (ACFN), Treaty 8 of Northern Alberta, Canada. She works to raise awareness about the negative climate, human and Indigenous rights impacts of the extractive industry in her Nations traditional lands and territory. Eriel is a founder of Indigenous Climate Action, a national Indigenous civil society vehicle to push for a united Indigenous climate action strategy in Canada. She has worked with various Indigenous and non­ Indigenous organizations, including the Federation of Saskatchewan Indian Nations, Indigenous Environmental Network, Sierra Club, Rainforest Action Network and the UN Indigenous Peoples Forum on Climate Change. She is married and mother of two and currently resides in Edmonton, Canada.

Having spent his life on the seas from Newfoundland to Alaska, Bren Smith has witnessed the collapse of global fisheries. Over the last decade and a half, he has developed methods of vertical 3D ocean farming and is determined to pioneer and popularize a food system that carries marine restoration in its architecture.

Support the show

For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

Find us at www.forthewild.world →
Become a For The Wild Partner →
Follow us on Instagram →
Sign up for our Newsletter →
Join our Slow Earth Companion Practice Community →

Lyla June retraces the origins of oppression of European women, men and earth-based cultures through to recent histories of genocide, inter-generational trauma, and the enduring forces that seek to destroy Indigenous women and the earth.

Support the show

For The Wild is a slow media studio dedicated to land-based protection, co-liberation, and intersectional storytelling. We are rooted in a paradigm shift away from human supremacy, endless growth, and consumerism. Founded in 2014, our work highlights impactful stories and deeply-felt meaning making as balms for these times.

Find us at www.forthewild.world →
Become a For The Wild Partner →
Follow us on Instagram →
Sign up for our Newsletter →
Join our Slow Earth Companion Practice Community →

Lyla June traces back to the origins of the mass-psychosis that permitted a Native American holocaust: the institutionalized destruction of millions of European indigenous women, which precipitated a power play of great moral decline and severance from the sacred. Lyla argues that by facing this dark history and exposing the backward logic of a “sophisticated” death culture, a way forward emerges: in tandem with the resistance AGAINST the murder of the planet, a movement FOR LIFE must inhabit the depths of our being. Beneath the activist’s hard shell may be the living tissue of love and compassion, the drive to empower women and restore the sacred to our language and our action, a curiosity to uncover wider and more significant patterns in history, and a voice calibrated to prayer and teaching.