In-depth with Fury Road visual effects supervisor Andrew Jackson and colorist Eric Whipp on the challenges of bringing George Miller's film to life.

Lola VFX discuss their facial work behind the character of Vision in Marvel's Avengers: Age of Ultron.

This week we talk to Mike Woods, founder of Framestore's Digital Department and their dedicated VR Studio.

Mike Seymour talks to Chappie visual effects supervisor Chris Harvey, discussing the work by Image Engine and Weta Workshop for the new Neill Blomkamp film.

We talk to the three recipients of a SciTech award for finite element analysis, DMM and Kali innovations in computer graphics and visual effects.

We talk to long-time Cinefex publisher Don Shay, who has announced he has retired from the renowned VFX industry magazine.

We speak to Agent Carter visual effects supervisor Sheena Duggal about realizing the Marvel show's VFX.

Interstellar visual effects supervisor Paul Franklin discusses the science, technology and art behind the incredible Christopher Nolan film.

This week we talk to Chaos Group's Christopher Nichols about the creation of a Digital Human League with key VFX industry members aimed at further research and discussion into synthetic human faces.

We talk to director (and fxphd Prof) Wes Ball, about the creation of his hit film The Maze Runner. As you will hear Wes is just days away from filming the sequel.