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Arthur Moon is the moniker of composer/singer/multi-instrumentalist Lora-Faye Åshuvud. As Arthur Moon, she is the anchor who has gathered collaborators- including Cale Hawkins (Quincy Jones, Bilal, Wyclef Jean) and Martin D. Fowler (a composer for This American Life) and other folks. They trade demos and build on musical perspectives, which she then arranges and composes by way of experimentation and improvisation. The result is dazzling music that feels beautiful, affecting, and strange.
Arthur Moon’s electronic experimental pop takes advantage of all available sonic space, teasing around all kinds of textures and timbres: here a fat-bottomed synth bass, there some minimal sampled percussion, perhaps a sneaky guitar effect to connect them, all dancing around swooping vocal lines, combined with vocoder action – in something of a multi-layered collaborative musical collage. Yet, the grand thing is that this assemblage of electronic pop never feels heavy, or over-crowded, or falls into any traps of formulaic synth pop, rather – it’s what Åshuvud calls “incorrect music” and it as perplexing as it is marvelous. Arthur Moon - Lora-Faye Åshuvud and her collaborators - join us in-studio to play some of these new tunes. - Caryn Havlik
4.5
137137 ratings
Arthur Moon is the moniker of composer/singer/multi-instrumentalist Lora-Faye Åshuvud. As Arthur Moon, she is the anchor who has gathered collaborators- including Cale Hawkins (Quincy Jones, Bilal, Wyclef Jean) and Martin D. Fowler (a composer for This American Life) and other folks. They trade demos and build on musical perspectives, which she then arranges and composes by way of experimentation and improvisation. The result is dazzling music that feels beautiful, affecting, and strange.
Arthur Moon’s electronic experimental pop takes advantage of all available sonic space, teasing around all kinds of textures and timbres: here a fat-bottomed synth bass, there some minimal sampled percussion, perhaps a sneaky guitar effect to connect them, all dancing around swooping vocal lines, combined with vocoder action – in something of a multi-layered collaborative musical collage. Yet, the grand thing is that this assemblage of electronic pop never feels heavy, or over-crowded, or falls into any traps of formulaic synth pop, rather – it’s what Åshuvud calls “incorrect music” and it as perplexing as it is marvelous. Arthur Moon - Lora-Faye Åshuvud and her collaborators - join us in-studio to play some of these new tunes. - Caryn Havlik
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