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The German polymath Johann Wolfgang von Goethe considered his monumental book known in English as The Theory of Colours to be his greatest achievement. The book is a record of hundreds of Goethe’s observations about the way colour affects our mood, as well as a long and heated polemic with Isaac Newton’s colour theory. Goethe’s understanding of light and colour was scientifically flawed yet his book had a surprisingly strong influence on the fine and applied arts. To find out why, Bridget Kendall talks to art historian Alexandra Loske, colour writer Victoria Finlay and designer Odette Steele.
Photo: Goethe’s colour wheel, 1809. (Credit: Freies Deutsches Hochstift / Frankfurter Goethe-Museum)
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The German polymath Johann Wolfgang von Goethe considered his monumental book known in English as The Theory of Colours to be his greatest achievement. The book is a record of hundreds of Goethe’s observations about the way colour affects our mood, as well as a long and heated polemic with Isaac Newton’s colour theory. Goethe’s understanding of light and colour was scientifically flawed yet his book had a surprisingly strong influence on the fine and applied arts. To find out why, Bridget Kendall talks to art historian Alexandra Loske, colour writer Victoria Finlay and designer Odette Steele.
Photo: Goethe’s colour wheel, 1809. (Credit: Freies Deutsches Hochstift / Frankfurter Goethe-Museum)
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