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Alt rock heroes the Goo Goo Dolls join us in the studio for the first time to talk about the 30 year anniversary of 1995’s A Boy Named Goo. Crazy to think it was actually the Buffalo band’s fifth album that finally garnered mainstream success thanks to the still iconic slowburn “Name.’ It’s a long way from their beginnings as a scuzzy punk band, and even further from their first incarnation as Sex Maggots.
We talk all about their early years, pissing in a hole in the bottom of their tour van, who “Name” is about, and how the success of that song lead to a spate of writer’s block and anxiety that eventually lead to their biggest hit, “Iris” (which Taylor Swift called one of the greatest songs ever written and happens to be about an angel called “Seth”).
Plus Johnny Rzeznik and Robby Takac tell tales of plane crashes, physical fights, and drug deals gone right. Plus they consider the evolving music industry, inform us about Buffalo’s sewer system (obviously, it’s important context), and Rzeznick whips out his acoustic guitar to lift the lid on his creative process, particularly with regards to ‘Slide.’
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By Sangasong, LLC4.6
584584 ratings
Alt rock heroes the Goo Goo Dolls join us in the studio for the first time to talk about the 30 year anniversary of 1995’s A Boy Named Goo. Crazy to think it was actually the Buffalo band’s fifth album that finally garnered mainstream success thanks to the still iconic slowburn “Name.’ It’s a long way from their beginnings as a scuzzy punk band, and even further from their first incarnation as Sex Maggots.
We talk all about their early years, pissing in a hole in the bottom of their tour van, who “Name” is about, and how the success of that song lead to a spate of writer’s block and anxiety that eventually lead to their biggest hit, “Iris” (which Taylor Swift called one of the greatest songs ever written and happens to be about an angel called “Seth”).
Plus Johnny Rzeznik and Robby Takac tell tales of plane crashes, physical fights, and drug deals gone right. Plus they consider the evolving music industry, inform us about Buffalo’s sewer system (obviously, it’s important context), and Rzeznick whips out his acoustic guitar to lift the lid on his creative process, particularly with regards to ‘Slide.’
SUBSCRIBE to Our Podcast ►►https://tinyurl.com/48yfe4v5
SUBSCRIBE to YT ►►https://tinyurl.com/5n8km55u
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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