In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist.

In this first podcast, Rob and James talk about the great Dutch conductor who, during a long career, headed up ensembles and opera house in Amsterdam, London, Glyndebourne, Dresden and Chicago, as well as being a much sought-after guest, and left a vast recorded catalogue.

This week's Podcast is another special long-length edition, for which Editor Martin Cullingford is joined by Rob Cowan, Gramophone's expert on historic and archive recordings and the author for 30 years now of our monthly feature devoted to the area, Replay. Why should we listen to historic recordings? What can we learn from them, and which artists, many decades on, still offer listeners such extraordinary joy and insight? Across more than 45 fascinating minutes Rob addresses these questions, and we play excerpts from some absolute highlights from the archives.

Following five acclaimed albums with the LSO and JoAnn Falletta for Naxos, the composer Kenneth Fuchs has released a new collection of his orchestral works with John Wilson's Sinfonia of London. Recorded at St Augustine's, Kilburn, in North London, by Chandos, the collection has just been issued.

James Jolly caught up with Kenneth Fuchs just before last Christmas - and the day after recording sessions - to talk about the four works on the new album.

Gramophone's Orchestra of the Year is the only award voted for by our readers and music lovers worldwide. Each year, the magazine's editors produce a short list of 10 ensembles whose music-making, particularly on record, has made a particularly strong impression on our critics. In the second of two podcasts, Gramophone's Editor-in-Chief, James Jolly, talks to the broadcaster and critic Rob Cowan about these five superb ensembles.

To vote for your chosen orchestra, head to the Awards page of our website before September 7.

Gramophone's Orchestra of the Year is the only award voted for by our readers and music lovers worldwide. Each year, the magazine's editors produce a short list of 10 ensembles whose music-making, particularly on record, has made a particularly strong impression our critics. In the first of two podcasts, Gramophone's Editor-in-Chief, James Jolly, talks to the Copenhagen-based critic and cultural commentator, Andrew Mellor, about five of the nominated ensembles.

To vote for your chosen orchestra, head to the Awards page of our website, but before you do (and voting remains open until September 7), maybe wait until next week's podcast when James will be in conversation with Rob Cowan about the remaining five orchestras. And to help you make up your mind, you can listen to the specially created playlists on Apple Music Classical.

For his second album for Alpha Classics, again with his regular piano partner James Baillieu, the German baritone Benjamin Appl has put together a programme under the title 'Forbidden Fruit'. Musically it ranges widely, taking in songs in English, French and German, and all bound together by a theme, and then grouped under biblical verses. James Jolly caught up with singer and pianist by Zoom – Benjamin Appl in Switzerland and James Baillieu in the UK – to talk about the programme, whether audiences today demand such an approach and how concert-giving has changed since the dark days of the pandemic.

The July edition of Gramophone features a fascinating article by Handel expert Richard Wigmore, in which he focusses on six specific years spread throughout the composer's life to offer a fascinating insight into his art and his era. Last year Gramophone's Editor Martin Cullingford sat down with Richard to record a very special edition of the Gramophone Podcast - lasting more than an hour, it's filled with rich insight into Handel's music and some of its finest recordings. It's the perfect accompaniment to our cover story.

This week's Gramophone Podcast sees acclaimed viol player, and founding member of Fretwork, Richard Boothby join Editor Martin Cullingford to talk about his new album 'Music to hear...'. Featuring works by Alfonso Ferrabosco written for lyra viol and dating from 1609, it's available now on Signum Classics. We discuss the composer and his place in the London cultural life of his day, and the sort of instrument he actually wrote for - plus, hear some beautiful excerpts from the album.

This week's guest on the Gramophone Podcast is tenor Lawrence Brownlee, who joins Editor Martin Cullingford to talk about his new album 'Rising', recorded with pianist Kevin J Miller, and available now from Warner Classics. The beautifully-performed programme includes commissions from six African-American composers of the younger generation who were invited to set texts by writers of the Harlem Renaissance, as well as songs by 20th-century composers.

This week's Gramophone Podcast features the countertenor Reginald Mobley, who joins us to talk about his new album 'Because', a programme of Spirituals performed with jazz pianist Baptiste Trotignon, and available on the Alpha label. He tells Editor Martin Cullingford about recording these beautiful, and moving, works, what they mean to him and what he hopes they will mean to audiences.