Keen to play her part in supporting the women and children suffering abuse and hardship in her native Mexico – a situation greatly worsened during the pandemic – the conductor Alondra de la Parra has created The Impossible Orchestra. Comprised of a stellar line-up of artists from 14 different countries – both orchestral players and soloists – The Impossible Orchestra has recorded, for video as well as audio, Arturo Márquez's much-loved Danzón No 2 in an arrangement by de la Parra (who plays the piano in this performance). She speaks to James Jolly about the project and how she aims to support two major charities in Mexico.

Robin Ticciati, Music Director of the DSO Berlin, has just released an album that couples two tone-poems, Don Juan and Tod und Verklärung with the six songs, Op 68, often called the Brentano songs, sung by Louise Alder. As Ticciati rehearsed at Glyndebourne for the much reduced 2020 season, James Jolly caught up with him to talk about the new album.

Editor Martin Cullingford talks to guitarist Xuefei Yang about her new album Sketches of China, a beautiful celebration of music from her homeland and featuring contemporary commissions and arrangements of ancient pieces. Featuring excerpts from the album, released by Decca Classics China.

In the latest Gramophone podcast, Editor Martin Cullingford talks to Max Richter about the composer's new album Voices, a powerful and poetic musical response to the Universal Declaration of Human Rights, released today on Decca Records.

In the latest Gramophone podcast, Editor Martin Cullingford is joined by conductor David Skinner to discuss the new release by Alamire of the music of John Sheppard. Based on new research, the Gramophone Award-Winning vocal ensemble have recorded a version of the Tudor composer's masterpiece Media vita in morte sumus which, they argue, is how it would have originally been heard. The recording - a digital EP - is available now on Inventa Records.

Gramophone has been making an Orchestra of the Year Award since 2018 when it was given to the Seattle Symphony (last year the Award went to the Hong Kong Philharmonic). This year the voting is open and we offer ten ensembles for you to consider. Each has struck us for the dynamism, imagination and style of its collaborations with its conductors on record. This week Gramophone's Editor-in-Chief James Jolly is joined by Gramophone critic and broadcaster Rob Cowan to discuss the Philadelphia Orchestra, Los Angeles Philharmonic, City of Birmingham Symphony Orchestra, BBC Symphony Orchestra and the Orchestre National de Lille.

Listen to each of the orchestra's exclusive playlist on Gramophone's curator page at Apple Music, as well as a dynamic playlist embracing all 10 ensembles (which is regularly updated). Then, when you are ready, head off to vote at gramophone.co.uk

Gramophone has been making an Orchestra of the Year Award since 2018 when it was given to the Seattle Symphony (last year the Award went to the Hong Kong Philharmonic). This year the voting is open and we offer ten ensembles for your to consider. Each has struck us for the dynamism, imagination and style of their collaborations with their conductors on record.

In this, the first of two podcasts, Gramophone's Editor-in-Chief James Jolly talks to Gramophone critic, Andrew Mellor, about five of the ensembles: the Freiburger Barockorchester, the Deutsches Symphonie-Orchester Berlin, the Bergen Philharmonic Orchestra, the NHK Symphony Orchestra, Tokyo and MusicAeterna.

In this week's Gramophone Podcast, Editor Martin Cullingford speaks to the Artistic Director of Voces8 about their fascinating new album 'After Silence' - it's out on July 24, but several sections are already available to stream online - and about the forthcoming online choral festival from the Voces8 Foundation, Live from London, of which Gramophone is a media partner.

The cellist Inbal Segev has just released an album of cello concertos by Anna Clyne, DANCE, and Sir Edward Elgar. Her partners on this Avie release are the London Philharmonic and Marin Alsop. James Jolly caught up with them – Inbal in New York and Marin in Baltimore – to talk about the album, how the Anna Clyne piece came about and what makes them fit so well together on the same album.

Beethoven's violin sonatas sit at the heart of the repertoire for violin and piano. As Tamsin Waley-Cohen and Huw Watkins embark on a complete cycle for Signum Classics - starting with Nos 1, 5 & 8 - they join Editor Martin Cullingford in this week's Gramophone Podcast to explore what the music means for performer and listener alike.