In Greg Sarris' book The Forgetters (Heyday Books, 2024), Answer Woman, a crow, cannot come up with a story until she is asked by Question Woman, her sister. But they both want to remember those who forgot the stories – because only by retelling the stories can they learn lessons of the past. From the time before creation to the near future, Answer Woman knows stories about clouds and sky, people who might be animals, storytelling contests of the past, and lessons learned from mistakes. Greg Sarris’s creation stories represent age old Coast Miwok and Southern Pomo Native American storytelling traditions, whose goals are to comfort and inspire while understand human frailty and striving.

Greg Sarris is an accomplished author, university professor, and tribal leader serving his sixteenth term as Chairman of the Federated Indians of Graton Rancheria. He is the current board chair of the Smithsonian’s National Museum of the American Indian. In 1992, he co-authored the Graton Rancheria Restoration Act which restored federal recognition and associated rights to the Coast Miwok and Southern Pomo Native Americans of California, including the right to reestablish tribal lands.

Sarris graduated summa cum laude with a degree in English from the University of California, Los Angeles and received his Ph.D. in Modern Thought and Literature from Stanford. He has taught American and American Indian Literature, and Creative Writing at UCLA, Stanford, Loyola Marymount University, and Sonoma State University. Currently, he serves as a member of the Board of Regents for the University of California and is an elected member of the American Academy of Arts and Sciences.

He is also a producer, playwright, and the author of several books, including the award-winning How a Mountain Was Made (2017), starred Kirkus review Becoming Story (2022), and Grand Avenue (1995), which he adapted for an HBO film, and co-produced with Robert Redford. He is co-executive producer of Joan Baez: I Am A Noise (2023) and a recent short story, Citizen (2023), was adapted by San Francisco’s Word for Word theater. He is passionate about riding his horse and remembering to connect with the landscape around him.

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