New Books Network

Filial Lines: Art Spiegelman, Alison Bechdel, and Comics Form (Cambridge UP, 2026) by Dr. Emmy Waldman is the first book to place the autobiographical projects of canonical comics authors Art Spiegelman and Alison Bechdel alongside each other, focusing on new and neglected works (and with an epilogue on the Pulitzer Prize-winning tour-de-force debut of Tessa Hulls). The book offers a lively cast of five formal tropes-boxes, spirals, tic-tac-toe, mirrors, and webs-through which to model fundamental elements of the comics grammar and its material processes. Built around rich close readings, it shows what makes the comics form particularly suited to negotiate complex familial and creative inheritances and manage layered, relational identities.

Interweaving accounts of Jewish identity, female embodiment, legacies of modernism, and feminist practice, the book traces how contemporary graphic memoirists visually work and rework their filiations and affiliations through form, situating the medium as a privileged site and staging ground for arguments about the enabling possibilities of form now.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this episode of the Language on the Move Podcast, Brynn Quick chats with Professor Dr. Natalia Filatkina, Dr. Kerstin Roth and Research Associate Miriam Hinterholzer. All three work at the University of Hamburg in Germany on a long-term research project, called FSL Digital, that investigates language history, language attitudes and everyday communication in the context of multilingualism in early modern Europe.

As part of this project, today’s guests annotate and analyse multilingual foreign language textbooks from the 15th to 17th centuries.

Today’s guests discuss these textbooks, the research project, and what historical foreign language manuals can tell us about language attitudes and expectations of foreign language learning.

For additional resources, show notes, and transcripts, go here.

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What happens when the United States launches an unconventional foreign aid program in the aftermath of a national uprising? In this behind-the-scenes account of the Egyptian-American Enterprise Fund--a private investment fund created by the U.S. Congress to jumpstart Egypt's private sector after the 2011 Egyptian revolution--A Daring Enterprise: A Us-Egyptian Partnership and the Case for Soft Power (American University in Cairo Press, 2026) by James A Harmon, Cornelius Queen, and Mark Warren tells the story of one of the most effective, yet little known, U.S. foreign policy programs today in the Middle East.

Through the firsthand account of the Fund's chairman James Harmon, a veteran investment banker and former Clinton administration official, the authors reveal how a small, U.S.-backed investment fund partnered with Egyptians to spark investment, create jobs, and expand opportunities for women in the Arab world's largest country--all against a backdrop of political instability, anti-Americanism, and Washington dysfunction.

At a time when America's budget deficit is rising and foreign aid is being scaled back, A Daring Enterprise reveals how a new model of foreign assistance can tackle urgent development challenges while delivering real returns for U.S. taxpayers. Most importantly, it is a powerful reminder of the value of foreign aid and why smart foreign investment is key to America's future prosperity.

 Cornelius W. Queen is senior vice-president at the Egyptian-American Enterprise Fund. Previously, he worked on the Syrian Crisis Response in Lebanon for a local NGO and before as a Legislative Assistant on Capitol Hill covering trade and foreign policy issues. From 2011-2012, he served as a core staff member for the Carter Center on its international election observation mission for Egypt’s first parliamentary and presidential elections after the 2011 revolution. He is a Middle East Policy Council 40 under 40 awardee. He earned an M.A. in Law and Diplomacy from the Fletcher School at Tufts University and his BA from the Johns Hopkins University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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In A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt (St. Martin's Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin. 

Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion, Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.

Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America and co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition. 

Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at Ballasts for the Mind, Instagram, and Threads. 

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What does it mean for a modernist novel to fail?

Modernism famously celebrates rupture, difficulty, and deviance from literary norms—but that very embrace of formal experimentation creates a paradox: how can we tell the difference between daring innovation and genuinely bad writing? Bad Writing in the Modernist Novel (JHU Press, 2026) takes up this long-overlooked question and argues that modernist aesthetics have made artistic failure uniquely difficult to recognize, both in fiction and in literary criticism itself.

Through incisive close readings of D. H. Lawrence, William Faulkner, Mina Loy, and James Joyce, Nathan Wainstein shows how moments that appear to be mistakes—awkward repetitions, temporal glitches, excessive prose, or stylistic lapses—often hover ambiguously between error and experiment. These moments, he argues, have become privileged objects of interpretation for critics trained to find meaning precisely where form seems to break down. Wainstein situates these textual breakdowns within debates about intentionality, authorial control, and critical authority, showing how modernist fiction unsettles long-standing assumptions about craft and competence. In doing so, the book clarifies why modernist novels continue to generate intense critical attention—and why questions of value and judgment remain so difficult to resolve.

At once a work of modernist literary criticism and a searching reflection on the practice of close reading, Bad Writing in the Modernist Novel rethinks how aesthetic judgment operates in a field shaped by modernism's legacy. By confronting the possibility of genuine failure head-on, Wainstein offers a fresh account of the novelistic form and the pleasures and limits of interpretation.

Nathan Wainstein is an assistant professor of English at the University of Utah. He is the author of Grant Us Eyes: The Art of Paradox in Bloodborne.  He is also the cohost of the podcast Authors Die Twice. 

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.

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What is freedom? Benjamin Constant and Isaiah Berlin divided the answers to that question into two categories: the positive conception of the ancients (freedom to participate in political life) and the negative conception of the moderns (freedom from external constraints). But what if this dichotomy is a false one?

My guest on Madison’s Notes thinks so. So in Episode 6 of Season 6, I interview the political philosopher, Philip Pettit. The L.S. Rockefeller University Professor of Human Values at Princeton, the Distinguished University Professor of Philosophy at the Australian National University, Professor Pettit is the author of many books, including Republicanism (1997) and The State (2023).

Today, drawing upon Republicanism and The State, the nature of freedom as “non-domination,” the neo-republican tradition that began in the Italian Renaissance with Machiavelli, and how this account worked through the Enlightenment and into the American Founding. Also along the way, we talk about Henrik Ibsen, what Constant and Berlin got wrong, the intellectual historian Quentin Skinner, the relationship between technology and freedom, and how political freedom relates to spiritual freedom.

Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes.

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We Will Receive Justice: Native Histories of the Collapse of the California Missions (U Nebraska Press, 2026) by Dr. Lee M. Panich & Gustavo Flores explores how Native people in the southern San Francisco Bay Area—the ancestors of today’s Ohlone community—navigated the collapse of the California mission system. The volume spans from Mexican independence in 1821 through the region’s annexation by the United States in 1846, as Native people from Mission Santa Clara and Mission San José fought for emancipation and restitution amid rapidly changing colonial circumstances. 

The narrative is driven by a reexamination of archives related to the Pueblo of San José, the territorial capital of Monterey, and early U.S. court cases regarding Mexican-era land grants, contextualized through an in-depth analysis of mission records that illuminate the complex social connections of Native individuals and families. We Will Receive Justice offers an ethnohistorical lens for viewing the Indigenous history of Mexican California, examining not simply the history of colonization but how Native people drew on cultural traditions and social relationships to create new lives for themselves in the wake of the Franciscan mission system. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this NBN episode, host Hollay Ghadery speaks with Ed Seaward about his thrilling novel, London Gothic (Dark Winter Press, 2026). 

In 1975, John Caine and his nineteen-year-old son Ricky bury a woman near a clump of trees in an open field on the rural outskirts of London, Ontario. In 1984, seventeen-year-old Bethany Caine is haunted by the disappearance of her mother nine years previous. Her father and brother insist Thelma Caine abandoned them one night, evidenced by her brief goodbye note. Having already escaped the house dominated by her brutish father to live with her lover, university student Angela, Bethany presses much older brother Ricky to reveal what actually happened to their mother.

Structured along alternating timelines, with chapters exploring the Caine family in the 1970s interspersed with chapters set around the Victoria Day long weekend in 1984, London Gothic unfolds a story of violence and incest as those who truly love and support Bethany attempt to uncover the mystery of Thelma Caine's disappearance.

Ed Seaward’s novel London Gothic will be published by Dark Winter Press in October, 2026. His debut novel Fair was published in 2020 by The Porcupine’s Quill. Awarded the Silver Medal in Urban Fiction by the 2021 Independent Book Awards, Fair was also shortlisted for the Canadian Authors Association’s 2021 Fred Kerner Award. His screenplay, Mother Daughter Happiness was a finalist at the 2019 Pasadena International Film Festival.

Ed’s web publication Profiles From The Bright Side Of The Road features writers, actors, artists, environmentalists, family and friends. The Newfoundland family series, “It’s Sharpe to Stay Home”, was republished by Downhome Magazine.

After 30 years in the corporate world, Ed now writes full-time. He and his wife Barb live in Georgetown, Ontario.

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay at her website here. 

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A gripping exposé of deception, cult power, and the long shadow of Carlos Castaneda, the man behind the biggest literary hoax of the twentieth century. 

Twenty years in the making, American Trickster: The Hidden Lives of Carlos Castaneda (OR Books, 2026) unravels the story of the secretive faux-anthropologist who pulled off one of the greatest literary hoaxes in modern history. Both an investigation of the techniques employed by charismatic narcissists and a study of the cult dynamics that still shape American life, “American Trickster” defies conventional biography. It emerges as a chilling allegory for the Trump era, a trenchant critique of academia's complicity in distorting and erasing Indigenous culture, and a deep dive into the mechanics of New Age spiritual abuse.

Author Ru Marshall joins host Emily Dufton to discuss Castaneda's larger-than-life story and lingering effects. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her new book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, was released in 2026. 

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It seems likely that most listeners to this podcast channel have heard of “shell shock,” the old name for what is now called post-traumatic stress disorder (usually abbreviated as PTSD). Even today, the long-term effects of combat tend to be under-estimated, but that was much more true in the years following World War I, when the diagnosis of “shell shock” first appeared.

 Terri Lewis’s When They Came Home (Miami UP, 2026) tackles this problem head-on. Based on the lives of the author’s grandparents, this beautifully written, compassionate novella follows the war experiences and long-term effects of combat on not only the soldiers themselves but their families, forced to confront what to them often appears incomprehensible behavior that affects their loved ones’ ability to function in the post-war world. 

The story focuses on Milton Fieth, a twenty-one-year-old farmer from Kansas who, like the other young men on his train, enlists out of a sense of duty to his country, hope of glory, and a free trip to France. The reality of the trenches horrifies him, and the loss of cherished comrades leaves him with massive survivor guilt for which he has no name. A year later, he’s back home, where he meets a young woman named Edith whom he courts and eventually marries. Only as the years turn into decades do both Milton and Edith realize that the scars left by those few horrific months will never heal completely. 

Terri Lewis, a former ballerina, won the Miami University Press 2025 Novella award for When They Came Home. Her debut novel, Behold the Bird in Flight, appeared in 2025. Her interests lie with historical fiction—not dates or wars but untold stories of daily lives, particularly forgotten women. Find out more about her and her books at here.

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including one co-written with P.K. Adams. Her latest book, Song of the Silk Weaver, appeared in September 2026.

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