In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite’s invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.’s newly rechristened “Sugar Hill.”
Settling in at a local actress’s energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.
Reaper’s extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie’s unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community’s well-being with promises of retribution.
Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann (Crown, 2025) is a poignant reimagining of F. Scott Fitzgerald’s The Great Gatsby set amongst L.A.’s Black elite weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America.

You can find Kyra on Instagram, Threads, and TikTok.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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Reclaiming Colonial Architecture (Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).

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With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she’s escorted onto land, to the place of her mother’s employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan’s pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival.

Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics’ Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper’s, the New York Times, The Paris Review, Granta, and McSweeney’s. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. 

She’s a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers’ Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project.

Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans.

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What would you do if you were pressured to support a rebellion that

More about A Ram for Mars, as well as the trilogy, “A Slave’s Story,” can be found here.

Christopher D. Stanley is a social and religious historian who writes

Dr. Stanley has written or edited ten books and dozens of

Jonathon Lookadoo is Associate Professor at the Presbyterian

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Was it one of the war’s most memorable feats of valor or an act of desperation, even madness?

In Out of the Sky: Heroism and Rebirth in Nazi Europe (Spiegel & Grau, 2026), Matti Friedman unravels one of the strangest episodes of World War II: In 1944, a team of young women and men who had escaped the Holocaust made the inconceivable choice to parachute back into Nazi-occupied Europe under the cover of a British military operation. Yet by the end of the mission, not a single Nazi was harmed and not a single Jew was saved, and many of the parachutists died in the process. Even so, some of their names would become legendary, especially that of twenty-three-year-old Hannah Senesh, the author of the beloved Hebrew song “Eli, Eli.” Their story would become one of the young state of Israel’s founding myths—but what exactly was the mission, and what had the parachutists actually accomplished? What made them heroes?

Using thousands of original documents from once-secret files, manuscripts, memoirs, and unpublished letters, Matti Friedman follows four of the parachutists from the spring of 1944 to the operation’s dramatic end that winter. In Out of the Sky, he tells the gripping and surprising tale of a forgotten moment, demonstrating how storytelling itself can have a power even greater than warfare. And in exploring the line between myth and reality, heroism and futility, he creates an argument that has resonance in our own time.

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What would the Enlightenment look like if we viewed it through the eyes of the philosophers as they were facing death? Joanna Stalnaker turns our usual perspective on the Enlightenment on its head, bringing to light a set of works written at the end of the Old Regime and at the end of their authors’ lives. These works, all written before the French Revolution, cast a retrospective glance over the intellectual movement their authors participated in, and over the authors’ own lives and works. Stalnaker shows that the beauty of these works stems from their authors’ efforts to give literary form to the materiality and fragility of their dying bodies. As they reflected on writing as a means of reaching posterity, Enlightenment philosophers embraced the possibility that neither their names nor their writings would survive long beyond the decomposition of their bodies. They inscribed the silence and nothingness of death into their last works.

Stalnaker’s book The Rest Is Silence: Enlightenment Philosophers Facing Death (Yale UP, 2025) unsettles reigning interpretations of the Enlightenment as a precursor to our modernity and shows its protagonists at their moments of fragility and doubt, capturing their sense of an ending rather than the confidence in a glowing future so often attributed to them.

Joanna Stalnaker is professor of French at Columbia University. She is the author of a prizewinning first book, The Unfinished Enlightenment: Description in the Age of the Encyclopedia. She lives in New York City.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Home to 25 million people, Shanghai is the most populous and wealthiest city

In Shanghai: The Story of China's Most Dynamic City

This interview was conducted by Dr. Miranda Melcher whose book

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Themistocles is one of the great personages of ancient Athens, known for his heroics in warfare as well as for his overweening and ultimately tragic ambitions. In Themistocles: The Rise and Fall of Athen’s Naval Mastermind (Yale UP, 2026), Michael Scott takes a distinctly human measure of this complex figure. As he tells me in our conversation, it would be wrong to see Themistocles, as some ancient scribes were disposed to, as the product of a fixed nature. Born and raised as an outsider in the status-obsessed world of Athens, he shaped his destiny through his own choices, some of them flawed. Scott is professor of classics and ancient history at the University of Warwick, UK.

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The 21st Century in 100 Games (Routledge India, 2024) is an interactive public history of the contemporary world. It creates a ludological retelling of the 21st century through 100 games that were announced, launched and played from the turn of the century.

Aditya Deshbandhu is a Lecturer of Communications, Digital Media Sociology at the University of Exeter, UK. A researcher of video game studies, new media, and the digital divide, he examines how people engage with digital artefacts and seeks to understand how these interactions shape everyday lives. As someone who actively examines digital acts of leisure, his

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore.

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How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment.

Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.

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