Handel composed the music for Messiah in 24 days, and the librettist, Charles Jennens, was furious that Handel had not spent more time on the music seeing as it was such an important piece of work meant to inspire people to live a god-fearing life. In a letter to a friend some years later, when Jennens and Handel had once again become friends, Jennens described his relationship with Handel thus: ‘I must take him as I find him and make the best use I can of him”.
Music: Dunedin Consort ‘Handel’s Original Dublin Version 1742’

No Messiah without Charles Jennens! Because creating this holy oratorio was his idea. It was he who wrote the libretto based on the Bible. However, Charles Jennens had no interest in getting his name mentioned. He never asked to be paid for his work either. Because Charles Jennens had much more important things on his mind!
Music: Dunedin Consort ‘Handel’s Original Dublin Version 1742’

In the second episode we will hear about Handel nearly being ruined by pretentious opera divas and opera productions that were overly expensive. We will also hear how the opera audience at the time would both drink, talk and play cards during the performances - and how a furious audience once nearly took Covent Garden apart because they wanted the audience to pay full price for their tickets. In other words Handel had several reasons for going to Dublin.

In the first episode we are going down Fishamble Street, one of the oldest streets in Dublin. It was in the exclusive Musick Hall in this street that Handel’s Messiah was first performed on 13 April 1742. Once upon a time Fishamble Street was one of Dublin’s most unsanitary streets. It later became one of the most fashionable streets in Dublin. Today it is rather dull. However, it is a good starting point for the many stories about Handel’s time in Dublin.