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"There's no money to invest in education elsewhere, so they almost get trapped in the cycle where they don't get a lot from crop production, but everyone in the family has to work there to just stay afloat. Basically, you get locked in. There's almost no opportunities externally to go elsewhere. So one of my core arguments is that if you're going to address global poverty, you have to increase agricultural productivity in sub-Saharan Africa. There's almost no way of avoiding that." — Hannah Ritchie
In today’s episode, host Luisa Rodriguez interviews the head of research at Our World in Data — Hannah Ritchie — on the case for environmental optimism.
Links to learn more, summary and full transcript.
They cover:
Get this episode by subscribing to our podcast on the world’s most pressing problems and how to solve them: type ‘80,000 Hours’ into your podcasting app. Or read the transcript.
Producer and editor: Keiran Harris
Audio Engineering Lead: Ben Cordell
Technical editing: Milo McGuire and Dominic Armstrong
Additional content editing: Katy Moore and Luisa Rodriguez
Transcriptions: Katy Moore
By Rob, Luisa, and the 80000 Hours team4.7
299299 ratings
"There's no money to invest in education elsewhere, so they almost get trapped in the cycle where they don't get a lot from crop production, but everyone in the family has to work there to just stay afloat. Basically, you get locked in. There's almost no opportunities externally to go elsewhere. So one of my core arguments is that if you're going to address global poverty, you have to increase agricultural productivity in sub-Saharan Africa. There's almost no way of avoiding that." — Hannah Ritchie
In today’s episode, host Luisa Rodriguez interviews the head of research at Our World in Data — Hannah Ritchie — on the case for environmental optimism.
Links to learn more, summary and full transcript.
They cover:
Get this episode by subscribing to our podcast on the world’s most pressing problems and how to solve them: type ‘80,000 Hours’ into your podcasting app. Or read the transcript.
Producer and editor: Keiran Harris
Audio Engineering Lead: Ben Cordell
Technical editing: Milo McGuire and Dominic Armstrong
Additional content editing: Katy Moore and Luisa Rodriguez
Transcriptions: Katy Moore

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