Jen and Tim host Bitter Karella, who is a witch, to discuss a very witchy cult horror movie, Eyes of Fire! Also, if you were dying to know Jen’s thoughts on Midsommar, they’re in there.

Jen misidentified the actor who plays Will Smythe as “Douglas Lipscomb.” She of course meant Dennis Lipscomb.

Severin Films included Eyes of Fire in their recently released All the Haunts Be Ours folk horror boxed set. If your interest in Eyes of Fire isn’t quite up to that $170 price tag, you can of course watch the film on Shudder’s excellent streaming service.

For more on the genre, Folk Horror Revival offers a generous repository of knowledge.

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Tim and Jen assume the lotus position to study a leftover Bruce Lee passion project, the martial arts video essay Circle of Iron. 

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Tim and Jen assume the lotus position to study a leftover Bruce Lee passion project, the martial arts video essay Circle of Iron.

The official Bruce Lee website 

If you’re not familiar with Zatoichi, the blind swordsman, just watch! 

The 17th century samurai, philosopher, and artist Miyamoto Musashi is considered a kensei— a “sword saint”— in Japan. Read a short Bruce Eder essay on the first installment in the Samurai trilogy of films, in which Toshiro Mifune played Musashi.

If for whatever reason you crave more of what Tim’s smoking, visit the Patreon of the Mega Dumb Cast, or purchase a PDF of the Palladium game Ninjas and Superspies. 

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Jen and Tim enlist favorite guest Bitter Karella to explicate the inexplicable Dan Aykroyd/Gene Hackman buddy cop comedy, Loose Cannons!

Not to get all fact check dot org on you all, but the Dissociative Identity Disorder website has science-based information on what was misrepresented as “multiple personality disorder” in the movie.

Busy Inside is a compassionate documentary about people with DID.

Read an article about the Southern California Sorcerers, a writer’s group which included future Loose Cannons scribe Richard Matheson and some other guys like Rod Serling, Ray Bradbury, and Harlan Ellison. Excelsior!

Hear the closing theme sung by Katey Sagal (!), ripped “straight from the uncompressed Laserdisc track.”

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Tim and Jen make hay out of the 1988 comedy Hot to Trot, which killed Bobcat Goldthwait’s career for two decades. The horse was unscathed.

Hear the entire episode at our Patreon and get access to more than 50 other bonus episodes!

Tim confused God Bless America with Red State (and Jen did not catch the error, shame on her) — the other movie from 2011 with a divisive title and middling reviews about a gun-toting ingenue.

On his blog, script doctor Andy Breckman reminisces unkindly about working on the screenplay. 

Listen to the Q&A we discussed in the episode, in which Goldthwait puts the screws to the interviewer for opening with a question about Hot to Trot.

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Jen and Tim reflect on one of the great neo-noir films of Hollywood’s second golden age, Night Moves.

Senses of Cinema has a thoughtful essay on the film by Bruce Jackson. 

We didn’t get a chance to talk about the film’s writer, Alan Sharp, who said his own screen work embodied “moral ambiguity, mixed motives and irony.” Matthew Asprey Gear describes the protracted gestation of Night Moves and illuminates some biographical details about Sharp in an article for Bright Lights Film Journal. 

Read Alan Sharp’s obituary at the Guardian. 

For more Melanie Griffith, check out our episode on Roar, the absolutely wrong-headed movie project inflicted on her by mom Tippi Hedren and stepdad Noel Marshall.

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Tim and Jen welcome back Sean Morris to discuss one of Spike Lee’s most fascinating and controversial trainwrecks, Bamboozled.

Per Sean’s recommendation, check out the official video for “Lovin’ It” from Little Brother’s “too intelligent” album The Minstrel Show.

If you’re curious about the camera Spike Lee used to make Bamboozled, you can read a history of the Sony DCR-VX1000 here.

In 2005, Dr. David Pilgrim wrote a powerful essay about the collection that became the foundation of the Jim Crow Museum at Ferris State University in Big Rapids, Michigan. In “The Garbage Man: Why I Collect Racist Objects” he reflects on the emotional toll collecting exacted on him, as well as the anger and sadness the objects still inspire and the lingering stain of anti-black bigotry in the United States.

Watch the Levi’s 501 button-fly jeans commercial directed by Spike Lee and starring…Rob Liefeld lol

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Jen and Tim are joined by Darren “Sebebe” Herczeg to reassess Michael Mann’s profoundly flawed fantasy/horror film, The Keep!

Kit Rae’s exhaustive fansite may be the definitive document on The Keep at this point, but there’s also a documentary more than ten years in the making on the same subject. You can follow the filmmakers for updates on Twitter! 

Read Michael Mann’s original screenplay for The Keep!

Watch the ending cut from the theatrical release and inexplicably appended to TV versions of the film.

And after you’ve done that, watch Mann’s wonderful telefilm The Jericho Mile so Jen will finally shut up about it.

When you're sick of The Keep, join Sebebe for the online I Swing, You Swing game.

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Tim and Jen are overwhelmed by the raw charisma of Jacques from the Seeking Derangments podcast in a truly chaotic episode nominally about the chaotic 1977 film House!

Via Senses of Cinema, read a retrospective on Nobuhiko Obayashi’s career that also serves as a defense of his filmmaking style.

You can see a sampling of Obayashi’s commercial work on YouTube. Don’t miss the MANDOM spot starring Charles Bronson.

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Jen and Tim revisit an old favorite, Peter Hyams’s “High Noon in Space,” aka Outland!

Jen is incorrect when she asserts that John Wayne was considered for the part of Marshal Will Kane in High Noon; Kramer and screenwriter Carl Foreman wanted a hot young star like Brando or Gregory Peck. Wayne, along with other Hollywood reactionaries including Hedda Hopper, did pressure Gary Cooper into withdrawing from a proposed production company headed by High Noon screenwriter and HUAC target Carl Foreman.

The story of High Noon and Carl Foreman is told at length in Glenn Frankel’s book High Noon: The Hollywood Blacklist and the Making of an American Classic. You can read an excerpt on the Vanity Fair website.

By the way, you can browse the Outland press kit!

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