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Critic, photographer and artist, Hilton Als joins Kate and Medaya to discuss his debut play, Lives of the Performers, which tells the story of actress Sheryl Sutton, one of the lead actors in Robert Wilson's ground-shattering troupe in the 1970s. Als, the former theater critic at the New Yorker, also discusses his fascination with twins, writing a play, and the role race has played in the history of the avant-garde. The show also includes a spirited debate among the hosts about this year's soporific Golden Globes: are woke actors enough to keep you awake? Also, legendary film critic J Hoberman returns to explain why his favorite film of 2019, Mary Harron's Charlie Says, was a superior take on the Manson Family saga than Quintin Tarantino's Once Upon a Time in Hollywood.
By Los Angeles Review of Books4.9
131131 ratings
Critic, photographer and artist, Hilton Als joins Kate and Medaya to discuss his debut play, Lives of the Performers, which tells the story of actress Sheryl Sutton, one of the lead actors in Robert Wilson's ground-shattering troupe in the 1970s. Als, the former theater critic at the New Yorker, also discusses his fascination with twins, writing a play, and the role race has played in the history of the avant-garde. The show also includes a spirited debate among the hosts about this year's soporific Golden Globes: are woke actors enough to keep you awake? Also, legendary film critic J Hoberman returns to explain why his favorite film of 2019, Mary Harron's Charlie Says, was a superior take on the Manson Family saga than Quintin Tarantino's Once Upon a Time in Hollywood.

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