When work resumes in Hollywood, the business of show business will be very different, from how films are made, to where they’re shown, to what defines a box office hit. “Mulan” Producer Jason Reed is dealing with those challenges now, as he waits for the much-delayed release of his film. But he’s hopeful that some of the changes will lead to lasting solutions to Hollywood’s problems. He’s advocating for better financial support for the freelancers who are the backbone of Hollywood’s gig economy. He’s also calling for changes in the executive suites, so that more diverse voices can “shift the dominant paradigm.”

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With his comedy series  “Black-ish” and  “#blackAF,” Kenya Barris has never avoided difficult conversations about race. Entertainment, especially comedy, he says, will push those conversations forward, but there need to be many more versions of what Black lives and other underrepresented experiences look like.

Hollywood, The Sequel sponsors include:

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Just as advocates for meaningful police reform say you can't simply reassemble broken pieces, Ava DuVernay argues that reform won’t be enough to fix Hollywood. The director of “Selma” and “When They See Us” believes it’ll take drastic change in the executive suites of the networks and studios if Hollywood wants to rid itself of bias. 

Hollywood, The Sequel sponsors include:

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The ACLU lawyers in “The Fight,” Kerry Washington’s new documentary, want justice for all. And so, too, does Washington. The actor and producer says when work begins again, it won't be enough for Hollywood to be not racist. It has to be actively anti-racist if the industry wants to be an agent of change. 

Hollywood, The Sequel sponsors include:

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Introducing a new podcast from LAist Studios hosted by John Horn. Entertainment decision makers, celebrities, creators and beyond discuss how to fix Hollywood.