By nature, the id of a creative is often occupied by abstract fragments, waiting to be manifested. But sometimes the spark to bring something new to fruition only arrives with a change of scenery. And a recent case of such comes courtesy of Denmark’s Markus Artved.

An accomplished producer who’s lent his ear to Lukas Graham alongside several Scandinavian up-and-comers, Artved’s also been praised for his sound design and music composition in Denmark’s theater and play circuit. Those endeavors already embedded in his aura, last year Markus made what turned into a pilgrimage of sorts to the U.S., a trip that unlocked a previously-oppressed appetite in Artved.

Enter Honey Hideouts. Less a departure from his typical wheelhouse and more an extension of his intrinsic passion, this solo aspiration takes cues from ’60s-’70s psych-pop icons with a twist indie and jazz here and there. The inspiration became a reality after a recent respite from the hustle and bustle of Copenhagen at Artved’s remote family cottage out near the North Sea, and today we received the inaugural dip from Honey Hideouts’ jar.

The first comb from what’s set to be a fuller hive in 2024, “Goodbyes”, despite its farvel-bidding title, is a warm introduction to Honey Hideouts. At a steady tempo that feels like stirring around a gloopy pot, crystallized electric guitar, a viscous rhythm section, and Artved’s unhurried, mellifluous singing, “Goodbyes” is just sticky enough to keep buzzing in your head well after the tune’s deliciously abrupt ending.

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