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Classical film scores have given us some of the most recognisable music ever written – and film screenings with a live orchestral soundtrack in the concert hall are increasingly popular. But where do you start when writing a soundtrack and how do you capture that magic? Michael Beek speaks to British film composer Anne Dudley.
This episode is sponsored by Bang & Olufsen.
Musical Excerpt:
Anne Dudley ‘Main Title’ from Elle (Original Motion Picture Soundtrack)
The Chamber Orchestra of London/Anne Dudley
Sony Classical 88985361012 (2017)
https://www.amazon.co.uk/Elle-Original-Motion-Picture-Soundtrack/dp/B01KJ331FS
Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Classical film scores have given us some of the most recognisable music ever written – and film screenings with a live orchestral soundtrack in the concert hall are increasingly popular. But where do you start when writing a soundtrack and how do you capture that magic? Michael Beek speaks to British film composer Anne Dudley.
This episode is sponsored by Bang & Olufsen.
Musical Excerpt:
Anne Dudley ‘Main Title’ from Elle (Original Motion Picture Soundtrack)
The Chamber Orchestra of London/Anne Dudley
Sony Classical 88985361012 (2017)
https://www.amazon.co.uk/Elle-Original-Motion-Picture-Soundtrack/dp/B01KJ331FS
Learn more about your ad choices. Visit podcastchoices.com/adchoices

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