Hack Music Theory

How to Write Energetic BASS Lines • Music Theory from The Chemical Brothers "No Reason"


Listen Later

 

 

How to Write Energetic BASS Lines

 

 Step 1. Rhythmic Energy

 

There’s a super energetic bass line in the new single “No Reason” by The Chemical Brothers. To write a bass line like this, you need a lot of movement. Not just rhythmic movement, but melodic movement too. So, start by writing an energetic 2-bar rhythm for your bass line. Just use one pitch for now. We used A. You see, if you can get your bass sounding cool on one note, imagine how amazing it’s gonna sound when you bring in the melodic movement!

Here are three guidelines for writing your rhythm. First, use a combination of 1/8 notes and 1/16 notes. This provides speed and variety. Second, use lots of rests. This allows your bass line to breathe. And third, use a few syncopated notes, which are off-beat accents. This makes it groove! And by the way, the tempo is 128 BPM.

 

Free Book

Just before we jump into the next step. If there’s an artist you want us to hack, drop us a comment. Also, are you new to music theory? Or are you experienced, but you want a refresher? Then download our FREE BOOK (link opens in new tab). It only takes 30 minutes to read, then you’ll have a solid theory foundation that you can instantly apply to your songwriting and producing.

 

 Step 2. Melodic Energy

 

Now it’s time to add melody. So, first think about the chord progression you want your bass to outline. We’re in the key of A minor here, which is all the white notes from A to A. And the chord progression we chose to outline is: Gmaj, Fmaj, Am. Next, move some of your notes an octave higher. This hugely increases the energy, because it hugely increases the melodic range.

It’s sounding good already, but the bass is still only playing the root note of each chord. So, next you wanna move some notes off the roots. Over the Gmaj, we’re playing F a couple times. That’s the ♭7. This is a funk favourite, so try to use a ♭7 somewhere. Over the Fmaj, we’re playing E a couple times, which is the 7.

And by the way, the ♭7 (over G) followed by the 7 (over F) creates a motif. A motif is a short musical idea, which is repeated to give music structure and make it more memorable. Then lastly, over the Am, we played C. That’s the ♭3. This creates some variation. And, the ♭3 is also another funk favourite, so throw one in somewhere if you can!

 

 

PODCAST

Listen below, or on any podcast app.

...more
View all episodesView all episodes
Download on the App Store

Hack Music TheoryBy Ray Harmony

  • 3.8
  • 3.8
  • 3.8
  • 3.8
  • 3.8

3.8

50 ratings


More shows like Hack Music Theory

View all
This American Life by This American Life

This American Life

91,110 Listeners

Fresh Air by NPR

Fresh Air

38,472 Listeners

Stuff You Should Know by iHeartPodcasts

Stuff You Should Know

78,320 Listeners

Stuff You Missed in History Class by iHeartPodcasts

Stuff You Missed in History Class

23,800 Listeners

StarTalk Radio by Neil deGrasse Tyson

StarTalk Radio

14,238 Listeners

The Joe Rogan Experience by Joe Rogan

The Joe Rogan Experience

227,868 Listeners

Song Exploder by Hrishikesh Hirway

Song Exploder

5,971 Listeners

10% Happier with Dan Harris by 10% Happier

10% Happier with Dan Harris

12,758 Listeners

Lingthusiasm - A podcast that's enthusiastic about linguistics by Gretchen McCulloch and Lauren Gawne

Lingthusiasm - A podcast that's enthusiastic about linguistics

639 Listeners

The Daily by The New York Times

The Daily

112,360 Listeners

Up First from NPR by NPR

Up First from NPR

56,449 Listeners

Stoic Coffee Break by Erick Cloward

Stoic Coffee Break

397 Listeners

The Michael Shermer Show by Michael Shermer

The Michael Shermer Show

921 Listeners

The Daily Stoic by Daily Stoic | Backyard Ventures

The Daily Stoic

4,817 Listeners

The Ezra Klein Show by New York Times Opinion

The Ezra Klein Show

16,190 Listeners