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I never got all that serious about playing the piano, but I did take lessons for a number of years and remember the many challenges I ran into as the number and density of black dots on the page increased.
Mostly I remember how dependent I was on my vision. On the violin, I didn’t look at my fingers or music much at all. But on the piano, I was constantly looking at either the music or my hands (I know, I know, I probably shouldn’t have let myself do that...).
But have you ever wondered what it might be like to learn and perform music if you couldn’t see? Or what sighted musicians might be able to learn from musicians who are blind?
In today’s episode I’ll be chatting with concert pianist Ignasi Cambra, who will share insights on learning and performing that we can all apply to our own practicing and performing, from the perspective of a blind musician.
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By Noa Kageyama4.9
156156 ratings
I never got all that serious about playing the piano, but I did take lessons for a number of years and remember the many challenges I ran into as the number and density of black dots on the page increased.
Mostly I remember how dependent I was on my vision. On the violin, I didn’t look at my fingers or music much at all. But on the piano, I was constantly looking at either the music or my hands (I know, I know, I probably shouldn’t have let myself do that...).
But have you ever wondered what it might be like to learn and perform music if you couldn’t see? Or what sighted musicians might be able to learn from musicians who are blind?
In today’s episode I’ll be chatting with concert pianist Ignasi Cambra, who will share insights on learning and performing that we can all apply to our own practicing and performing, from the perspective of a blind musician.
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