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Kohn and Thompson remember the late film critic Richard Corliss, who was instrumental in Thompson's early career. They also discuss the latest additions to the Cannes Film Festival lineup as well as their disappointment over "Avengers: Age of Ultron" and what it means for the future of blockbuster filmmaking.
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This week, Kohn and Thompson examine the recent announcement of the 2015 Cannes Film Festival lineup while also delving into bigger questions surrounding the purpose of film festivals as a whole, the increasing role of television and a whole bunch of other issues. They also tackle another round of leaked Sony e-mails and discuss some of this week's new releases.
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Kohn and Thompson discuss several movies from last year's Cannes Film Festival back in the news this week: "Grace of Monaco," which was recently sold to Lifetime, as well as a pair of titles opening theatrically this weekend -- Ryan Gosling's much-maligned "Lost River" and "Clouds of Sils Maria," which has been generated a fresh wave of hype for Kristen Stewart's performance. They also discuss Alex Garland's "Ex Machina" and the recent exodus of talent agents at CAA.
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Kohn and Thompson debate the merits (or lack thereof) in "Fast 7," which leads to a broader discussion of studio movies and the tendency for Hollywood to hire young indie directors. They also speculate about the upcoming Cannes Film Festival lineup.
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In this week's episode, Kohn and Thompson explore some of the possibilities from the upcoming Cannes Film Festival lineup before digging into some of the selections of this year's TCM Classic Film Festival, which began this week with "The Sound of Music." What turns a movie into a "classic," anyway? From there, the hosts dig into Noah Baumbach's newly released "While We're Young" and explore the trajectory of the New York filmmaker's career. They also discuss another new release, the Hungarian drama "White God."
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